2,153 research outputs found
Ashley Solcher ‘98, D.B. Cooper
No full textAshley Solcher ‘98 on Holly Crenshaw’s D.B. COOPERhttps://digitalcommons.hollins.edu/riding/1035/thumbnail.jp
Engineering of an intersubunit disulfide bridge in the iron-superoxide dismutase of Mycobacterium tuberculosis
No full textWith the aim of enhancing interactions involved in dimer formation, an intersubunit disulfide bridge was engineered in the superoxide dismutase enzyme of Mycobacterium tuberculosis. Ser-123 was chosen for mutation to cysteine since it resides at the dimer interface where the serine side chain interacts with the same residue in the opposite subunit. Gel electrophoresis and X-ray crystallographic studies of the expressed mutant confirmed formation of the disulfide bond under nonreducing conditions. However, the mutant protein was found to be less stable than the wild type as judged by susceptibility to denaturation in the presence of guanidine hydrochloride. Decreased stability probably results from formation of a disulfide bridge with a suboptimal torsion angle and exclusion of solvent molecules from the dimer interface.<br/
Box 26-3, Neg. No. 38046: Cooper Family
No full textThis black and white photograph features a portrait of the Cooper family - a man and woman are standing with a girl and two boys. The man is wearing a suit, the woman and girl are wearing light dresses, and the boys are wearing light outfits. D.B. Cooper ordered the photograph.https://scholars.fhsu.edu/stafford_county/4183/thumbnail.jp
Dr D.B. Smuts : Onderstepoort staff
No full textScanned image of a photographic glass-plate negativeDr D.B. Smuts, Onderstepoort staff memberin the Section of Nutrition in the late 1930's. He was co-author of the article "The Nutritive Value of Animal Proteins.-
The Biological Values of Fishmeal, Whale and Fishmeal, Meatmeal, Meat and Bonemeal, Crayfishmeal, and White Fishmeal" published in the Onderstepoort Journal of Veterinary Science and Animal Industry, Volume 16, Numbers 1 and 2, January and April, 1941.Digitised by the Department of Library Services, University of Pretoria, 2019ab201
Letter, 1858 May 8, D.B. Sanchez (?) to Henry Honaker
No full textLetter regarding the sale of a bull. Last name of author unclear, possibly Sanchez or San..z
The Dogma of Dingoes—Taxonomic status of the dingo: A reply to Smith et al.
No full textFIGURE 2. Maximum likelihood tree of Gray Wolves, Dingoes, village dogs and ancient dog breeds. We used PLINK to filter the merged dataset created for Fig. 1, and we used TreeMix v. 1.13 (Pickrell et al. 2012) to generate a maximum likelihood tree modelling shared ancestry and splits with no migration edges.Published as part of Jackson, Stephen M., Fleming, Peter J.S., Eldridge, Mark D.B., Ingleby, Sandy, Flannery, Tim, Johnson, Rebecca N., Cooper, Steven J.B., Mitchell, Kieren J., Souilmi, Yassine, Cooper, Alan, Wilson, Don E. & Helgen, Kristofer M., 2019, The Dogma of Dingoes-Taxonomic status of the dingo: A reply to Smith et al, pp. 198-212 in Zootaxa 4564 (1) on page 204, DOI: 10.11646/zootaxa.4564.1.7, http://zenodo.org/record/371370
The Documentary Art of Filmmaker Michael Rubbo
No full textMichael Rubbo’s groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo’s filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo’s post-NFB venture into feature film directing, followed by Rubbo’s return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube. Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo’s wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo’s films, but also the depth of their influence on filmmaking itself
The Documentary Art of Filmmaker Michael Rubbo
No full textMichael Rubbo’s groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo’s filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo’s post-NFB venture into feature film directing, followed by Rubbo’s return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube. Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo’s wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo’s films, but also the depth of their influence on filmmaking itself
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