406 research outputs found

    The Merry Berries

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    This 1966 photograph taken by photographer Juanita Wilson shows the Merry Berries singing. The Merry Berries are Rhetta, Ruth, and Eddie Berry. Founder and director of the Mountain Youth Jamboree, Hubert H. Hayes (1901-1964) auditioned and directed youth to perform in folk dance, music, and folk and ballad singing. The jamboree was held in the Asheville City Auditorium (now known as Thomas Wolfe Auditorium) from 1948 to 1973, and Hayes’ wife, Leona Trantham Hayes (1913-1989) continued to direct the program after his death in 1964. Hubert Hayes was an author, playwright, and alumni of Duke University

    TUGAS DAN TANGGUNG JAWAB ORDER TAKER PADA HOUSEKEEPING DEPARTMENT DI ASTON HOTEL SIDOARJO

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    The purpose to be achieved in writing this Final Project is to determine the role of the order taker at Aston Hotel Sidoarjo. The author made observations in September 2021 until February 2022 on the duties and responsibilities of order takers. The author can conclude that the duties and responsibilities of the order taker in the housekeeping department at Aston Hotel Sidoarjo are receiving guest requests, making housekeeping administrative reports, and checking guest supplies

    Merry Berries

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    This 1970 photograph shows the Merry Berries (Rhetta, Ruth, and Eddie Berry) performing in the Mountain Youth Jamboree. Founder and director of the Mountain Youth Jamboree, Hubert H. Hayes (1901-1964) auditioned and directed youth to perform in folk dance, music, and folk and ballad singing. The jamboree was held in the Asheville City Auditorium (now known as Thomas Wolfe Auditorium) from 1948 to 1973, and Hayes’ wife, Leona Trantham Hayes (1913-1989) continued to direct the program after his death in 1964. Hubert Hayes was an author, playwright, and alumni of Duke University

    Data on the presence or absence of at least one geotagged Wikipedia page and/or Flickr photo, for designated areas in England

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    Presence or absence of at least one geotagged Wikipedia page and/or at least one Flickr photo in designated areas in England. There is also information on various characteristics of each designated area (the size of the designated area, population density, distance to the closest urban centre, species richness, maximum height of the landscape in the designated area, coastal location (T/F), waterbody present (T/F), river in the designated area (T/F) and number of public transport links in the designated area)

    Merry Berries

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    This 1966 photograph shows the Merry Berries (Rhetta, Ruth, and Eddie Berry) outside of Hubert Hayes Memorial Log Cabin attending the Western Carolina College Hubert Hayes Memorial event. Founder and director of the Mountain Youth Jamboree, Hubert H. Hayes (1901-1964) auditioned and directed youth to perform in folk dance, music, and folk and ballad singing. The jamboree was held in the Asheville City Auditorium (now known as Thomas Wolfe Auditorium) from 1948 to 1973, and Hayes’ wife, Leona Trantham Hayes (1913-1989) continued to direct the program after his death in 1964. Hubert Hayes was an author, playwright, and alumni of Duke University

    Sands of empire missionary zeal, American foreign policy, and the hazards of global ambition

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    In Sands of Empire, veteran political journalist and award-winning author Robert W. Merry examines the misguided concepts that have fueled American foreign policy since the end of the Cold War. The emergence in the George W. Bush administration of America as Crusader State, bent on remaking the world in its preferred image, is dangerous and self-defeating, he points out. Moreover, these grand-scale flights of interventionism, regime change, and the use of pre-emptive armed force are without precedent in American history. Merry traces the strains of Wilsonism that have now merged into an adventurous and hazardous foreign policy, particularly as described by William Kristol, Francis Fukuyama, Max Boot, and Paul Wolfowitz, among others. He examines the challenge of Samuel Huntington's supposition that the clash of civilizations defines present and future world conflict. And he rejects the notion of The New York Times's Thomas L. Friedman that America is not only the world's role model for globally integrated free-market capitalism, but that it has a responsibility to foster, support, and sustain globalization worldwide. From the first president Bush to Clinton to the second Bush presidency, the United States has compromised its global leadership, endangered its security, and failed to meet the standard of justified intervention, Merry suggests. The country must reset its global strategies to protect its interests and the West's, to maintain stability in strategic areas, and to fight radical threats, with arms if necessary. [from publisher description]

    The surrealist image of hell in Vasyl Stus’s poetry based on "Merry cemetery"

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    Vasyl Stus is the Ukrainian existential poet, who used aesthetic of surrealism and expressionism. This text presents surreal elements in the Vasyl Stus’s poems which are connected with the idea of hell. Author gives examples of different images of hell in European culture and literature and also analyzes the surrealist poems of Vasyl Stus from his book Merry Cemetery

    Response to Michael Merry\u27s Citizenship, structural inequality and the political elite

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    Michael Merry makes some insightful criticisms of Citizenship Education (CE) and its claims to promote deliberative reasoning and critical thinking which are associated with liberal democracies. However, he extends the scope of his criticism to include schooling and education in general. While the author agrees with his criticisms of CE specifically, he disagrees with his more generalised criticisms of education. (DIPF/Orig.

    Heraldic Imagery in Seventeenth-Century English Poetry

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    The significance of heraldic references in literature has been the subject of both antiquarian interest and recent scholarship. In the field of seventeenth-century poetry, there exists a small body of published work concerned with the use of heraldry by William Shakespeare, Ben Jonson and Jolin Cleveland. The aim of this thesis is to demonstrate the existence and significance of heraldic references in a wider range of seventeenth-century verse and poetry. It eschews assumptions regarding the use of heraldry by, or with reference to, a narrow social elite, and examines heraldic references published in broadsheets and used in songs, as well as in the privately- circulated manuscripts of the nobility. Chapter One offers a critical examination of a range of current scholarship concerned with heraldic readings of literature. Chapter Two demonstrates that formal heraldic references, affirming or celebrating their subject’s identity, were used in diverse genres, including dedicatory verses, encomia, epitaphs, elegies, epithalamia and anagrams. Chapter Three determines the social implications of the use of heraldry, with particular reference to epic and satirical verse, arguing that heraldic references in this period develop beyond their traditional, chivalric associations. Chapter Four discusses those works that include heraldic references as expressions of authority or political power, and considers their use in different contexts to affirm or undermine the position of individuals and groups within society. Chapter Five establishes the use of heraldry within religious or spiritual poetry and addresses whether its vocabulary was regarded as an expression of particular Christian values. Chapter Six explores the engagement of women writers with heraldry and considers how far their use of the language offered a challenge to the prevailing patriarchal culture. The Conclusion draws attention to the significance of the evolution of heraldry from the seventeenth century to the present day
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