4,351 research outputs found
Paz imperfecta: nuevas querellas amistosas
No full textIn this article a constructive criticism is made to the concept of imperfect peace developed by Professor Francisco A. Muñoz. We intend to point out the main flaws of a concept whose hegemonic narrative is more related to the charisma of Francisco A. Muñoz than to the development of that concept, whose obviousness, imperfection has become a value of peace.The three main deficiencies of the concept of this author have to do with the denial of the figure of Johan Galtung and positive peace; the conceptual imprecision and the perpetuation of the status quo. Said concept - not an analytical category - part of all situations in which the maximum possible peace is achieved according to social conditions, because if we accept imperfect peace we accept a certain level of injustice and reject utopia as an engine of transformation and social neutralization.En este artículo se realiza una crítica constructiva al concepto de paz imperfecta desarrollado por el profesor Francisco A. Muñoz. Pretendemos señalar las principales falencias de un concepto cuya narrativa hegemónica está más relacionada con el carisma de Francisco A. Muñoz que con el desarrollo de dicho concepto, cuya obviedad, la imperfección, se ha convertido en un valor pacífico. Las tres deficiencias principales del concepto de este autor tienen que ver con la negación de la figura de Johan Galtung y la paz positiva, la imprecisión conceptual y la perpetuación del status quo. Dicho concepto - que no categoría analítica - parte de todas las situaciones en la que se consigue el máximo de paz posible de acuerdo con las condiciones sociales, ya que si aceptamos la paz imperfecta aceptamos un cierto nivel de injusticia y rechazamos la utopía como motor de transformación y neutralización social
Labirintos autobiográficos: Lygia Clark e Hélio Oiticica
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.Com este trabalho de dissertação de Mestrado pretendemos mergulhar no imenso arquivo de cartas e escritos de artista de Hélio Oiticica e Lygia Clark, e também em trabalhos artísticos e proposições de vivências que ambos compuseram, inventaram e criaram entre 1950 e 1980. Para isso, buscamos criar modos de leitura desse arquivo que possam fazer aparecer os vestígios, as marcas e os rastros pulsionais que estes artistas deixaram em suas obras e, também, que suas obras deixaram nestes artistas. A amizade de Hélio e Lygia, devido à distância geográfica entre os dois, foi estabelecida principalmente por meio da correspondência epistolar, e poderia ser aqui definida tal qual um afeto como pensamento ? pensamento no sentido que quer Deleuze, quando diz que pensar é sempre experimentar e não interpretar, ?e a experimentação é sempre o atual, o nascente, o novo?; mas também no sentido de Jean-Luc Nancy, quando diz que ?corpo e pensamento são um mútuo tocar-se?. Os corpos e pensamentos de Hélio e Lygia tocam-se por meio da linguagem, tocam-se, contaminam-se, mas não se confundem. Assim, seus corpos e seus pensamentos, entrelaçados, devoradores e devorados, não são mais que o toque de um no outro, o toque da distância de um em relação ao outro e de um no interior do outro. As escritas de Hélio e Lygia operavam uma espécie de justaposição de textos por técnicas de montagem e de multiplicação que nos revela as contaminações mútuas entre as criações, as teorias e as críticas, apontando para a escrita a partir da leitura; por isso, nessas escritas, podemos entreouvir múltiplas vozes que nelas ecoam. Suas escritas de si são vistas, então, como experiência, e suas vidas são aqui tratadas como vidas vividas pela experimentação. Desse modo, podemos encontrar, em suas escritas e vivências, singularidades que ligam-se umas às outras e que estão sempre produzindo diferenças. A busca desses vestígios no corpus de Hélio e Lygia se faz por um percurso não linear, sem lógica de entrada nem de saída, sem busca por origem, como em uma espécie de labirinto. Os labirintos autobiográficos de Lygia e Hélio seriam feitos de múltiplos, contínuos e descontínuos caminhos que estão sempre a se construir e se desconstruir. Seus escritos foram compostos por meio de tensões que operariam nas bordas e nos limites do corpo e da linguagem; sustentadas também no limite entre realidade e ficção. Suas práticas artísticas também operavam tensões ao se abrirem para o público participador e ao se deixarem ser atravessadas pelo que é exterior, por isso, suas vidas e suas obras estão fortemente permeadas pelas relações entre arte e experiência. Para percorrer esses labirintos,nos valemos do método otobiográfico que Derrida postula a partir de Nietzsche, com o objetivo de buscar a vida, seus rastros e vestígios nesse arquivo, e não de atribuir sentidos ou significados para suas vidas-obras. Hélio e Lygia, por meio das leituras-escrita e das escritas-leitura das cartas trocadas entre eles, se