1,720,957 research outputs found
Thematic parks and spaces in Argentine 1990-2010
No full textFil: Cocuzza, Pablo Ignacio. Universidad Nacional del Litoral. Facultad de Arquitectura, Diseño y Urbanismo; Argentina.Este trabajo aborda la problemática de la tematización en la arquitectura y se centra en el período 1990-2010 en Argentina. Se indagan los modos en que el fenómeno se vincula con ciudades, equipamientos culturales y espacios públicos, atendiendo a su dimensión formal, simbólica y material en el contexto de la cultura arquitectónica contemporánea.
El enfoque metodológico se centra en un análisis de casos que, teniendo como objeto de estudio los procesos de tematización arquitectónica, desarrolla una valoración crítica a partir de la contrastación de cuatro ejemplos emblemáticos: Parque Temático Tierra Santa (CABA); Parque Temático Histórico Famaillá (Famaillá) y Museo Pachamama (Amaicha del Valle) en Tucumán y Distrito Ciudad Puerto (Santa Fe).
La hipótesis que orienta la problemática considera que el simulacro representa uno de los problemas centrales de la tematización, es decir que, la idea de simulación resulta inherente a los diversos tipos de lugares tematizados. Entonces, se reflexiona en torno a los (potenciales) vínculos entre los atributos de diseño implicados en la tematización en sus diversas escalas y el simulacro, como fenómeno cultural de la sociedad contemporánea. Las reflexiones involucran tanto el nivel del objeto, como los proyectos que alcanzan la escala urbana y territorial. En esta misma dirección, se deriva una hipótesis referida al paralelismo entre el diseño de parques temáticos y proyectos urbanos en ciudades con vínculos en la tematización.This paper addresses the problematic of thematic architecture and focuses on Argentina in the period 1990-2010. The research is about the different ways through which this phenomenon is linked to cities, cultural centers and public spaces considering its formal, symbolic and material dimensions in the context of contemporary architectural culture.
The methodological approach is based on the case analysis, aiming to study architectural thematization processes. A critic revision is made contrasting four emblematic examples: Theme park Tierra Santa (CABA); Historical Theme park Famaillá (Famaillá), Museum Pachamama (Amaicha del Valle) en Tucumán y Harbor District Santa Fe City (Santa Fe).
The hypothesis that guides this problematic considers that a simulacrum is at the centre of the thematic question, which means that the idea of simulation is inherent to any kind of thematic places. The reflection is about the (potential) links between design attributes implied in the thematization at diverse scales and simulacrums as a cultural phenomenon of current society. The reflections address either to the object level so as to any kind of projects, even those of urban and regional scale. A derived hypothesis is about the parallelism between the design of thematic parks and urban projects in cities involved in this topic
Thematic parks and spaces in Argentine 1990-2010
No full textFil: Cocuzza, Pablo Ignacio. Universidad Nacional del Litoral. Facultad de Arquitectura, Diseño y Urbanismo; Argentina.Este trabajo aborda la problemática de la tematización en la arquitectura y se centra en el período 1990-2010 en Argentina. Se indagan los modos en que el fenómeno se vincula con ciudades, equipamientos culturales y espacios públicos, atendiendo a su dimensión formal, simbólica y material en el contexto de la cultura arquitectónica contemporánea.
El enfoque metodológico se centra en un análisis de casos que, teniendo como objeto de estudio los procesos de tematización arquitectónica, desarrolla una valoración crítica a partir de la contrastación de cuatro ejemplos emblemáticos: Parque Temático Tierra Santa (CABA); Parque Temático Histórico Famaillá (Famaillá) y Museo Pachamama (Amaicha del Valle) en Tucumán y Distrito Ciudad Puerto (Santa Fe).
La hipótesis que orienta la problemática considera que el simulacro representa uno de los problemas centrales de la tematización, es decir que, la idea de simulación resulta inherente a los diversos tipos de lugares tematizados. Entonces, se reflexiona en torno a los (potenciales) vínculos entre los atributos de diseño implicados en la tematización en sus diversas escalas y el simulacro, como fenómeno cultural de la sociedad contemporánea. Las reflexiones involucran tanto el nivel del objeto, como los proyectos que alcanzan la escala urbana y territorial. En esta misma dirección, se deriva una hipótesis referida al paralelismo entre el diseño de parques temáticos y proyectos urbanos en ciudades con vínculos en la tematización.This paper addresses the problematic of thematic architecture and focuses on Argentina in the period 1990-2010. The research is about the different ways through which this phenomenon is linked to cities, cultural centers and public spaces considering its formal, symbolic and material dimensions in the context of contemporary architectural culture.
The methodological approach is based on the case analysis, aiming to study architectural thematization processes. A critic revision is made contrasting four emblematic examples: Theme park Tierra Santa (CABA); Historical Theme park Famaillá (Famaillá), Museum Pachamama (Amaicha del Valle) en Tucumán y Harbor District Santa Fe City (Santa Fe).
