14,906 research outputs found
Scott Curtis Interview, 2008
No full textScott Curtis discusses his past work as a councilman and member of the WCPC. Issues discussed include the opening of trails and projects in Seven Hills, Hinkley, Pleasant Valley, and work with ODOT. Curtis also highlights his transition into the legal profession and the impact and influence of preservation and conservation in Cleveland on his career
Scott Curtis Interview, 2008
No full textScott Curtis discusses his past work as a councilman and member of the WCPC. Issues discussed include the opening of trails and projects in Seven Hills, Hinkley, Pleasant Valley, and work with ODOT. Curtis also highlights his transition into the legal profession and the impact and influence of preservation and conservation in Cleveland on his career
1995 Masters Nationals. L to R: Mike Curtis, Scott Curtis and Mike Levy.
No full textPhoto of some skiers at the 1995 Masters Nationals. Left to right: Mike Curtis, Scott Curtis and Mike Lev
Apetasimus atratus Scott, comb. nov.
No full textApetasimus atratus (Scott) comb. nov. Orthostolus atratus Scott in Sharp & Scott, 1908: 456. Diagnosis Similar to A. sordidus, being strongly transverse and dark. Black, brick red areas on elytra limited to base, antennae and legs brick red to dark brown. Differs from A. sordidus in male anal sclerite with lateral apical margin straight and convergent, apex truncate (Fig. 7 L), pygidium slightly narrower than base of anal sclerite, truncate to shallowly emarginate. Length 4.5–5.6mm, Width 1.8–2.3mm. Lectotype ɗ, glued to card, card labeled: " Orthostolus atratus, ɗ Haleakala, Maui, 5,000 ft., IV– 1894, Perkins, Type H.S." underside of card labeled " 116 ". [collection notes: " 116, All under bark, above 5,000 ft." (Perkins 1892–1897)] (BMNH). Paralectotypes: 2 Ψ (BMNH). 2 Ψ, 2 ɗ (BPBM).Published as part of Ewing, Curtis, 2006, Revision of the endemic Hawaiian sap beetle genus Apetasimus Sharp 1908 (Coleoptera: Nitidulidae), pp. 1-30 in Zootaxa 1385 on pages 28-29, DOI: 10.5281/zenodo.17508
The Last Angry Man: Benjamin Robbins Curtis and the \u3cem\u3eDred Scott\u3c/em\u3e Case
No full textThe dissenting opinion of Justice Benjamin Robbins Curtis in Dred Scott has generally received lavish praise from commentators. Curtis is typically praised not only for his substantive conclusions, but also for his seemingly dispassionate analysis of the legal issues presented by the case. In many respects, this praise is well-deserved; Curtis\u27s discussions of the issues of slavery in the territories and citizenship for free blacks are models of legal reasoning. However, a close analysis of other aspects of his opinion reveals that Curtis\u27s analysis was at times distorted by his anger with the actions of Chief Justice Taney and other members of the Dred Scott majority
Two new species of Neotropical Leptomorphus Curtis (Diptera: Mycetophilidae)
No full textFitzgerald, Scott J. (2021): Two new species of Neotropical Leptomorphus Curtis (Diptera: Mycetophilidae). Zootaxa 4985 (3): 423-431, DOI: 10.11646/zootaxa.4985.3.
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Love Letter
No full textPerformance at the B. Iden Payne Theatre, UT-Austin. Choreography: Yacov Sharir (Torus Knot, Over the Shoulder); Tomie Hahn (Streams); Andee Scott (Love Letter). Dance Company: Sharir+Bustamante Danceworks, with guest artists Curtis Bahn and Tomie Hahn and Spurse. Dancers: Yacov Sharir (Torus Knot); Kevin Briggs, Laura Cannon, Theresa Hardy, Alby Roblejo, Andee Scott (Over the Shoulder); Tomie Hahn, Yacov Sharir (Streams); Laura Cannon, Theresa Hardy, Nicole Russell (Love Letter). Performance Artist: Tomie Hahn. Lyric Performer and Composer: Ruth Margraff. Vocalist: Larisa Montanaro (Love Letter). Composer: Graham Reynolds (Torus Knot, Over the Shoulder); Curtis Bahn (Streams); :zoviet*france (Love Letter). Computer Animation: Yacov Sharir (Torus Knot); Yacov Sharir, Spurse (Streams); Nathan Jensen (Love Letter). Interface Designer: Curtis Bahn (Streams). Text: Andee Scott (Love Letter). Video Animation: Nathan Jensen (Love Letter). Lighting: Amarante Lucero. Costumes: Amy Burrell. Automated Body Research Team Project. Director/Engineer: Wei Yeh Co-Director/Senior Programmer: Brandon Wiley. Dancer/Engineer: Shelley Hardin. Costume Designer: Valerie Ward. Engineer: Marni Wilhite. Engineer: Andrew Litt. Videographer/Photographer: Michelle Herrin. Automated Body West: Janie Mehew. Special thanks to: Steven Hazel for Software Architecture Design, Malaika Boyd for Graphics and Web Design, Patrick Owens for Equipment Donation. Streams (interactive character by Tomie Hahn/Curtis Bahn): There is a dream state where memories become intertwined with the sensuality of the present. In recollecting streams, memories of places, bodies of water and land, technology, the flow of information, transmission, and liquid states arise. These memories, drawn from the body, awaken as gesture and sound. Through technology, this piece toys with the ephemeral quality of sound and the physical memory of time, sonic space, and sensory experience.Performance at the B. Iden Payne Theatre, UT-Austin.Theatre and Danc
Letter From William Bell Scott to Mr Chambers
No full textabstract: Concerning Scott's thanks, his writings about his own works, and a manuscript of "The Nightingale Unheard."Seller's Description: Reads "A.L.S. from Author to Mr. Chambers explaining how busy he is... The sonnet is printed in the book. Fredeman: 56.7 £87.50"Handwritten Note: Unknown handwriting at top right reads "June 1st 1877."Publication Details: "The Nightingale Unheard" published in "Poems" by William Bell Scott.Creation Date Details: Undated range is the author's lifespan.Provenance: Removed from:
Poems / by William Bell Scott. Ballads, studies from nature, sonnets, etc. / illustrated by seventeen etchings by the author and L. Alma Tadema. Publisher London : Longmans, Green, 1875. CALL #
HAYDEN SPECIAL COLL SPEC PRB-13
The unsettling of vision – tableaux vivants, early cinema, and optical illusions
No full text“This article was published as «The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions», in: Scott Curtis, Philippe Gautier, Tom Gunning, Joshua Yumibe (Hg.) The Image in Early Cinema. Bloomington: Indiana University Press, 2018, S. 26–35. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press. For re-use, please contact the Copyright Clearance Center (www.copyright.com, 508-744-3350). For all other permissions, please visit http://iupress.indiana.edu.
Surface and color – stenciling in applied arts, fashion illustration and cinema
No full text“This article was published as «Surface and Color: Stenciling in Applied Arts, Fashion Illustration and Cinema», in: Scott Curtis, Philippe Gautier, Tom Gunning, Joshua Yumibe (Hg.) The Image in Early Cinema. Bloomington: Indiana University Press, 2018, S. 132–141. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press. For re-use, please contact the Copyright Clearance Center (www.copyright.com, 508-744-3350). For all other permissions, please visit http://iupress.indiana.edu.
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