603 research outputs found
Flora Tristan Life Stories
No full textFlora Tristan is best known as a nineteenth century French social critic and reformer. Her writings can be seen as a precursor to Marxism and Feminism. Flora Tristan: Life Sories by Susan Grogan, investigates the life of Flora Tristan through an exploration of the way she represented herself in her own writings. The author also examines the portrayal of Flora Tristan in paintings and literature. Rather than adopting a chronological approach, the author surveys the personae of Flora Tristan through thematic chapters on her roles as author, socialist, traveller and "Mother of the Workers". She places Flora Tristan in the context of contemporary debates and ideas, adding to our understanding of the times in which Flora Tristan lived. Flora Tristan: Life Stories argues that Flora Tristan's self-representations were attempts to claim a role of authority and significance not open to women in the nineteenth century. This authoritative study also engages with attempts to re-evaluate the writing of biography and to explore the meaning of an individual life in historical context.Book Cover -- Title -- Copyright -- ContentsFlora Tristan is best known as a nineteenth century French social critic and reformer. Her writings can be seen as a precursor to Marxism and Feminism. Flora Tristan: Life Sories by Susan Grogan, investigates the life of Flora Tristan through an exploration of the way she represented herself in her own writings. The author also examines the portrayal of Flora Tristan in paintings and literature. Rather than adopting a chronological approach, the author surveys the personae of Flora Tristan through thematic chapters on her roles as author, socialist, traveller and "Mother of the Workers". She places Flora Tristan in the context of contemporary debates and ideas, adding to our understanding of the times in which Flora Tristan lived. Flora Tristan: Life Stories argues that Flora Tristan's self-representations were attempts to claim a role of authority and significance not open to women in the nineteenth century. This authoritative study also engages with attempts to re-evaluate the writing of biography and to explore the meaning of an individual life in historical context.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
L’héritage de Tristan Tzara a Moïnești
No full textTristan Tzara’s Heritage in Moineşti. This paper tries to underline the echoes of Tristan Tzara’s work in his birth town: Moineşti, Romania. The author presents the Literary and Cultural Association “Tristan Tzara” and also the Tristan Tzara Notebooks, a series of volumes about Tristan Tzara and Dadaism, with papers written by important scholars. Afterwards, the focus is put on some musical compositions inspired by the life and work of Tristan Tzara
Flora Tristan : Exile and peregrination
No full textFlora Tristan's life was punctuated by more or less voluntary exiles, from her Peruvian father to Gauguin's Danish children. Even her love life was marked by separations and numerous and painful wanderings from place to place around the world. The author briefly analyzes this existence and from there goes on to define the experience of absolute exile. Flora Tristan was at home nowhere. She reinvested each new place with the same intense wish for reconciliation with others without ever succeeding.Depuis son père péruvien jusqu'aux enfants danois de Gauguin, la vie de Flora Tristan est agitée par des exils plus ou moins volontaires. Sa vie sentimentale elle-même sera marquée par des ruptures et des errances nombreuses et douloureuses à travers le monde. A partir d'une analyse succinte de cette vie, l'auteur cerne l'expérience d'une exilée absolue. Nulle part Flora Tristan n'est chez elle; elle aura réinvesti chaque lieu nouveau de ce même rêve intense d'une réconciliation avec les autres, sans jamais y parvenir
Flora Tristan, Precursor Lecture by Magda Portal
No full textA major figure in Latin American struggles for women\u27s rights and social justice, Magda Portal (1900-1989) co-founded the revolutionary nationalist APRA Party of Peru and was the principal women\u27s leader of that party. In her Chilean exile Portal discovered the nineteenth century writer and social reformer, Flora Tristan. In 1944 Portal offered her first lecture on Tristan (1803-1844)—a brilliant diarist and journalist as well as a seminal social theorist, labor organizer, champion of women\u27s rights, and a significant precursor—arguably co-founder—of socialist internationalism. Expanding and revising her initial account, Portal continued into her later years to lecture on Tristan, whom she revered as an exemplary social fighter. The introduction by Weaver, author of Peruvian Rebel, The World of Magda Portal, situates the lecture in the context of Portal\u27s own life and her evolving views on the role of women in a developing country, noting parallels between Portal\u27s life and that of Tristan. Portal\u27s admiring narrative starts with Tristan\u27s beginnings as the daughter of an aristocratic Peruvian landowner living in Spain and France, proceeding through the father\u27s death, the family\u27s impoverishment, and Tristan\u27s awakening to the social misery occasioned by rapid industrialization. Portal traces Tristan\u27s journey to Peru to present herself as a hopeful but unrecognized heir to her late father\u27s lands. The publication of Tristan\u27s Peruvian diaries is mentioned: an acerbic critique of a decadent colonial upper class. Portal also treats Tristan\u27s travels in industrial London; her attempts to organize workers throughout the industrial zones of France; her involvement with the Chartists, the Utopians, and the proto-socialist circles that included Marx and Engels; as well as her attempts to escape a homicidal husband when divorce in France was outlawed. Portal\u27s bibliography and notes are supplemented by translator\u27s notes and bibliographical references
