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(書簡)Corea, Gamani, Strong, Maurice F., Kollontai, Berthoudと都留との間の往復電報
No full textStrong, Maurice F(UNEP), Corea, Gamani(UNCTAD)オリジナルの所在: 一橋大学経済研究所資料室都留重人氏より寄贈1-T-1-01/0
(書簡)Date: 1964/9/23 ; Sender: Corea, Gamani ; Receiver: Tsuru, S (Shigeto)
No full textCentral Bank of Ceylon用紙書簡オリジナルの所在: 一橋大学経済研究所資料室都留重人氏より寄贈1-B1-06-05/00
International Development Perspectives for the 90s (The Distinguishedl Lecture)
No full textChairman, Professor Naqvi, Professor Klein, Dr Kemal,
Distinguished Participants, First let me express my deep gratitude to
the Pakistan Society of Development Economists for having invited me to
be present on this occasion to take part in this Seventh Annual General
Meeting. I feel privileged indeed to be here. It is not the first
occasion I ha~e had to visit Islamabad; but on this occasion, more than
on previous ones, I have had the opportunity - thanks to this meeting -
of making contact with so many economists and research workers in
Pakistan. I have been given a subject which seems to be a little bit
removed from the issues that have been discussed, and will be discussed,
over the period of this session. I have been asked to talk about
international development perspectives for the 90s. No doubt the reason
which prompted Professor Naqvi to suggest this title, and to invite me
in fact, was that I had the honour of being Chairman of the UN General
Assembly's exercise on the preparation of a Strategy for the 90s, the
socalled Fourth United Nations Development Decade. The General Assembly
established, as was its practice on previous occasions, what is called a
"Committee of the Whole" charged with the function of formulating and
negotiating the text of what might be a Strategy for the 90s. This
exercise was launched in the middle of 1989 and was concluded - I am
happy to be able to say - on the 21st of December 1990, just a few weeks
ago, when the Strategy was adopted by consensus by the Plenary of the
General Assembly. The Strategy designates the Fourth Development Decade,
the decade of the 90s, as starting on the 1st January of 1991 and ending
on the 31st of December of the year 2000. So, today we are in the ninth
day of the development decade of the United Nations
Issues for the international community 1978
Get PDFProgress in the restructuring of economic relations between developing and industrial countries has been insignificant in recent years and the current international economic situation is characterized by sluggishness of growth, intensifying protectionist pressures and persistent international monetary instability. Against this background the following article explains the tasks facing the international community in 1978 from UNCTAD’s point of view
Need for Change Towards the New International Economic Order
No full textNeed for Change: Towards the New International Economic Order represents a selection of speeches given during the period 1974 to early 1980. The speeches are grouped in terms of broad phases or periods in the development of the United Nations Conference on Trade and Development's (UNCTAD) work. In most cases they are transcripts from oral presentations and are reproduced more or less as delivered. The volume is organized into five parts. Part I discusses the background against which the specific activities of UNCTAD were being fashioned. Part II presents a diagnosis of the weaknesses besetting the world economic system from the point of view of the developing countries. Part III sets out and explains specific proposals put forward by the UNCTAD secretariat as suitable curative measures. Part IV covers the case for comprehensive, interrelated reform of trading relations; details of the proposed new mechanisms tabled by the secretariat from time to time; and discussion of the characteristics of various individual commodities and their particular importance in the trade of the developing countries. Part V focuses on the role of UNCTAD in the UN system, which entails discussion of the structure of the system as a whole and examination of the nature of international economic negotiations, in both their substantive and procedural aspect
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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No full textVariations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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