10,103 research outputs found
Dana Michele Murphy and Christopher Reed Norris in a Joint Senior Recital
No full textThis is the program for the joint senior voice recital of mezzo-soprano Dana Michele Murphy and tenor Christopher Reed Norris. Pianist Mary Worthen accompanied Murphy; pianist Christy Burleson accompanied Norris. The recital took place on October 26, 1989, in the Mabee Fine Arts Center Recital Hall
Letter from Edwin Murphy, Murphy Seed Company, to J.V. [John Victor] Carson The Dominguez Water Corporation, June 15, 1945
No full textFormal notice that Murphy has sublet the old Kimura glass house to Charles Gonzalez
Edgar Gardner Murphy, from records and memories
No full textList of the writings of Edgar Gardner Murphy : p. 116-120.Mode of access: Internet
Oral history interview with Chris Murphy
No full textChris Murphy, an author known for flash fiction, describes his transition from the Northeast to Tahlequah, Oklahoma, with detailed stories told along the way. Murphy, a lifelong Red Sox fan, talks about his favorite memories from Fenway Park and the influence on his life. He also talks about his growth as a writer and about flash poetry; a style that is quick, to the point, but with sudden plot twists and changes.The Deep Roots: Oklahoma Authors Collection is a series of interviews with authors who discuss their lives, work, and creative processes
The historical imagination of Christopher Dawson
No full textChristopher Dawson (1889-1970) was one of his generation's most
important historians and religious thinkers, and was a significant
influence on many contemporaries including T.S. Eliot, C.S. Lewis,
and Russell Kirk. This dissertation is a study of his most
fundamental ideas concerning history and culture.
Chapter one examines Dawson’s sociological view of history.
Convinced that history was more than a scientific enterprise, he
believed that the true historian is one who reaches beyond the
material world to understand the essence of history’s dynamics. In
this way, the world can be conceptualized as a united whole,
separated by regional differences as a result of environment, race,
material, psychological, and religious factors. Dawson believed
that the political histories of the past several centuries failed to
grasp the undercurrents of historical change, and that the best way
to understand the past is to appreciate culture as an expression of
primeval religious traditions.
Chapter two treats Dawson’s understanding of progress. Dawson
was convinced that progress had become the “working-religion” of our
age. This secular faith, founded on scientific rationalism, first
pledged to fix the material failures of Western culture, but
unwittingly eroded its faith in God, and eventually, its moral
fiber. Dawson believed that true progress was progress of the soul
in its ordering toward the Creator.
Chapter three is a study of Dawson’s Christian, and more
specifically, his Catholic beliefs. Informed by religion, his
historical and cultural visions are not dogmatic, nor are they
polemical. He conceived of history as the unfolding of a divine
economy in the temporal world. Although Dawson is a proponent of
Roman Catholicism, his scholarship is an objective treatment of
history shaped by an undisguised, Christian worldview.
Additionally, the appendix is an introduction to Dawson’s life
and the circumstances surrounding his conversion to Roman
Catholicism. Particular attention is paid to the development of his
moral and historical imagination — both of which became intertwined to
form the basis of all of his scholarship
Francesca Aran Murphy, Christopher Asprey (éd.), Ecumenism Today. The Universal Church in the 21st Century, Aldershot – Burlington, Ashgate Publishing, 2008
No full textAndré Birmelé. Francesca Aran Murphy, Christopher Asprey (éd.), Ecumenism Today. The Universal Church in the 21st Century, Aldershot – Burlington, Ashgate Publishing, 2008. In: Revue d'histoire et de philosophie religieuses, 90e année n°2, Avril-Juin 2010. p. 262
Survey report 1978/79 Glaciology department Author - B.A. Murphy
No full textProgress Code: completedStatement: See the report for further information.
The values provided in spatial coverage are approximate only. The values provided in temporal coverage are based on the assumption that B.A. Murphy travelled to and from Davis by scheduled Australian Antarctic voyages.Taken from sections of the report:<br/><br/>Introduction:<br/><br/>The following report is a detailed summary of the surveying and mapping tasks undertaken in the Vestfold Hills and Mac. Robertson Land regions of the Australian Antarctic Territory during the period from 22 December 1978 to 25 February 1979. A copy of the project instruction detailing the tasks originally intended to be undertaken is attached at Annex 37.<br/><br/>The entire report is available as a pdf download from the URL given below
Letter from Fintan Murphy to T J Hickey
No full textManuscript letter from Fintan Murphy informing Mr Hickey that the author wishes his resignation to stand. Dated 15 March 1939
« Pauvres enfants d’Ève en exil » : Tom Murphy et la syntaxe de l’histoire
No full textDans les pièces Bailegangaire (1985) et A Thief of a Christmas (1985), Tom Murphy aborde des questions liées à la représentation des Irlandaises d’origine rurale, opprimées par un système social hiérarchique d’abord sous le gouvernement colonial britannique et, ensuite, sous le gouvernement postcolonial nationaliste, catholique et bourgeois. Paul Murphy soutient que Tom Murphy crée dans ses pièces des lieux où les discours réprimés peuvent s’exprimer et contredire l’histoire dite « officielle » qui émane d’un discours nationaliste catholique bourgeois. Ce chercheur dépasse la vision prédominante du théâtre irlandais centrée sur la question identitaire pour aborder plutôt des questions éthiques liées à la subordination des classes. Il participe ainsi au débat contemporain historiographique en Irlande autour du rapport antagoniste qui oppose le nationalisme et le révisionnisme.In the plays Bailegangaire (1985) and A Thief of a Christmas (1985), Tom Murphy explores questions linked to the representation of working-class rural women who were subject to class and gender hierarchies during the British colonial administration of Ireland, as they were under the postcolonial Catholic bourgeois nationalist government. Paul Murphy defends the point of view that Tom Murphy creates forums in which repressed discourses may contradict official hegemonic catholic nationalist and bourgeois readings. The author of this article moves beyond a reading of Irish theatre grounded in identitarian paradigms of nation and nationalism, and engages with ethical issues of class and gender subordination. He thus participates in a contemporary debate specific to Irish historiography surrounding the antagonistic relationship that opposes nationalism and revisionism
Letter from Fintan Murphy to the Honorary Secretary
No full textManuscript letter from Fintan Murphy to the Honorary Secretary of the League, regarding the work of the Provisional Council. The author offers his resignation. Dated 2 March 1939
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