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    OCEANURB- the unseen spaces of Extended Urbanisation in the North Sea

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    PosterHistory, Form & AestheticsOLD History of Architecture & Urban Plannin

    The Urbanisation of the Sea: From Concepts and Analysis to Design

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    The book tells the story of the sea-land continuum based on the case of the North Sea — one of the world’s most industrialised seas, in which the Netherlands plays a central role. The space of the North Sea is almost fully planned and has been loaded with the task of increased economic production from new and traditional maritime sectors. At the same time, it has been emptied of cultural signi ficance. Through diverse projects from academia, art, literature, and practice, from analysis to design, the book explores synergies for designing this new spatial realm. Port city expert Carola Hein, professor of the history of architecture & urban planning at Delft University of Technology, and Nancy Couling, associate professor at the Bergen School of Architecture and researcher of the urbanised sea, combine forces with interdisciplinary experts to guide the reader through this complex and fascinating topic.History, Form & Aesthetic

    The Offshore Petroleumscape: Grids, Gods, and Giants of the North Sea

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    In the North Sea, one of the world’s most industrialized maritime basins, the petroleum industry has been largely responsible for the creation of new types of offshore spaces, making it a powerful vehicle of the urbanization of the sea. This chapter discusses the particular type of extended urbanization that emerged postwar in the North Sea in conjunction with the construction of its offshore petroleumscape. This urbanization is organized around unprecedented, tailor-made extended territorial frameworks (grids), characterized by huge installations such as “Ekofisk City,” constructed to high technical requirements with vast amounts of concrete and steel and a large-scale rotating workforce (giants); it incorporates intangible cultural dimensions in the construction of identities around these new geographic places (gods). Once established, the offshore petroleumscape leaves a formidable territorial legacy: it has set a precedent in transforming the North Sea into an energy seascape, which is being appropriated, renovated, and redirected toward renewables at the same time as processes of optimization are extracting the last hydrocarbons from existing fields and finding other substances to inject into their hollowed-out subsea spaces.History, Form & Aesthetic

    Energy Logistics of the North Sea: A crowded industrial void

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    Spaces of ocean-borne energy logistics and their landside extensions around the North Sea have developed into specialised, impermeable structures of energy extraction, transportation, transformation and storage. Despite the irregular dispersal of artefacts, the combination of both fixed and mobile infrastructure weaving through the North Sea has tied single sites together into a viscous territory of logistics – both solid and liquid and therefore hard to decipher. We argue that it is precisely the traits of invisibility, seclusion, operationalization and intersecting cycles of movement in time, that identify the North Sea as a site of unfolding processes of extended urbanisation and the most expansive layer of the global petroleumscape.History, Form & Aesthetic

    Blankness: The Architectural Void of North Sea Energy Logistics

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    Energy logistics have contributed to the gradual transformation of the North Sea into an industrial void. Referring to the concept of blankness articulated by Roberto Mangabiera Unger and Jeffrey Kipnis, Nancy Couling and Carola Hein call for imaginative architectural interventions that respond to the potential of logistic spaces lodged within the volume of the sea.History, Form & Aesthetic

    Narrative Cartography: Capturing a Holistic Perspective on Waterscapes

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    Water territories challenge inherited, land-based methods of capturing their history. They are a vital commons, where social, technical, political and cultural interests intertwine, potentially also causing conflict. Attention is currently focused both on the ecological importance of the water cycle for human well-being and ecosystem services, as well as on the unpredictable aspects of water through the effects of climate change. This paper argues that such interconnected challenges require new tools and methods of conceptualising and visualising waterscapes. Narrative cartography developed with citizen’s input, reveals itself to be a highly inclusive methodology which can capture neglected knowledge about the past as well as propose visions for the future. This method is discussed in two different geographic contexts through the academic projects Streamscapes in Germany and Mittelmeerland in the Mediterranean.History, Form & Aesthetic

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Seascape North Sea

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    GIS data sets describing the Seascape characteristics of the North Sea, including seafloor composition, bathymetry and fish population

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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