1,356 research outputs found

    Is Hondius or Schultz the Author of the Portrait Study of Karol Ferdynand Vasa?

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    Standing face to face with a civil war and a danger of destabilisation of the country, King Jan Kazimierz decided that a change in his official iconography was so important that almost immediately after succeeding to the throne (1648) he reorganised his artistic court. In 1649 the outstanding portrait painter Daniel Schultz was employed and he was charged with the task of creating the image of the monarch that would be suitable for the requirements of the new authorities' propaganda and at the same time would meet the society's expectations. (It was for the same reasons that the great Roman sculptor Francesco Rossi was brought to Poland in 1651.) Of the former group of artists among others Willem Hondius was kept – as it turns out not a very able draughtsman, but a good copper engraver, who proved useful in his earlier works for the royal court, and now was indispensable for putting into effect Jan Kazimierz's propaganda aims. Analysing the portrait study of the King's brother, Karol Ferdynand Vasa (1650) from the collection of the National Museum in Gdańsk (Fig. 1), Gajewski finds in it both new principles of the art of portrait introduced into the official image by Daniel Schultz, and the artistic qualities characteristic of Schultz's painting (Fig. 2, 3). Gajewski challenges the proposition put forward in the literature of the subject saying that it is Hondius who is the author of the portrait study of Karol Ferdynand, and he claims that the author of the study is Schultz. He also thinks that the study is Schultz's drawing for the graphic portrait of Karol Ferdynand Vasa that was not used. The portrait was made (1650) by Hondius after another pattern by Daniel Schultz (Fig. 4)

    Los Vencidos d’Ernest Bark von Schultz

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    Dès son installation en Espagne, en 1884, Ernest Bark von Schultz compose Los Vencidos, roman initiatique et autobiographique. Les perspectives et les tensions que le paradigme vainqueur-vaincu sous-tend sont explorées par l’auteur dans cet exercice de création littéraire mis au service d’une réforme sociale –régénération– de l’Espagne et de la création d’une Union européenne avant la lettre.As soon as he settled in Spain, in 1884, Ernest Bark von Schultz wrote “Los Vencidos”, an initiatory and autobiographical novel. The underlying perspectives and tensions within the “winner-defeated” paradigm are explored by the author, in his exercise of literary creation to the service of social reforms –or regeneration– in Spain and the creation of an European Union before its very existence.Desde su llegada a España, en 1884, Ernesto Bark von Schultz compuso Los Vencidos, una novela iniciática y autobiográfica. En este ejercicio de creación literaria el autor explora las pespectivas y tensiones que el paradigma vencedor-vencido sustenta para ponerlo al servicio de la reforma social –o regeneración– de España y de la creación de una Unión europea avant la lettre

    2022 floating offshore wind study

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    submitted to the Oregon Legislature ; by the Oregon Department of Energy ; lead author: Jason Sierman Contributing ; authors: Todd Cornett, Deanna Henry, Jessica Reichers, Adam Schultz, Rebecca Smith, and Max Woods.Title from PDF cover (viewed on September 16, 2022)."As directed in HB 3375 (2021), this report provides a summary of important information, key findings, and recommendations for future study and engagement related to the benefits and challenges of integrating up to 3 GW of floating offshore wind into Oregon's electric grid by 2030"--Page ii.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references (pages 59-61).Mode of access: Internet from the Oregon Government Publications Collection.Text in English

    Skin-Friction Measurements on Mathematically Generated Roughness in a Turbulent Channel Flow

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    Engineering systems are affected by surface roughness, however, predicting frictional drag has proven to be challenging. The present work takes a systematic approach by generating and manufacturing surfaces roughness where surface statistics, such as rms, skewness and power-spectral density can be controlled. The frictional drag on these surfaces is measured in a turbulent channel flow facility

