1,721,104 research outputs found
Entre arte, técnica e tecnologia: algumas considerações sobre a bibliografia e seus gestos
No full textThis paper proposes a discussion on the concept of "bibliographic gesture", seeking to define it in relation to definitions of technique and technology. It tries to understand the core of doing of what we call bibliography, to the extent that it becomes librarian knowledge, expressing and organizing its tools. The main discussion individualizes two different operations, one of technical nature and the other technological. Without a clear hierarchical boundary between speculation and application, between science and technology, it is necessary to structure the discourse of bibliographic practices not yet articulated in theory. This is a bibliographical work that discusses concepts in a historical perspective, using authors who reflected on these issues, mainly Herbert Marcuse, Michel Foucault and Michel de Certeau. Indeed, technology understood as an organized system of devices to be used thanks to technical skills is a process that develops mainly along Modern Age, while bibliography, understood as a set of practices, also develops on the same temporal axis. Autonomy achieved by technology, especially in information studies, produces a set of problems for the development of bibliography. Our proposal is to retrieve an idea of bibliography as a technique identified as gesture that produces cultural expression
Between scientific communication, document science and information science: Ranganathan and documentation in the 1950s and 1960s
No full textThe post-World War II years represent a moment of international reflection on the concept of Documentation, due to the technological-scientific impulse and the constantly growing informational phenomena. Already in 1934, the discussion was outlined by Otlet, giving rise to reflections destined to channel the interests of librarianship and the nascent science of information. An analysis of the process of Ranganathan’s elaboration of the concept of Document and Documentation is proposed in order to understand how the author positions himself, in the rich dialogue involving eminent voices in the field of documentation, from Otlet (1934), Briet (1951) to neo-documentation theorists, in an attempt to better historicize his contribution to the development of Information Science
Narrativa como gesto bibliográfico: Gabriel Naudé entre erudição e política
No full textThe article proposes the contextualization of Gabriel Naudé as a librarian and thinker in his time, the century of absolutist development in France, and in an environment, that of French scholarly libertinism and libraries in the process of modernization. We consider that a contextualization of the activities of Naudé as a librarian and intellectual can help in a greater understanding of his bibliographic production. To achieve this, we have developed a brief analysis of the treaty Advis pour dresser une bibliothèque (1627), ando f his Bibliographia Politica (1633), characterized by the inauguration of the term bibliography and, at the same time, because it represents a specific typology of bibliography, the so-called literary history. Our path considered the reading of the sources as a starting point for the understanding of the texts, supported by a review of the bibliography
“O maravilhoso número das imagens”: os primeiros “catálogos” de coleções de arte no renascimento
Full text linkObjective: To present and discuss the writings of Marcantonio Michiel, Anton Francesco Doni, Paolo Giovio and Frei Sabba de Castiglione as examples of the pioneering configuration of Art catalogs.
Methods: Itusesbibliographicresearchmethods,withaqualitativeapproach,analyzingthetextsfromasetoftheoretical premises about what lists and catalogs are BALSAMO, 2017; ECO, 2009; OTLET, 1934; SERRAI, 2001). The premise discusses how such materials should be handled.
Results: It is observed that the selected authors produced texts that worked epistemologically, contributing to the formation of knowledge, putting information into circulation, establishing taxonomies and other similar processes.
Conclusions: The analyzed texts are presented not only as lists, but also as narratives. This placed the need to observe the use of language in its rhetorical formulations. We observed that the authors use styles that are quite different from each other and, certainly, still far from contemporary formulas in art catalogs. Such differences can be observed when, for example, they describe the same work in different situations and moments (as we highlight in the case of the description of a source present in the museum of Giovio)
Memory and heritage in the intercultural perspective of globalized tourism.
