170,523 research outputs found
The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers
No full textIncludes bibliographical references (leaves 188-197).This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era
S. C. Thakur, Christian and Hindu Ethics, 1969
No full textClavier Henri. S. C. Thakur, Christian and Hindu Ethics, 1969. In: Revue d'histoire et de philosophie religieuses, 50e année n°3,1970. pp. 314-315
S. C. Thakur, Christian and Hindu Ethics, 1969
No full textClavier Henri. S. C. Thakur, Christian and Hindu Ethics, 1969. In: Revue d'histoire et de philosophie religieuses, 50e année n°3,1970. pp. 314-315
La Figure historique de Jésus. George S. Duncan, Jesus, Son of Man; Studies contributory to a modem portrait, London, Nisbet et C°, 1947
No full textClavier Henri. La Figure historique de Jésus. George S. Duncan, Jesus, Son of Man; Studies contributory to a modem portrait, London, Nisbet et C°, 1947. In: Revue d'histoire et de philosophie religieuses, 30e année n°1,1950. pp. 41-50
Le clavier avec ou sans accord : retour sur une controverse oubliée
No full textIn this article the author reconsiders the hegemony of the QWERTY keyboard by studying the destiny in personal computing of another type of keyboard, the chord keyset of Douglas С Engelbart, the inventor of the mouse. He shows that the predominance of QWERTY was the result of a long and complex process of socio-technological construction, (partly) determined by changes in users' representations of the personal computing systems under development.Dans cet article, je propose de revenir sur l'hégémonie du clavier QWERTY en envisageant la destinée en informatique personnelle d'un autre type de clavier, le clavier à accords de Douglas C. Engelbart, l'inventeur de la souris. Je montre que la prédominance du QWERTY résulte d'un long et complexe processus de construction socio-technique déterminé (pour partie) par les changements des représentations de l'usager des systèmes informatiques personnels en développement.Bardini Thierry. Le clavier avec ou sans accord : retour sur une controverse oubliée. In: Réseaux, volume 16, n°87, 1998. Les claviers. pp. 45-74
Perspectives
No full text5G deployment has started all around the world. However it is not fulfilling the needs of all current and emerging applications, and the ultimate performance limits are far from being reached. This chapter provides some discussions about which topics are left for future research. These perspectives are presented in two stages. The first is to identify certain promises of 5G that are not yet possible and where research and engineering must work hand in hand to come up with effective solutions. The second will look beyond 5G, what could be called 6G, namely, what applications can be envisioned and which could be the key technologies that will enable a seamless interaction between humans and the cyber-physical world
Sonate für Viola und Clavier C-Dur : op. 108
No full text[Stimme, Autograph] - [S.l.], [o.J.]. - 11 S.Violastimme. Partitur fehlt
Sonate für Viola und Clavier C-Dur : op. 108
No full text[Stimme, Autograph] - [S.l.], [o.J.]. - 11 S.Violastimme. Partitur fehlt
[Sonate pour clavier H 151 (Wq 51, 2) / Car Philipp Emanuel Bach]
No full textTitre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 151. Si bémol majeur]Identification d'après F-Pn Rés. F. 1664 (2) : "Fortsetzung von sechs fürs Clavier von Carl Philipp Emanuel Bach. Berlin 1761"; à la fin de cette sonate figure la date 1760 à l'encre rouge de la main de C. P. E. Bach. - Texte incomplet : contient les mesures 5 à 18 du second mouvement (Adagio e mesto sostenuto) et les mesures 1 à 32 du dernier mouvement (Allegro). - Le bas de la p. a été découpéAppartient à l’ensemble documentaire : RISM1Appartient à l’ensemble documentaire : RISMMssSonates (instrument à clavier) -- +* 1700......- 1799......+:18e siècle
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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