    The Celluloid Specimen

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    In The Celluloid Specimen, Benjamín Schultz‑Figueroa examines rarely seen behaviorist films of animal experiments from the 1930s and 1940s. These laboratory recordings—including Robert Yerkes’s work with North American primate colonies, Yale University’s rat‑based simulations of human society, and B. F. Skinner’s promotions for pigeon‑guided missiles—have long been considered passive records of scientific research. In Schultz‑Figueroa’s incisive analysis, however, they are revealed to be rich historical, political, and aesthetic texts that played a crucial role in American scientific and cultural history—and remain foundational to contemporary conceptions of species, race, identity, and society. “Essential reading for anyone in behavioral science and media studies.” — LISA CARTWRIGHT, University of California, San Diego “Remarkable and urgently needed. Benjamín Schultz‑Figueroa disinters an extraordinary lost archive that sheds new light on race, eugenics, species, the science of sex, and biopolitics. A resonant— and stunningly clear—intervention.” — DONOVAN SCHAEFER, author of Wild Experiment: Feeling Science and Secularism after Darwin “A fertile, sprawling, kaleidoscopic work. No book outlines the multiple functions of the scientific moving image as thoroughly. A brilliant and essential addition to animal studies, cinema and media studies, and the history of science.” — SCOTT CURTIS, author of The Shape of Spectatorship: Art, Science, and Early Cinema in Germany “Seriously speculative, meticulously researched, and boldly interdisciplinary, The Celluloid Specimen cross‑pollinates nontheatrical film studies and critical animal studies with stunning acumen and gripping analysis.” — YIMAN WANG, University of California, Santa Cru

    Tagging of Biomedical Articles on CiteULike: A Comparison of User, Author and Professional Indexing

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    This paper examines the context of online indexing from the viewpoint of three different groups: users, authors, and professional indexers. User tags, author keywords and descriptors were collected from academic journal articles, which were both indexed in Pubmed and tagged on CiteULike, and analysed. Descriptive statistics, informetric measures, and thesaural term comparison shows that there are important differences in the use of keywords between the three groups in addition to similarities which can be used to enhance support for search and browse. While tags and author keywords were found that matched descriptors exactly, other terms which did not match but provided important expansion to the indexing lexicon were found. These additional terms could be used to enhance support for searching and browsing in article databases as well as to provide invaluable data for entry vocabulary and emergent terminology for regular updates to indexing systems. Additionally, the study suggests that tags support organisation by association to task, projects and subject while making important connections to traditional systems which classify into subject categories

    Spectacular Things Happen Along the Way: Lessons from an Urban Classroom by Brian D. Schultz

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    Brian Schultz, author of Spectacular Things Happen Along the Way: Lessons from an Urban Classroom, serves as a model for innovation in co-constructing democratic curriculum with students and for challenging the resource, expectations, and funding gaps that exist for students who are marginalized on the basis of race, culture, language, or socioeconomic status. In a climate of assessment and prescribed curriculum, Schultz resists complacency and engages in critical pedagogy. The story that Schultz details in Spectacular Things Happen Along the Way provides lessons for pre-service and in-service teachers in development, motivation, learning, intelligence, culture, and assessment, as well as Schultz’s unraveling of the complexities and the rewards of being a reflective practitioner who learns alongside students in an authentic, student driven, curriculum

    Meaning of Routines for Transitioning Foster Youth

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    Abstract Date Presented 4/1/2017 This pilot investigation sought to understand the meaning of routines for foster youth as they transition from independent living programs. The results indicate that transitioning foster youth face many challenges in developing meaningful routines. Transitioning foster youth represent an underserved population. Primary Author and Speaker: Kyle Shumard Contributing Authors: Winifred Schultz-Krohn</jats:p

    Ruin in the films of Jia Zhangke

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    This article explores the reflection, representation and psychogeographic affect of the ruins in the films by the Chinese filmmaker Jia Zhangke (b. 1970). During the Maoist period, ruins were signs of developmental progression; as Mao Zedong proclaimed, ‘there is no construction without destruction ... Put destruction first, and in the process you have construction.’ The author argues that the ruins are not just the effects of China’s fast-paced modernization, but are also symbols of the destruction of Maoist society. Furthermore, by recording the state and act of destruction, these films enhance the phenomenological and affective aspects of the ruin. Finally, when construction is realized in the films (the construction from destruction), it is either threatening or ‘futuristic’; thus, both the ruin and construction estrange the previous residents from their environment by rejecting them from the places that they once lived and chronologically estrange them from the projected utopian future

    Some Marine Isopod Crustaceans from off the Southern California Coast

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    In the summer of 1962 the author identified isopods caught in the submarine canyons off the southern California coast by workers, of the research vessel "Valero IV" of the Allan Hancock Foundation of the University of Southern California. The results of that work have been published (Schultz, 1964). There were additional isopods collected during the voyage which were not part of the canyon fauna and they are considered in this paper. The specimens were taken from the benthic environment by means of an Orange Peel Grab or a Campbell Grab bottom sampler. Ten species were taken, 3 of which were new to science
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