19,266 research outputs found
Anna Colleen Coleman in a Senior Soprano Recital
This is the program for the senior soprano recital of Anna Colleen Coleman. Ms. Coleman was accompanied on the piano by Rebecca Moore, and assisted by flautist Shayla Blake and soprano Shelly Smith. This recital took place on April 22, 1996, in the McBeth Recital Hall in the Mabee Fine Arts Center
Coleman Sawmill
Samuel Coleman standing next to the steam boiler at the Coleman Sawmill. Others in the picture are Anna Coleman, Evan Coleman, Ann Coleman, Con Torgerson, Rotia Coleman. Picture courtesy of Burr Coleman. One of the photographs gathered for the Forest History Book
Colonel James Coleman
Studio portrait of Col. James Coleman of Lexington, KY in Confederate military uniform. He is the father of Anna Wright Church.https://digitalcommons.memphis.edu/speccoll-0071-church-gallery1/1112/thumbnail.jp
Coleman, Jr., Robert Milton
Robert Milton Coleman, Jr., LL.B.
Bowling Green, KY
-The Kentuckian, 1923----------------------------------
Robert Milton Coleman, Jr. (September 23, 1899 - April 21, 1982) was born in Bowling Green, Kentucky to Robert Milton Coleman, Sr. and Anna Lois Wooten. Coleman attended Ogden College before attending the University of Kentucky. He began practicing law in Bowling Green after receiving his LL.B. in 1924. Coleman became a pivotal member of the Mammoth Cave National Park Committee which worked to make Mammoth Cave a National Park. Coleman served multiple terms as Master Commissioner for the Warren Circuit Court. He was sworn in as a circuit judge in the Eighth Judicial District in 1938. He served in this capacity until 1948 when he was appointed chairman of the Kentucky Public Service Commission. Coleman was re-elected as a circuit judge in 1964. He married twice--his wives were Mary Marshall McMeekin (m.1925-1959) and Mary Cooke (m. 1960).https://uknowledge.uky.edu/klapp_1924/1006/thumbnail.jp
Health and wellbeing boards differ in their levels of transparency, involvement and modes of operation
Health and Wellbeing Boards were introduced alongside the government’s structural reforms of the NHS, as new bodies aiming to bring together NHS commissioners, local government and others, and were expected to provide an important new forum for democratic input into the health service. Anna Coleman and Surindar Dhesi analyse the experience of Health and Wellbeing Boards so far, and find significant variations in practice, including in the inclusion of partner organisations, level of transparency and the role of elected councillors
An Article About Albertus C. Van Raalte, Author Unknown, Except for Parts Taken from an Article by Anna C. Post
An article about Albertus C. Van Raalte, author unknown, except for parts taken from an article by Anna C. Post. The author knew first generation persons in the Holland settlement and therefore, the article has some value.https://digitalcommons.hope.edu/vrp_1890s/1012/thumbnail.jp
Coleman Livestock Show Grand Champion
Burguess Stewardson, 13, son of Mr. and Mrs. W. T. Stewardson of Santa Anna, poses his 810-pound Hereford which was named grand champion steer of the Coleman Livestock Show. The animal was bred by Winston Brothers, Snyder.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/1500/thumbnail.jp
Richardson, Barbauld, and the construction of an early modern fan club
MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Selection of work by Anna Gerber
Various journals and magazines Anna Gerber has contributed to. Anna Gerber is a graphic designer and writer based in London.
She is the author and designer of All Messed Up: Unpredictable Graphics (Laurence King, 2004) and co-editor and co-designer
of Influences: A Lexicon of Contemporary Graphic Design (Die Gestalten Verlag, 2006) with Anja Lutz. She writes regularily for magazines such as Print, Eye, Creative Review, Varoom and Idea Magazine and her work has also been published in shift!, dot dot dot and +rosebud.
She teaches at the London College of Communication on the BA Graphic Design and MA Design Writing Criticism programmes. She has also held workshops and lectures across the U.K. (including Tate Modern and the V&A Museum), as well as in India, the U.S., Australia and Malaysia.
Anna Gerber is currently engaged in research and developing projects relating to sustainability and how it applies to graphic
design as well as exploring contemporary graphic design in India
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