colocaram à escuta um do outro, mostrando-se sempre como um ser ainda por vir, em constante processo de construção de um si mesmo; e por isso nunca acabados, permanecendo como fragmentos caminhando no labirinto de um programa in progress.Abstract : With this dissertation we intend to delve into the immense archive of letters and artist writings of Hélio Oiticica and Lygia Clark, and also artwork and proposals of experiences they both made up, invented and created between 1950 and 1980. To this end, we seek to create reading techniques for these files that can bring up the traces, marks and instinctual traces these artists left in their works and also that their works have left in them. The friendship of Hélio and Lygia, due to the geographical distance between the two of them was established mainly through written correspondence, and could be defined here as is an affection as thinking - thinking in the sense that Deleuze means when he says that thinking is always experimenting and not interpreting, ?to think is to experiment, but experimentation is always that which is in the process of coming about.?; but also meaning what Jean-Luc Nancy says, that ?body and mind are a mutual touching.? The bodies and thoughts of Hélio and Lygia touch each other through language, they touch, contaminate eather other, but they don't get mixed up. Thus, their bodies and their thoughts, entangled, devouring and devoured, are nothing more than one touching another, the touching of the distance relative to each other and of one inside the other. The writings of Hélio and Lygia operated a kind of juxtaposition of texts by assembly techniques and multiplying that reveals the mutual contamination between creations, theories and criticism, pointing to writing from reading; that is why in these writings we can overhear multiple voices echoing. His writings of himself are seen, then, as experience, and their lives are treated here as lives lived by experimentation. Thus, we can find in their writings and experiences, singularities that bind to each other and are always producing differences. The search for these traces on Hélio and Lygia?s corpus is made on a non-linear path without input or output logic, without a search for origin, as in some kind of a maze. The autobiographical mazes of Lygia and Hélio would be made of multiple continuous and discontinuous paths which are always building and deconstructing. Their writings were composed by impasses operating at the edges and boundaries of body and language; also held at the boundary between reality and fiction. Their artistic practices also operated tensions when they opened to the participanting public and when they let themselves be crossed by what is outside, that is why their lives and works are strongly permeated by the relations between art and experience. To cross these labyrinths, we make use of the otobiographical method that Derrida postulates from Nietzsche, in orderto seek their life, tracks and traces in this work, and not to attribute meanings to their lives-works. Hélio and Lygia, through the reading-writing and writing-reading of the letters exchanged between them, placed themselves listening to each other, showing themselves as a being yet to come, in a constant process of creating themselves; and therefore never finished, remaining as fragments caminhando in the labyrinth of a programa in progress
La paz neutra: equilibrios en las fronteras de lo posible y lo imposible
No full textThis article presents a critical approach to the peaceful paradigm and the concept of neutral peace proposed by Francisco Jiménez Bautista in order to assess its scientific relevance in the field of research on peace. In the same way, it examines the concepts of multi, inter and transcultural peace and proposes atransdisciplinary dialogue between neutral peace and drama pedagogy. From a bibliographic review which main axis has been the work of the anthropologist and peace researcher Jiménez Bautista, crossreferenced with other schools and theoretical/methodological perspectives, this article aims to articulate the main contributions of the author in the field of peace action-research.En este artículo se presenta una aproximación crítica al paradigma pacífico y al concepto de paz neutra propuestos por Francisco Jiménez Bautista en aras de valorar su relevancia científica en el terreno de la Investigación para la paz. Del mismo modo, transita por los conceptos de paces multi, inter y transculturales y propone un diálogo transdisciplinar entre la paz neutra y la pedagogía teatral. A partir de una revisión bibliográfica documental cuyo principal eje ha sido la obra del antropólogo y peace researcher Francisco Jiménez Bautista, triangulada con otras escuelas y perspectivas teóricas y metodológicas, se han articulado los aportes principales del autor para el ámbito de la investigación-acción para la paz
Identidad y zozobra. Un asomo a Octavio Paz