The hypothesis that guides this problematic considers that a simulacrum is at the centre of the thematic question, which means that the idea of simulation is inherent to any kind of thematic places. The reflection is about the (potential) links between design attributes implied in the thematization at diverse scales and simulacrums as a cultural phenomenon of current society. The reflections address either to the object level so as to any kind of projects, even those of urban and regional scale. A derived hypothesis is about the parallelism between the design of thematic parks and urban projects in cities involved in this topic
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Inhabiting-is collective. Transitions between public and private in collective living. A project exercise on the Güemes neighborhood in Córdoba, Argentina
No full textFil: Perrote, Gonzalo Gastón. Universidad Nacional del Litoral. Facultad de Arquitectura, Diseño y Urbanismo; Argentina.”Habitar-es Colectivos” es un ejercicio proyectual como instrumento de indagación y relato sobre los espacios de intermediación en la vivienda colectiva desde cuatro aproximaciones que se contraponen y entrelazan mediante su relación público privada, creando así, nuevos imaginarios: resignificar el habitar colectivo en la ciudad consolidada como forma de renovación urbana sostenible.
La intención de este trabajo es consolidar un modo de posicionarse frente a la problemática de la vivienda colectiva, donde las teorías y casos de estudios son las herramientas e instrumentos de recortes para indagar el presente y pensar así el futuro próximo de las ciudades en proceso de consolidación. Respecto a esto, el hecho de reunir y clasificar casos de estudios como materia prima de indagación sobre los diferentes niveles de intermediación en la vivienda colectiva, nos permite concentrarnos en un entorno académico especifico, estimulando la reciprocidad entre los diferentes actores que se involucran en una misma problemática con el objetivo de tejer relaciones complementarias que alimentarán luego al proyecto como herramienta
de exploración práctica. Estas realidades construidas entrelazadas al ejercicio proyectual de verificar en un caso concreto sobre el barrio Güemes de la ciudad de Córdoba genera una teoría aplicada.
El trabajo que aquí comienza parte de otras investigaciones y hace uso de sus herramientas como así también de la practica proyectual construida que se toma como estudio, con el objetivo de brindarse hacia esta misma comunidad académica de la cual se alimenta, y juntos repensar las ciudades que habitaremos en el futuro inmediato."Inhabiting-is collective" is a design exercise as an instrument of inquiry, a story about the intermediation spaces in collective housing from four approaches that are opposed and intertwined through their public-private relationship, consequently creat-ing new imaginaries: resignifying collective living in consolidated cities as a form of renewal sustainable urbanism.
This work intends to consolidate a way of facing collective housing problems, where theories and case studies are the tools to investigate the present and near future of the cities in the consolidation process.
The fact to collect and classify case studies as material for inquiry about the different levels of intermediation in collective housing, allows us to concentrate in a specific academic environment, stimulating reciprocity between different participants that are involved in the same problem, weaving complementary relationships that will then feed the project as a practical exploration tool.
These constructed realities are intertwined with the exercise of verifying in a specific case in Güemes Córdoba, which gener-ates an applied theory. The work that begins here is part of future investigations and makes use of its tools as well as constructed design practice as a study, intending to provide itself to this same academic community from which it feeds, and together rethink the cities that we will inhabit in the immediate future
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Inhabiting-is collective. Transitions between public and private in collective living. A project exercise on the Güemes neighborhood in Córdoba, Argentina
No full textFil: Perrote, Gonzalo Gastón. Universidad Nacional del Litoral. Facultad de Arquitectura, Diseño y Urbanismo; Argentina.”Habitar-es Colectivos” es un ejercicio proyectual como instrumento de indagación y relato sobre los espacios de intermediación en la vivienda colectiva desde cuatro aproximaciones que se contraponen y entrelazan mediante su relación público privada, creando así, nuevos imaginarios: resignificar el habitar colectivo en la ciudad consolidada como forma de renovación urbana sostenible.
La intención de este trabajo es consolidar un modo de posicionarse frente a la problemática de la vivienda colectiva, donde las teorías y casos de estudios son las herramientas e instrumentos de recortes para indagar el presente y pensar así el futuro próximo de las ciudades en proceso de consolidación. Respecto a esto, el hecho de reunir y clasificar casos de estudios como materia prima de indagación sobre los diferentes niveles de intermediación en la vivienda colectiva, nos permite concentrarnos en un entorno académico especifico, estimulando la reciprocidad entre los diferentes actores que se involucran en una misma problemática con el objetivo de tejer relaciones complementarias que alimentarán luego al proyecto como herramienta
de exploración práctica. Estas realidades construidas entrelazadas al ejercicio proyectual de verificar en un caso concreto sobre el barrio Güemes de la ciudad de Córdoba genera una teoría aplicada.
El trabajo que aquí comienza parte de otras investigaciones y hace uso de sus herramientas como así también de la practica proyectual construida que se toma como estudio, con el objetivo de brindarse hacia esta misma comunidad académica de la cual se alimenta, y juntos repensar las ciudades que habitaremos en el futuro inmediato."Inhabiting-is collective" is a design exercise as an instrument of inquiry, a story about the intermediation spaces in collective housing from four approaches that are opposed and intertwined through their public-private relationship, consequently creat-ing new imaginaries: resignifying collective living in consolidated cities as a form of renewal sustainable urbanism.
This work intends to consolidate a way of facing collective housing problems, where theories and case studies are the tools to investigate the present and near future of the cities in the consolidation process.
The fact to collect and classify case studies as material for inquiry about the different levels of intermediation in collective housing, allows us to concentrate in a specific academic environment, stimulating reciprocity between different participants that are involved in the same problem, weaving complementary relationships that will then feed the project as a practical exploration tool.
These constructed realities are intertwined with the exercise of verifying in a specific case in Güemes Córdoba, which gener-ates an applied theory. The work that begins here is part of future investigations and makes use of its tools as well as constructed design practice as a study, intending to provide itself to this same academic community from which it feeds, and together rethink the cities that we will inhabit in the immediate future
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