No full textA reflection is presented on the changes that can be observed in recent decades in relation to the concept of memory, demonstrating through examples how contemporary society is concerned with the construction of memories of a diverse nature and distinct from those of the past, in a reflection that is inserted in the proposal to discuss the processes of its constitution today. The question we pose about creation is what we can call "memory of the future," that is, the inheritance that we consider relevant and shareable with generations to come. It is this that we must confront, observing the changes in perspective to understand the ideals and even ideological framework within which these memories are selected and organized, to be shared by audiences within their own increasingly globalized dimensions. This is a proposal for exploratory and cartographic research, based on some experiences of museums and other spaces dedicated to memory and related to mass tourism. To address the theme, a historical procedure was chosen, from which can be witnessed aspects related to the social and narrative elements and narrative issues of interest of Memory. An overview is offered of the cultural construction of the historical relationship between an "ideal" center, represented by the European model and its traditions of memory, and the "colonized" territories that have been too often defined as "peripheral". We seek to understand the effects of the exportation of European ideals of memory by observing their effects on these "peripheral" territories. It is observed, in partial conclusion, that alongside already institutionalized heritage, new places of memory are being created, in response to an expectation of globalized tourism, which require language dictated by the cultural industry
Novas perspectivas do bem-estar cultural: o papel do terceiro setor no patrimônio cultural
No full textThis essay is based on research carried out in 2021-2022 by the Foundation School of Cultural Assets and Activities of the Italian Ministry of Culture. The data obtained provides an interesting overview of an emerging reality in the Italian third sector, “heritage communities” – formal or informal groups capable of enhancing and preserving the tangible and intangible cultural heritage of Italy. This article defines these heritage communities as pathways towards cultural well-being. It proposes to identify in heritage communities innovative mechanisms in terms of practices and policies of cultural well-being, a new form of well-being inspired by the World Health Organization’s recognition in 2019 of the fundamental relationship between care and cultur
A EXPANSÃO DO DOMÍNIO DO ARQUIVO: O CASO DO CSAC – CENTRO STUDI E ARCHIVIO DELLA COMUNICAZIONE.
No full textMATTERS OF ARCHIVES AND MEMORIES: POSTCOLONIAL IDENTITIES IN MASS CULTURAL PRODUCTS
Full text linkStarting from a proposal of Cultural Studies, this paper analyzes some products of cultural industry, more specifically: the novel Gould's Book of Fish, by Richard Flannagan (2003) and Picnic at Hanging Rock, by Joan Lindsay, first published in 1967, both in its version as a novel and in the two subsequent adaptations, first as a movie (Weir, 1975) and lately as a TV series of the same name (2018), available on streaming on the Amazon platform. We also focus on the BBC recent short series named Noughts + Crosses (2020), in which we observe the impossibility of representing “reverse racism”. These cultural products are observed through the prism of postcolonial theories. The paper identifies some issues related to the historical narrative produced through colonial archives and the silencing of other voices. It observes how the phenomenon of hybridization and cultural appropriation develops as a tool suitable for the construction of collective national identities in a postcolonial era of globalization
Memória, patrimônio e dissonâncias: ferramentas conceituais e epistemológicas para uma mudança de paradigmas
Full text linkTo analyze the interactions between the concept of heritage as an object of historical construction and its effects in the context of current social practices. To observe the relationship between Culture, National Identity and Heritage. To discuss the concept of Dissonant Heritage through a case study, the Monument to Ferdinand I Grand Duke of Tuscany, known as The Four Moors. Methodology: This is a qualitative study of a theoretical nature, therefore bibliographical, which seeks, in an essayistic way, to launch hand of epistemological questions. Results: The proposal to use the concept of dissonant heritage plays a role of critique of the violence of modernity, and may focus on the elaboration of a cultural memory that confronts the different ethnic, class and gender hierarchization. Final considerations: The elaboration and application of the concept of dissonant heritage allows heritage to perform the function: of reorganizing memories in a comprehensive way and no longer tied to the idea of unifying national identities cultures
Sobre as concepções ideológicas da arte e de suas instituições: do Museu de Arte Contemporânea à concepção de Arquivo da Contemporaneidade.
No full textDiante de inúmeras mudanças que permeiam o universo dos museus e, em especial, das artes contemporâneas, as questões relacionadas à estética e à ordem econômica têm ocupado o lugar de destaque. Este artigo propõe-se a estudar, de um lado, a interação orgânica dos museus na proposição de valores da arte de ordem estético-econômicos; do outro lado, pretende indagar o fenômeno da arte dentro de um contexto diferente, o do sistema da comunicação, e da reorganização da proposição da arte não em museus, mas em arquivos, como proposição política. Com o intuito de entender o lugar e o papel dos museus ligados à arte e à contemporaneidade, propomos a elaboração de um mapa conceitual resumido da arte e dos museus entre os séculos XIX e XXI; esboçar as mutações nos processos de seleção e comunicação dos museus, na medida em que os conceitos de arte foram se imbricando nas transformações do capitalismo; e individualizar fenômenos relacionados à arte nos museus e suas propostas aos públicos.Abstract. As for the many changes that permeate the universe of museums and especially of contemporary art, the issues related to aesthetics and economic order have occupied a relevant place. This article aims to examine, on one hand, the organic interaction of museums in the proposition of values of art in the plan of aesthetics and economics. On other hand, it proposes to think art phenomenon in a different context, the communication system and the reorganization of art collections not in museums, but as archives as a political proposition. In order to understand the place and role of contemporary art museums, we propose the development of a brief conceptual map of art and museums between the XIX and XXI centuries and a sketch of the changes in the selection and communication processes of museums, to the extent that art concepts intertwined in capitalism changes and individualize art-related phenomena in museums and their proposals to publics
- …