No full textThis paper consists of a hermeneutical exercise on the poetry of Octavio Paz. It discusses his ideas about memory, identity and disquiet, in a discourse generated by the dialogue between author and reader in a convergence of poem and history. This reading enables the development of a reflection on the creative vitality of words and the mystery of ‘being for the death’.Se presenta un ejercicio hermenéutico en torno a la poesía de Octavio Paz en el que se observaron las ideas sobre memoria, identidad y zozobra, en un discurrir generado por el diálogo entre autor y lector en convergencia de poema e historia. Esta lectura permitió elaborar una reflexión sobre la vitalidad creadora de la palabra y el misterio del ‘ser para la muerte’
La construcción del autor en la Miscelánea Austral (1602) de Diego Dávalos y Figueroa
No full textThis article studies the way in which the author is constructed in the Miscelánea austral (1602) by Diego Dávalos y Figueroa. The reflection on the Miscelánea is structured on two levels. First, the figure of the author is delineated in the paratexts of the book. Subsequently, Delio, the male protagonist, functions as Dávalos’s alter ego. The fictional character, conceived from a series of classicist ideals, also contributes to the construction of his own author
Reflexiones sobre la paz positiva: Un diálogo con la paz imperfecta
No full textIn an effort to contribute towards the integration of the peace thinking in regard to the positive dynamics of peace, the author tackles the shift made by the ‘positive peace’ concept from the original perspective of integration of human society to the definition widely assumed at present of positive peace as absence of structural violence. The article highlights the distinction between structural peace and positive peace, emphasizing the complex nature of both and retrieves the latter as this has been enriched with new meanings since the 1980s. As of this distinction, the author performs a dialogue between imperfect peace and positive peace that seeks bonding points between the two concepts, and points out some challenges regarding imperfect peace proposal. Among them, refine peaceful conflict regulations in order to specify the defining elements of imperfect peace, and make explicit the role of values.El concepto de paz positiva se ha alejado de la perspectiva original de integración de la sociedad humana y se suele entender actualmente como ausencia de violencia estructural. En un esfuerzo por contribuir hacia la integración del pensamiento de paz en cuanto a las dinámicas positivas de la paz, la autora explora los procesos y causas de este movimiento. El análisis destaca la distinción entre paz estructural y paz positiva, haciendo hincapié en el carácter complejo de ambas, y recupera la última tal y como esta se ha enriquecido con nuevos significados desde la década de los 80. A partir de ello se inicia el diálogo entre paz positiva y paz imperfecta, buscando puntos de unión entre los dos conceptos, y se señalan algunos retos que la propuesta de paz imperfecta plantea en el proceso madurativo del concepto de paz. Entre ellos, refinar las regulaciones pacíficas de conflictos para concretar los elementos definitorios de la paz imperfecta y hacer explícito el papel de los valores
El Líbano: crónicas de fuego y una perspectiva de paz
No full textEn esta tesis voy a desarrollar de manera muy detallada la temática del conflicto histórico libanés que lleva varias décadas vivo, a veces en forma de conflicto armado y otras veces en forma de turbulencias políticas.
Es una tesis que trata fundamentalmente de analizar las raíces sobre las que se asientan los conflictos que ha venido sufriendo el Líbano desde tiempos remotos para buscar una salida que pueda conducir al país hacia una paz duradera. Para ello, realizo un recorrido cronológico a través del marco histórico que ha envuelto al Líbano. Un escenario marcado por una serie de acontecimientos que destacan por las influyentes contiendas políticas, religiosas y bélicas que ha tenido que soportar el Líbano. En esta investigación trato fundamentalmente de analizar la esencia y naturaleza de tantas hostilidades para repensar una paz basada en la urgente necesidad de un cambio de mentalidad entre el mosaico humano que integra y define a la sociedad libanesa. Para ello, citaré las obras de influyentes autores en esta materia como Amin Maalouf (autor Líbano-francés) y Martha Nussbaum (autora y filósofa norteamericana) entre otros. Autores clave que tratan de manera magistral el tema tanto de la identidad y el multiculturalismo como de un humanismo incluyente donde las personas se asemejan más que se diferencian al compartir unos valores básicos comunes.This dissertation develops, in a very detailed way, the historical Lebanese conflict that has been alive for several decades, sometimes as an armed conflict while other times as political turbulences.
