1,720,961 research outputs found
"Litera Benaventana" a Bergamo
Riesame delle testimonianze note in merito alla definizione "scrittura beneventana" e recupero di una nuova fonte, cronologicamente anteriore a quelle fino a ora note
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Giuseppe Zander Restorer. The Methodological Approach to The Conservation Project
Giuseppe Zander was the "Proto" of the "Fabbrica di San Pietro": the architect who undertook the restoration of the most important complex of Christianity, after being a member of the Pontifical Commission of Sacred Art in Italy.In this capacity, the approach to the monument for Zander was of absolute respect, the knowledge of the architectural work was acquired through real sketches, annotations on the formal and constructive aspects, the building phases, the materials used, the degradation. The direct investigation was accompanied by the theoretical study with the bibliographic and archival research, from which derived the critical synthesis contained in his notebooks. From these studies emerges the full mastery of the subject and the opportunity to understand the context by an audience not necessarily made of experts, using a simple and immediate language, but at the same time cultured, full of classic quotations, from which emerges his figure of humanist.His designer activity as a restorer remains in all his projects, from which the mentioned concepts are outlined, with his careful theoretical reflection that precedes the restoration project, in which he acquires the values of the past architecture transposing them into modern forms through the use of modern techniques and technologies, in perfect union with construction techniques and local typological habits.Among many projects, we focus on the restoration of the "Collegiate Church of San Pietro" in Minturno (1966-67), in which we find the synthesis of the methodological path of Giuseppe Zander
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Difusión del patrimonio histórico construido en el Reino de Nápoles: el sistema de casas-torre en las llanuras de Garigliano y Volturno
[EN] The contribution offered focuses on a topic that has so far been little systematically investigated by historiography, but is equally stimulating for the complexity of the theme and the wealth of evidence that characterizes it: tower houses.It is a passive defense system conceived by feudal lords to defend their possessions, both from attacks coming from the sea and from internal ones. The construction of these factories, begun in the second half of the 16th century, integrated that of the coastal towers built from the 1630s onwards at the behest of the vice-kings of Naples (affecting the entire territory of the Kingdom, from the Tyrrhenian coast to the Adriatic coast). Much of the northern territory of the Kingdom of Naples was affected - the area investigated in this contribution - of which there are testimonies in the current province of Caserta: in the Garigliano Valley and in that of the Volturno, in the territories of Sessa Aurunca, Cellole, Mondragone, to push into the Aversa countryside up to Naples and even beyond, in Cilento.The typological and constructive aspects of these buildings are interesting, and closely recall the contemporary factories of the Papal State.Currently, many of them are privately owned and have lost the identifying features that characterized them, with the risk that important testimonies of a constructive practice that was in continuity with the central power may be lost.The research, investigating these architectures, aims to bring out the methodological process that favored their construction, the constructive and typological features that characterize them, to reach the conservation problems and advance proposals for the protection and enhancement of the cultural landscape that these determine.Crova, C. (2025). Difusión del patrimonio histórico construido en el Reino de Nápoles: el sistema de casas-torre en las llanuras de Garigliano y Volturno. Editorial Universitat Politècnica de València. https://doi.org/10.4995/FORTMED2025.2025.20293OCS53954
L'approccio metodologico nel cantiere di S. Antonio a Padova nella rilettura critica dell'attività di Camillo Boito attualità di un pensiero, continuità e discontinuità passato-presente, eresia e ortodossia in un cantiere di restauro
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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