1,720,965 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Orthodox faith in the life of Russian man after 1917 (on the example of I. S. Shmelev's story "The light of reason")
In: Revitalizace hodnot: umění a literatura 6 = Values in literaure and arts 6 : sborník z mezinárodní konference Hodnoty v literatuře a umění 6 : the proceedings of the international conference Values in literature and arts 6 / rec. Ľubomír Guzi, Jan Vorel. 1. vyd. Brno : Masarykova univerzita v Brně, 2024. ISBN 978-80-280-0579-5. S. 163-173.V predkladanom príspevku je autorom analyzovaná pozícia pravoslávnej viery v živote ruského človeka, ktorý po októbrovej revolúcii v roku 1917 čelil narastajúcim ideologickým tlakom a zaužívané hodnoty, vrátane náboženských a duchovných, boli vo formujúcej sa porevolučnej spoločnosti predstaviteľmi novej vládnej moci násilne potláčané alebo zosmiešňované. Ako materiál pre analýzu takéhoto javu bola použitá poviedka Svetlo rozumu (Свет Разума, 1926) ruského spisovateľa prvej vlny emigrácie Ivana Sergejeviča Šmeľova (1873 – 1950), reflektujúca oslavy pravoslávnych sviatkov a s nimi spojené počiatky ideologického a hodnotového tlaku na jednotlivca v prostredí porevolučnej ruskej spoločnosti na Kryme. Analýza poviedky je doplnená sprievodným komentárom autora, v ktorom obracia pozornosť i na osobu spisovateľa ako tvorcu literárneho textu a jeho osobnú pozíciu k pravoslávnej viere
О ценностях, о литературе, об Иване Сергеевиче Шмелеве...
In: Russkij jazyk v centre Jevropy / rec. Guzmán Rafael, Poletajeva Oľga Aleksandrovna. 24. 1. vyd. Bratislava : Asociácia rusistov Slovenska, 2024. ISBN 978-80-973769-6-3. S. 78-85.Настоящая статья представляет материал, находящийся на грани размышлений автора о ценностях в жизни человека, формирующих его мировоззрение с раннего детства, размышлений о литературе, выполняющей специфическую функцию носителя прекрасного в жизни индивида, а также передающей читателю определенный ценностный спектр, и размышлений об Иване Сергеевиче Шмелеве (1873-1950), в литературном творчестве которого отражен спектр ценностей русского человека. Таким образом, возникает триада ценности – литература – творчество конкретного писателя, на примере которой автор пытается показать линию, где отдельные ее элементы не функционируют самостоятельно, а наоборот, выступают как взаимосвязанные и взаимовлияющие друг на друга. Цель автора данной статьи – попытаться создать пространство для подобного рода размышлений и показать такую взаимосвязь вышеупомянутых трех элементов в рамках художественной литературы.UGA-03-PDS-2024 Axiologické aspekty v próze Ivana Sergejeviča Šmeľova
VAIA 09I03-03-V05-00009 Early Stage Granty - UMB v Banskej Bystric
- …
