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Finding Aid for Graphic Communications Department Files, 1966-
No full textThe origins of the Graphic Communications Department began with the arrival of Charles E. Eslinger who was placed in charge of "Printing, Primary Handwork" in 1912. In 1919, C.W. Hague came to Stout to teach printing. He, in turn, was replaced by William Baker in 1933. Baker had additional duties handed to him when he was placed in charge of Printing and Publications. In 1947, Baker became head of the Department of Graphic Arts. Two years later, Lloyd Whydotski was hired and soon replaced Baker following his death. In 1971, the Graphic Arts Department and the Industrial Graphics Department were merged to form the Graphic Communications Department, with William Amthor as its first department chair.This collection includes correspondence, departmental policies, and reports from the Graphic Communications Department
ArtsQuest publicity postcard
No full textThe BSC Arts and Communications Department welcomes you to ArtsQuest 2013, a celebration fo music, art, theater, film and literature. Join us for events featuring students and guest artists. Guest artists include: Six Appeal (men's vocal group), author & graphic designer Chip Kidd, and the Paper Birds Theatre Company
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
BSC Arts and Communications Department faculty
No full textBSC Arts and Communications Department faculty. Front row (left to right): Carol Cashman, Michelle Lindbloom, Karen Bauer, Erin Price, Jane Schreck. Back row: John Barry, Josh Kern, Tom Stein, Lynn Severson, Barb Jirges, Dan Rogers, Brian Hushagen, Katherine Netzer, Jane Greer
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
2013 ArtsQuest
No full textThe BSC Arts and Communications Department welcomes you to ArtsQuest 2013, a celebration fo music, art, theater, film and literature. Join us for events featuring students and guest artists
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