The research tries to fundamentally analyze the roots of the Lebanese conflict that the country has been suffering since remote times, and to find a solution that can lead towards a long lasting peace.
The study departs from a chronological narration within the Lebanese historical framework. A scenario marked by a series of events that stand out the political and religious influences together with several war battles that Lebanon has had to endure.
The output of the analysis studies the essence and nature of the so many Lebanese hostilities, as an invitation to rethink a peace based on the urgent need for a mentality change among the Lebanese society. Same was made possible through a rich citation of several literary works of influential authors in the domain of Identity; such as Amin Maalouf (French-Lebanese author) and Martha Nussbaum (American author and philosopher). Key authors who masterfully treat the issue of Identity and Multiculturalism as well as the Inclusive Humanism in a way that sheds the light over people resemblances that unite the human race, rather than the shallow differences that’s been dividing our specie along the history
Identity and disquiet: a glance at Octavio Paz
No full textThis paper consists of a hermeneutical exercise on the poetry of\ua0Octavio Paz. It discusses his ideas about memory, identity and disquiet, in a\ua0discourse generated by the dialogue between author and reader in a convergence\ua0of poem and history. This reading enables the development of a reflection\ua0on the creative vitality of words and the mystery of ‘being for the death’.Se presenta un ejercicio hermenéutico en torno a la poesía de Octavio\ua0Paz en el que se observaron las ideas sobre memoria, identidad y zozobra,\ua0en un discurrir generado por el diálogo entre autor y lector en convergencia de\ua0poema e historia. Esta lectura permitió elaborar una reflexión sobre la vitalidad\ua0creadora de la palabra y el misterio del ‘ser para la muerte’
Octavio Paz : los años del nudo ciego, 1994-1998
No full textSe abordan las características principales de la obra y la vida política de Octavio Paz entre 1994 y 1998 y se destacan sus principales momentos y discusiones durante ese periodo, especialmente sus ideas sobre el levantamiento indígena y sobre los intelectuales mexicanos que apoyaron el zapatismo. El autor argumenta que Octavio Paz, formado en la tradición clásica del derecho y la economía, no logró explicar la demanda de autonomía de los pueblos indios.The author offers an approach to the main characteristics of the oeuvre and political life of Octavio Paz between 1994 and 1998, highlighting his principal moments and discussions during that period, especially his ideas about the indigenous uprising and about the Mexican intellectuals who supported Zapatismo. The author argues that Octavio Paz, educated in the classical tradition of law and economics, did not succeed explaining the demand for autonomy of the indigenous peoples
Postdata de Octavio Paz : la historia como morfología = Postdata by Octavio Paz : history as morphology
No full text1 archivo PDF (12 páginas). fhduodequinquagintaEn este ensayo se analiza la concepción histórica de Octavio Paz condensada en Postdata; texto publicado en 1970, en el que el autor aborda el origen y desarrollo del movimiento estudiantil de 1968, y muy especialmente, la matanza del 2 de octubre en Tlatelolco. La visión paciana sobre dicho proceso es conceptuada como una morfología histórica que, en la obra referida se manifiesta en la articulación de tres distintas temporalidades. Palabras clave: Octavio Paz. Postdata.
1968. Morfología histórica. This essay analyzes the historical conception of Octavio Paz, condensed in Postdata; text published in 1970, in this one the author write about origin and development of student movement in 1968, specially, the massacre of October 2 in Tlatelolco. The pacian vision about that process is conceptualized how historical morphology, in the referenced work manifests in the articulation of three different temporalities. Key words: Octavio Paz, Postdata, 1968. Historical morphology
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