Connection of the magic potion and the adulterous love in comparison of medieval books: Cligès and Tristan et Iseut
No full textConnection of the magic potion and the adulterous love in comparison of medieval books: Cligès and Tristan et Iseut This thesis treats connection of magic potion and adulterous love. Main analyzed literary works are legend of Tristan and Isolde and Cligès. Another book is included to them: Frayre de Joy et Sor de Plaser because of its close relationship to those works by its topic of love and magical element. Many authors have composed books about the myth of Tristan and Isolde. This work is based on its French versions, written by Béroul, Thomas, Marie de France, Folie Tristan of Berne and Oxford, and Old Norwegian Saga whose author did not write it in French, but it had complete Thomas`s version as a model. Chrétien de Troyes, famous medieval writer, has created Cligès. The last literary work used in this thesis is an Occitan novel by an anonymous author. Theme of love triangle in Tristan and Isolde corresponds with the one in Cligès. It consists of a husband, a wife and her lover who is her husband's nephew. There are magic potions having great influence on the love of the main heroes in both of these stories. Freyre de Joy et Sor de Plaser has got a similar theme of the extramarital love and the magic herb. First chapter dwells on legend of Tristan and Isolde, the authors, main characters and the story...
Connection of the magic potion and the adulterous love in comparison of medieval books: Cligès and Tristan et Iseut
No full textConnection of the magic potion and the adulterous love in comparison of medieval books: Cligès and Tristan et Iseut This thesis treats connection of magic potion and adulterous love. Main analyzed literary works are legend of Tristan and Isolde and Cligès. Another book is included to them: Frayre de Joy et Sor de Plaser because of its close relationship to those works by its topic of love and magical element. Many authors have composed books about the myth of Tristan and Isolde. This work is based on its French versions, written by Béroul, Thomas, Marie de France, Folie Tristan of Berne and Oxford, and Old Norwegian Saga whose author did not write it in French, but it had complete Thomas`s version as a model. Chrétien de Troyes, famous medieval writer, has created Cligès. The last literary work used in this thesis is an Occitan novel by an anonymous author. Theme of love triangle in Tristan and Isolde corresponds with the one in Cligès. It consists of a husband, a wife and her lover who is her husband's nephew. There are magic potions having great influence on the love of the main heroes in both of these stories. Freyre de Joy et Sor de Plaser has got a similar theme of the extramarital love and the magic herb. First chapter dwells on legend of Tristan and Isolde, the authors, main characters and the story...
Dada Souleve Tout
No full textfull view, clockwise from top left: La Pensée by Aragon; Dada Soulève Tout by Tzara; transcription of Quelques Presidente et Presidentes by Tzara from Dada no. 6
Forbidden Love and Adulterous Affairs: An Analysis of the Portrayal of Tristan and Isolde throughout the Ages
No full textabstract: This project examines the literary figures of Tristan and Isolde, looking to see how each character is portrayed, how their portrayals change through time, and takes a socio-cultural perspective in attempts to explain why these portrayals were used, and why they changed. Three different versions of the Tristan and Isolde story from three different time periods were used: Le Morte Darthur by Sir Thomas Malory from the 1400's, Idylls of The King by Lord Alfred Tennyson from the 1800's, and the film Tristan + Isolde distributed by 20th Century Fox in the mid 2000's. For each version of the story, the primary text or film, along with secondary sources, were used to determine how each character was portrayed. This was done by examining Tristan and Isolde's physical appearances, stations in life, actions, and personality/tone. These portrayals from each version were then compared with portrayals from the other versions to determine what changes had occurred. Finally, secondary textual information was used to examine the culture in which each version was originally published, specifically examining such socio-cultural changes that could explain why the previously determined portrayals of Tristan and Isolde were used and why they differ from versions of these characters from different time periods. The results of this study found that some characteristics of Tristan and Isolde's portrayals do not change through time. Specifically, their physical appearances and stations in life are, for the most part, fixed. Tristan is always a handsome, strong, and noble knight/warrior while Isolde is always a beautiful and delicate princess. Other characteristics, such as personality/tone and actions do change drastically from one version to the next in accordance with the changing culture in which the authors and audience members lived
Intolerable love: Tristram's saga And The Carlisle Tristan Fragment
No full textThe article offers criticism on Brother Robert's translation of the book "Tristrams saga ok �söndar," written by Anglo-Norman poet Thomas. The author looks at evidence provided by the Carlisle fragment, and suggests that scholars consider the implications of the scene, where lovers Tristan and Queen �sönd drank the love potion, for the debate on the treatment of love by Icelandic saga authors
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