4,179 research outputs found
Los hábitos del deseo, Carme Riera, Meri Torras, Isabel Clúa y Pau Pitarch (eds.)
Get PDFObra ressenyada: Carme RIERA, Meri TORRAS, Isabel CLÚA, Pau PITARCH (eds.), Los hábitos del deseo (3 vols.). Caracas: Ex Cultura, 2005
Los hábitos del deseo, Carme Riera, Meri Torras, Isabel Clúa y Pau Pitarch (eds.)
No full textObra ressenyada: Carme RIERA, Meri TORRAS, Isabel CLÚA, Pau PITARCH (eds.), Los hábitos del deseo (3 vols.). Caracas: Ex Cultura, 2005
Damas, santas y pecadoras. Hijas medievales de Eva [reseña de libro]
No full textReseña de Rafael Manuel Mérida Jimémez, "Damas, santas y pecadoras. Hijas medievales de Eva", Barcelona, Icaria, 2008, 230 págs. Clúa Ginés, Isabe
Cuerpos de escándalo: celebridad femenina en el fin-de-siècle. [introducció]
Get PDFEn el universo de frivolidad, erotismo y desenfado que caracteriza buena parte de la cultura popular española de entresiglos, la visibilización de las mujeres de espectácul
Recommended from our members
Daughter of fortune: Isabel Allende's popularity from a readership perspective
No full textThe primary aim of this thesis is to explore and critically interrogate Isabel Allende’s popularity cross-culturally in Britain and Spain. It analyses readers’ responses to Allende’s works as well as the discourses surrounding her public representation, an approach that is ‘readerly’ but must also take account of production and text. This approach is intended to further the understanding of Allende’s work which so far has always been analysed from a textual perspective. However, the relationship between Allende’s popularity, her texts, public representation and readers has not been yet analysed in detail.This thesis is innovative in other ways too. Methodologically, it approaches readers through the under studied cultural form of the reading group. It also incorporates a comparative dimension by looking at the reception of Allende in two different cultural contexts: the British and Spanish respectively. Finding out about Allende’s popularity has involved asking readers about their reading experiences as well as analysing the production of discourses around her public representation. Paul Ricoeur’s (1984, 1988) perspective on authorial intentions and readers’ responses to texts helps in understanding the intricacies surrounding what is involved in reading any text. It draws attention to Allende’s and her publishers’ authorial strategies, her ‘strategies of persuasion’ and the specificity of the lives and contexts of British and Spanish reading publics. Equally, this ‘readerly’ approach draws on feminist audience research and primarily on the work of Ien Ang and Janice Radway. Their work with viewers and readers respectively is particularly useful in establishing and developing methodological parameters for the study of reading groups. As a whole, this thesis contributes to the understanding of Allende’s cross-cultural popularity by situating readers at the centre
La recepción de Lucie Delarue-Mardrus en la Edad de Plata: tensiones en torno a autoría y feminidad
Get PDFThe aim of this work is to reflect on the construction of the woman writer as a
public figure based on the case of Lucie Delarue-Mardrus and her projection in Spain,
placing her in the framework of the tensions that surround the female condition at the beginning of the twentieth century. Although her work is translated and reviewed, it is her
public figure the element that focuses the attention of the critics, as confirmed by the
various references by prominent chroniclers (Enrique Gómez Carrillo, Isabel Oyarzábal,
María Luz Morales or Teresa de Escoriaza). This phenomenon allows us to see the key
elements of the feminine authorial construction, as the incorporation of strategies of the
emerging idea of celebrity and its use as an essential mechanism to deal with the difficulty of being a woman in the public sphere.Ce travail vise à réfléchir sur la construction de l'écrivaine comme personnage
public à partir du cas de Lucie Delarue-Mardrus et de sa projection en Espagne en la situant dans le cadre des tensions autour de la condition féminine au début du XXe
siècle.
Bien que son œuvre soit traduite et fasse l’objet de comptes rendus, c’est sa personne qui
attire l’attention des critiques : Enrique Gómez Carrillo, Isabel Oyarzábal, María Luz
Morales ou Teresa de Escoriaza. Ce phénomène nous permet de voir les éléments clés de
la construction de la figure d’auteur féminin, ainsi que l’incorporation de stratégies liées
au nouveau concept de célébrité qui voit le jour et leur utilisation comme principal mécanisme essentiel pour faire face à la difficulté qu’implique, pour une femme, d'être présente dans la sphère publique.El propósito de este trabajo es reflexionar sobre la construcción de la escritora
como personaje público a partir del caso de Lucie Delarue-Mardrus y su proyección en
España, situándola en el marco de las tensiones que rodean a la condición femenina a
principios del siglo XX. Si bien su obra es traducida y reseñada, es su propia figura el
elemento que focaliza la atención de la crítica como lo constatan las diversas referencias
de cronistas destacados (Enrique Gómez Carrillo, Isabel Oyarzábal, María Luz Morales o
Teresa de Escoriaza, entre otros). Este fenómeno permite ver los elementos clave de la
construcción autorial femenina, como la incorporación de estrategias propias de la nueva
idea de celebridad y su uso como mecanismo esencial para lidiar con la dificultad de ser
mujer en la esfera pública
Ressenyes
No full textIndex de les obres ressenyades: Isabel CLÚA, Género y cultura popular Estudios Culturale
Ressenyes
No full textIndex de les obres ressenyades: Isabel CLÚA, Género y cultura popular Estudios Culturale
A Discussion About Writing Fiction and Creative Prose with Isabel Huggan
No full textAward-winning Canadian author Isabel Huggan talks to students about writing, with a focus on fiction and creative non-fiction.Presentation for English 2905 (Introduction to Creative Writing), taught by Dr. Stepanie McKenzie
Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras
No full textDurante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court
- …
