1,355,154 research outputs found
Cirkus king 2. rész : A revolveres esküvő
No full textDiaszám: 901[grafikus] Sátory ; [közread.] Corvin Fil
Névtelen vár. II. rész
No full textSátory Lipót a szignó melletti közlés szerint "Donáth eszméje után" készítette a plakátot.[grafikus] Sátory ; [közread.] Corvin Fil
A Corvin-koszorú átadása dr. Révész Imrének, 1935. május 13.
No full texthttp://www.lib.unideb.huDebreceni Egyetem Egyetemi és Nemzeti KönyvtárA kép a Corvin-koszorú átadásán készült, melyet dr. Révész Imrének adományoztak 1935. május 13-án. A képen balról: Orsós Ferenc, Kállay Kálmán, Révész Imre, Tóth Lajos rektor, Tankó Béla , Dávid Lajos látható
JACQUES POLIERI: CRIADOR DE UMA CENOGRAFIA MODERNA - MICHEL CORVIN
No full textRESUMO
Neste texto, que consta do catálogo da Exposição sobre Jacques Polieri na Biblioteca Nacional da França, Corvin desenvolve uma análise sobre a trajetória do diretor e cenógrafo desde as produções que realizou sobre textos de Ionesco e Tardieu nos anos 1950/1960, incluindo também criações teatrais encenadas a partir de obras de arte abstratas, passando pelas propostas arquiteturais inusitadas regidas pelo conceito de teatro do movimento total para o qual empreendeu pesquisas para a adoção de dispositivos mecânicos para os espaços teatrais que criou. A partir dos anos 1980, Polieri desenvolve estudos e projetos nos quais a tecnologia das novas mídias é utilizada em espetáculos intercontinentais, com transmissão simultânea online, anos antes da introdução da Internet. Polieri amplia o conceito de cenografia transformando-a na escrita e na modulação do espaço. Unindo estética e técnica, esteve sempre muito à frente de seu tempo.
Palavras-chave: Jacques Polieri; Teatro; Cenografia.
ABSTRACT
In this text, which appears in the exhibition on Jacques Polieri catalog at the National Library of France, Corvin develops an analysis of the director and set designer’s trajectory from the productions he staged on Ionesco and Tardieu’s plays in the 1950s and 1960s, also including theatrical creations inspired by the avant-garde abstract art. Corvin analyzed the unusual architecture proposed on the concept of “the to- tal movement theater” which was based on the adoption of mechanical devices for the theatrical spaces he created. Since the 1980s, Polieri developed projects employing the technology of new media in inter- continental shows, with simultaneous online broadcast, many years before the introduction of Internet. For Corvin, Polieri broadens the concept of scenography converting it into “writing and modulation of space”. Uniting aesthetics and techniques, Polieri has always been far ahead of his time.
Keywords: Jacques Polieri; Theater; Stage Design
Pour une réception « musicale » du théâtre contemporain
No full textBy way of stage writing, theatre has reached it visual specificity. Its acoustic specificity was also obtained, during the classical era, by giving to dramatic texts a musical look, thanks to figures of speech. Now the actor’s voice, producing breath and sounds, is matter and base from which to create a new dramatic language (for example in the Novarina’s plays) is possible.Le théâtre a conquis sa spécificité visuelle en inventant l’écriture scénique; il a su aussi proposer une spécificité sonore en dotant les textes d’une allure musicale, à l’époque classique, à l’aide de figures de style et de mots, avant que la voix de l’acteur (souffle et sons) devienne la matière première d’une langue nouvelle chez des écrivains contemporains (Novarina notamment).Corvin Michel. Pour une réception « musicale » du théâtre contemporain. In: Communications, 83, 2008. Théâtres d’aujourd’hui, sous la direction de Sylvie Roques. pp. 123-130
Pathos and the Mundane in the Symbolic Space of 1956 Revolution: the Case of Corvin-passage, Budapest
No full textThe Corvin passage is one of the most important symbolic spaces of 1956 revolution in Hungary. The majority of armed conflicts took place in Budapest, where the largest resistance group had to battle against Soviet tanks in the neighbourhood of the Corvin Passage. This study aims to highlight the fact that, even though a general shift has taken place from the pre-1990 policy to ‘forget’ to today’s established remembrance practices, the Corvin Passage still does not have a prominent position as a major historic site. Our research is based on a study of relevant national and international literature, on an analysis of documents relating to tourism site management, on historical sources related to the Corvin Passage, and on a content analysis of guide-books and websites. The authors would tribute to 70 anniversary of treading out of Hungarian revolution and war of independence with this paper
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
La bibliothèque de Mathias Corvin
No full texthttp://aedilis.irht.cnrs.fr/manuscrit/corvin.htmInternational audienceLa bibliothèque du roi Mathias Corvin (1458-1490) est l'une des plus importantes collections de l'Europe du Quattrocento. Deux cents manuscrits en subsistent, au nombre desquels figurent de véritables chefs-d'œuvre, réalisés par les plus célèbres copistes et enlumineurs. Imaginée par son fondateur dès sa montée au trône en 1458, cette bibliothèque est une puissante arme politique qui sert à Mathias, entouré de ses savants conseillers, à nouer ou à renforcer des alliances. Son développement reflète les étapes principales de son règne. La dispersion, commencée tout de suite après la mort du monarque et achevée dans les premières décennies du XVIe siècle (bataille de Mohacs), ne fait qu'augmenter sa renommée. La Corviniana devient alors un véritable mythe, célébré par les érudits de l'époque moderne. Après les travaux fondateurs de C. et de K. Csapodi, les recherches des vingt dernières années permettent désormais d'ouvrir de nouveaux questionnements. Lieu d'élaboration et de diffusion des idées, la Corviniana s'impose parmi d'autres bibliothèques contemporaines, alors que la Hongrie occupe une place stratégique entre Orient et Occident. Donatella Nebbiai proposera quelques points de réflexion, liés aux thèmes des modèles, des espaces, des textes et des réseaux savants
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