122,092 research outputs found
Fernando Chueca Goitia. A graphic biography
No full text[EN] Fernando Chueca's architectural work covers a wide period from 1936 to 2004. During this time, he got involved in architectural and urban projects, and developed a wide range of activities related to cultural heritage preservation. His multifaceted personality resulted in his being a full professor, a tireless researcher, an eloquent speaker, and a prolific essayist. Through this graphic biography (where all kinds of drawings and writings are running in parallel, acting in a complementary manner), we will highlight Chueca's most significant aspects.[ES] Profesor, arquitecto, urbanista, investigador, infatigable defensor del patrimonio, orador elocuente y prolífico ensayista son algunas de las facetas que caracterizan la obra de Fernando Chueca Goitia (1911-2004). A través de esta biografía gráfica, en la que las reflexiones acompañan a los apuntes de viaje, a los dibujos de levantamiento, de análisis y de proyecto, propongo una revisión de los aspectos más destacables de su larga trayectoria en relación con la arquitectura, la ciudad y el patrimonio.Chias Navarro, P. (2022). Fernando Chueca Goitia. Una biografía gráfica. EGA Expresión Gráfica Arquitectónica. 27(44):254-275. https://doi.org/10.4995/ega.2022.17179OJS2542752744AA.VV., 1953. Manifiesto de la Alhambra. Madrid: Dirección General de Arquitectura.AA.VV., 1954a. Defensa del ladrillo. Sesión de crítica de arquitectura celebrada en Madrid el mes de abril. Revista Nacional de Arquitectura, n.150, pp. 19-32.AA.VV., 1954b. Arquitectura en el Brasil. Revista Nacional de Arquitectura, n.156, pp. 34-48.AA.VV., 1955. Rascacielos en España. Sesiones de crítica de arquitectura. Revista Nacional de Arquitectura, n.158, pp. 29-44.AA.VV., 1956. Crítica de las Sesiones de crítica de arquitectura. Revista Nacional de Arquitectura, n.176, pp. 71-83.AROCA, R., 2004. In Memoriam. Revista Arquitectura, n.338, p. 2.BALDELLOU, M.A., 1996. Chueca y el Prado. El Prado de Chueca. Entrevista. Revista Arquitectura, n.308, pp. 97-101.CHÍAS, P., 2002. Paseos por Berlín. Revista EGA, n.7, pp. 60-67.CHUECA, F., 1942. Ventura Rodríguez y la escuela barroca romana. Archivo Español de Arte, n.52, pp. 185-210.CHUECA, F., 1943a. Los arquitectos neoclásicos y sus ideas estéticas. Revista de Ideas Estéticas, n.2, pp. 19-50.CHUECA, F., 1943b. Dibujos de Ventura Rodríguez para el Santuario de Nuestra Señora de Covadonga. Archivo Español de Arte, n.56, pp. 61-87.CHUECA, F., 1945. Sir Edwin Lutyens. Revista de Ideas Estéticas, n.9, pp. 43-64.CHUECA, F. 1948. Don Juan de Villanueva (1739-1811). Revista Nacional de Arquitectura, n.314, pp. 314-316.CHUECA, F. 1949. Don Juan Miguel de Inclán Valdés (1774-1852). Revista Nacional de Arquitectura, n.87, pp. 137-140.CHUECA, F., 1951. El semblante de Madrid. Madrid: Revista de Occidente.CHUECA, F., 1952. La Alhambra y nosotros. Boletín de Información de la Dirección General de Arquitectura, diciembre, pp. 10-13.CHUECA, F., 1953a. Arquitectura del siglo XVI. Ars Hispaniae, vol. XI. Madrid: Ed. Plus Ultra.CHUECA, F., 1953b. Nueva York. Forma y sociedad. Madrid: IEAL.CHUECA, F., 1953c. Experiencias arquitectónicas de un viaje a Norteamérica. Revista Nacional de Arquitectura, n.135, pp. 38-50.CHUECA, F., 1954a. Andrés de Vandelvira, arquitecto. Madrid: CSIC.CHUECA, F., 1954b. La arquitectura moderna y el Brasil. Goya, n.3, pp. 150-155.CHUECA, F., 1958a. Madrid y Sitios Reales. Barcelona: Seix Barral.CHUECA, F., 1958b. La Fundación Lázaro Galdiano. Revista Nacional de Arquitectura, n.202, pp. 15-20.CHUECA, F., 1962. Ideas sobre el Cuartel del Conde Duque. Revista Arquitectura, n.47, pp. 41-43
Chueca Goitia, Arquitectura del Siglo XVI
No full textBayon Damian. Chueca Goitia, Arquitectura del Siglo XVI. In: Annales. Economies, sociétés, civilisations. 16ᵉ année, N. 6, 1961. pp. 1247-1250
De l'Etat totalitaire à l'Etat espagnol
No full textChueca Miguel. De l'Etat totalitaire à l'Etat espagnol. In: Mots, n°43, juin 1995. Acte d'autorité, discours autoritaires, sous la direction de Carmen Pineira et Gabriel Périès. pp. 99-107
Sobre Anacyclus alboranensis Esteve Chueca & Varo (Asteraceae, Anthemidae)
No full textAbout Anacyclus alboranensis Esteve Chueca & Varo (Asteraceae, Anthemideae)Palabras clave. Anacyclus, nomenclatura, tipificación, isla de Alborán, Almería, España.Key words. Anacyclus, nomenclature, typification, Alborán island, Almería, Spain
L. Torres Balbás, L. Cervera, F. Chueca, P. Bidagor, Resumen histórico del urbanismo en España.
No full textRicard Robert. L. Torres Balbás, L. Cervera, F. Chueca, P. Bidagor, Resumen histórico del urbanismo en España. . In: Bulletin Hispanique, tome 56, n°4, 1954. pp. 436-439
Título: Pagar la burla à buen precio
No full textEn la h. [16]r.: "Visto Doctor Chueca [rúbrica]"Texto con numerosas correcciones y adiciones marginales, algunas de ellas son de Chuec
A Multi-Language Comparison of Influences on Author Verification using Character N-Grams
No full textWe create a new multi-language corpus for author verification based on Wikipedia talkpages, and evaluate the influence that differences in topic and time have on character n-gram author profiles. Topic alignment between two texts is found to increase author verification precision, and an authors writing style is found to change over time, but not more significantly after 3 years than after 1 year.Information ArchitectureWISElectrical Engineering, Mathematics and Computer Scienc
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The vanishing author in computer-generated works: a critical analysis of recent Australian case law
No full textAbstract
The use of software is ubiquitous in the creation of many copyright works, yet the requirement in copyright law that every work have a human author who engages in independent intellectual effort means that its use may prevent copyright subsistence. Several recent Australian cases have refocused attention on authorship as an essential criterion of copyright subsistence, and these cases suggest that much computer-produced output may be authorless and thus lack copyright protection. This article, the first in a two-part series, analyses how each case deals with the question of authorship of computer-produced works and why the use of software diminishes copyright protection for a significant number of computer-generated works. The article critiques the application of conventional notions of human authorship developed in the pre-computer age to modern productions and suggests alternative approaches to authorship that satisfy both the major objectives of copyright policy and the need to adapt to the computer age. The article argues that, without a broader judicial approach to authorship of computer-generated works, Parliament must remedy the lacuna in protection for these ‘authorless’ works. Possible solutions for reform are suggested. In a forthcoming article, the author comprehensively examines those reform proposals
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
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