1,721,290 research outputs found
La scrittura filosofica di Guido D. Neri
Full text linkIl percorso filosofico di Guido D. Neri è ricostruito attraverso lo stile filosofico di scrittura, con una particolare attenzione agli ultimi saggi dedicati alla fenomenologia e alla pittura di Caravaggi
L'estetico, la pittura e l' "evento-Caravaggio". A proposito di alcuni scritti di Guido D. Neri
No full textInterpretazioni di Caravaggio. Guido D. Neri. Il sensibile e la pittur
MOSTRA: Immagini divine. Devozioni e divinità nella vita quotidiana dei Romani, testimonianze archeologiche dall'Emilia Romagna (Museo Archeologico di Castelfranco Emilia, 15 dicembre 2007 - 17 febbraio 2008)
No full textL'esposizione ha raccolto e inquadrato criticamente una considerevole serie di reperti archeologici di interesse documentario ed artistico connessi alle pratiche del culto privato della Cispadana romana. L'iniziativa, promossa dalla Soprintendenza Archeologica e dal Comune di Castefranco Emilia, con il patrocinio del Dipartimento di Scienze Storiche dell'Università di Ferrara, è stata accompagnata dalla pubblicazione di un catalogo curato dagli stessi organizzatori. Riferimenti in scheda di catalogo U-GOV: Immagini divine. Devozioni e divinità nella vita quotidiana dei Romani, testimonianze archeologiche dall'Emilia Romagna – 2007 [522552
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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