1,720,968 research outputs found
Guerra e política nas comunidades zapatistas de Chiapas-México: resistência e criação
Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Ciências Humanas, Florianópolis, 2014.Este estudo sobre o fenômeno do Zapatismo no México indaga sobre o conteúdo de dignidade e rebeldia, na atitude de resistência no contexto de biopolítica. Perguntamo-nos se as ações políticas orientadas por essa atitude podem ser entendidas como a criação de outra maneira de fazer política. Este trabalho também é uma aproximação inicial a uma forma de construção de sociedade civil, reconhecendo sua dimensão estética, entendendo que há ações de criação política para o efetivo exercício e institucionalização de uma política emancipatória. Esse é o marco geral da nossa pesquisa, que apresenta no seu primeiro capítulo a análise das relações políticas entendidas pelo crivo da guerra, pontualmente, como as/os Zapatistas concebem, preparam, se organizam e deflagram uma guerra, mas pautada pela política. No segundo capítulo, ainda desenvolvemos o primeiro dos termos da relação, só que agora focando na guerra após janeiro de 1994, visando sua reconfiguração, sua mutação, não apenas do lado zapatista, frisando a redefinição que o governo e o Estado mexicanos propuseram, ao defini-la como guerra de baixa intensidade. Isto, entendido a partir da chave de leitura proposta por Foucault: a inversão do aforismo de Clausewitz. O terceiro capítulo se aprofunda no tipo de relações políticas que as/os Zapatistas propõem, e suas possibilidades, para transcender as meras relações de força, constituindo relações que possam articular ética e política no governo de si e dos outros. O quarto capítulo explicita de forma mais evidente a dimensão estética dessa proposta teórico-prática das/dos Zapatistas, entendida como uma estética da existência. Finalmente, algumas considerações para contribuir para o debate.Abstract : This study on the phenomenon of the Zapatismo in Mexico, explores the contents of dignity and rebeliuosness, in the attitude of resistance in the context of biopolitics. We wonder if the policy actions guided by such an attitude can be understood as the creation of another way of doing politics. This work is also an initial approach to a way of construction of civil society, recognizing its aesthetic dimension, if we understand that there are policy creation actions for the effective exercise and institutionalization of an emancipatory politics. This is the general framework of our research, which in its first chapter presents an analysis of the political relations, and they are understood through the filter of the war, more specifically, how the Zapatistas conceive, prepare, organize and start a war, but guided by politics. In the second chapter, still developing the first terms of the relationship, but now focusing on the war after January 1994, with attention to its reconfiguration, its change, not just the Zapatista side, stressing that the government and Mexican state redefining and proposed, to be defined as low-intensity warfare. This understanding comes from the key given by Foucault´s inversion of the Clausewitz´s aphorism. The third chapter delves into the kind of political relations that the Zapatistas proposed, and their ability to transcend mere power relations, forming relationships that can articulate ethics and politics in the government of the self and others. Chapter four more obviously explicit the aesthetic dimension of the Zapatista´s theoretical and practical proposal, understood as an aesthetics of existence. Finally, some considerations to contribute to the debate
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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