213 research outputs found
Louise Colet (1810-1876), Promenade en Hollande (1859) : voyage et histoire
No full textLouise Colet, poet, novelist and journalist, is also the author of several travelogues. In this article we study the first, Promenade en Hollande (1859). We begin by situating it in the context of the evolution of the genre, particularly that of the long tradition of French travellers relating their journeys in Holland. Then we look at the way in which she widens the scope of her travelogue by introducing comments on history. Mixing the past with the present, Louise Colet produces a hybrid account, something in between the traditional travelogue and a journalist’s report, and in doing so she affirms her identity as an author.
JOHN COLET\u27S CHRISTIAN HUMANIST SPIRITUALITY AND THE ENGLISH CONTEMPLATIVE TRADITION (ENGLAND)
No full textJohn Colet, Oxford scholar and Dean of St. Paul\u27s, has been categorized as a forerunner of the Reformation, an Augustinian ascetic, a Florentine Neoplatonist, and a Catholic theologian. This study acknowledges all this, but seeks to discover the inspiration for Colet\u27s complex personality by examining his relationship to traditional English spirituality, via a comparative study of Colet\u27s works, and those of three fourteenth-century mystics--Walter Hilton, Julian of Norwich, and the unknown author of The Cloud of Unknowing. My analysis of certain notions concerning man\u27s condition, Christ\u27s intervention, and the human response thereto, indicates that Colet shares with the English mystics certain affective, antispeculative, and moralistic qualities firmly grounded in a dynamic interpretation of scripture, reflecting Augustinian, incarnational spirituality, but also different from the German manifestations thereof. The thesis then compares Colet\u27s English spirituality with the thinking of Thomas More and Erasmus and demonstrates that all three share a purgative and illuminative piety which the English mystics deemed appropriate for priests and laypersons with secular responsibilities. The dominant issue than became, how to integrate the this-worldly, active, and objective traits of humanism, with the other-worldly, passive, and introspective qualities of contemplation. This required my examining misconceptions in the Renasissance distinction between action and contemplation, formulated in antiquity as an antagonism between rhetoric in the public forum and philosophic contemplation in rural retreats. My resolution focusses on Colet\u27s Augustinian view of history, whereby the free and mysterious distribution of the Spirit\u27s gifts demands the integration of action and contemplation. Colet\u27s model for this integration was St. Paul\u27s raptus, blindness, and his journeys, a symbolic unity of the ecstatic, prophetic, and pedagogic roles in the church, respectively. I conclude that Colet\u27s vocation as a priestly teacher was nourished by his purgative experience and illuminative wisdom, supported by the ecstatic witness of the English mystics, and the active prophecy of Erasmus
Louise Colet (1810-1876), Promenade en Hollande (1859) : voyage et histoire
No full textLouise Colet, poétesse, romancière et journaliste a écrit également plusieurs récits de voyage. Cet article se propose d’étudier le premier d’entre eux, Promenade en Hollande (1859), en le replaçant dans le contexte de l’évolution du genre du voyage et la longue tradition des récits de voyageurs français en Hollande puis en explorant la façon dont la voyageuse insère dans sa relation de voyage une réflexion sur l’histoire et le temps. En jouant sur diverses temporalités, Louise Colet produit un récit hybride, entre récit « traditionnel » et reportage, et affirme ainsi son identité d’écrivaine. Louise Colet, poet, novelist and journalist, is also the author of several travelogues. In this article we study the first, Promenade en Hollande (1859). We begin by situating it in the context of the evolution of the genre, particularly that of the long tradition of French travellers relating their journeys in Holland. Then we look at the way in which she widens the scope of her travelogue by introducing comments on history. Mixing the past with the present, Louise Colet produces a hybrid account, something in between the traditional travelogue and a journalist’s report, and in doing so she affirms her identity as an author.
John Colet and Renaissance humanism
No full textThesis (Ph.D.)--Boston UniversityPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at [email protected]. Thank you.The problem of the dissertation is to formulate the relationship of John Colet (1467? -1519), Dean of St. Paul's Cathedral, London, to the resurgent study of "humane letters" in the fifteenth and sixteenth centuries. More specifically, the purpose is to indicate what Colet thought humanism to be, what in it appealed to him, and how much of it he took for his own. Further, it is hoped that it may have a more general value in suggesting some of the reasons humanism held the interest it did in ecclesiastical and theological circles, and some of the results to which the pursuit of that interest led. The method of the dissertation is descriptive and historical.
The plan of the dissertation is first to discover the kind of humanism which Colet actually encountered in England, France, and Italy--what it was saying and doing, the audience to which it was addressed, and the motives which directed it. Thus a wide variety of contemporary writings and of analytical studies in the Renaissance in general and in humanism in particular are used. Second, the study asks what Colet himself really understood the new "humane letters" to be, what the nature of their appeal was -- personally and ecclesiastically. This latter step has demanded that the bulk of the work be done in Colet's own writings and in other relevant primary sources.
Out of the first part of the study the thesis emerges that Renaissance humanism was primarily a literary and linguistic phenomenon, not a philosophical, nor even an aesthetic one. Humanists were craftsmen above all else, skilled in the arts of letter and document composition, who found employment chiefly as personal or municipal secretaries, diplomats, and teachers of the skills basic to their work--grammar, rhetoric, "poetry," and somewhat later, history and moral philosophy. Classical literature and style were increasingly seen to furnish nearly unlimited resources and actual models for the development of these skills. The characteristics of this humanism are then used as the criteria of comparison by which Colet is examined.
In exploring the significance of Colet's academic program, both at Oxford and on the continent, we discover that he exhibited a rather definite order in the importance he attributed to his various studies: Christian teaching, humanistic techniques of criticism, platonic studies. Further, his Latin style and even his handwriting suggest that among the current academic schools and fads, it was the humanists with whom he wished to be identified.
More revealing than these inferences is the assortment of writers he used in his own studies. They were not the great figures of the previous three or four centuries, but the "poets" of the classical world, especially of Rome, and of the early Church--the latter were significantly viewed not simply as the Church Fathers, but as the "Christian classics." Indeed, for Colet it was only after one had received the teaching of the Scriptures and these Christian classics that he could make proper use of the pagan classics. This seems clearly to reinforce the order of preference already noted in connection with his academic career. It was also the reason why Colet was so careful in defining the ancient authors who should be read by the 153 scholars in his St. Paul's School.
Though Colet is often not entirely successful in maintaining this order in his use of the two "classics," both his attempt to do so and the particular historical-textual approach he made to much of the ancient literature--Scriptural, patristic, and pagan classical--all tend to justify the label "Christian humanist" which has been applied to him.2999-01-0
PENYU SEBAGAI IDE BERKARYA SENI LUKIS BATIK DENGAN TEKNIK COLET, LABUR DAN SEMBUR
No full textPermasalahan polusi sampah plastik dari tahun ke tahun semakin memprihatinkan. Banyaknya sampah plastik ini membuat beberapa spesies terancam bagi semua biota laut termasuk penyu laut. Menurut International Union for the Conservation of Nature (IUCN), semua spesies penyu rentan, terancam punah, atau sangat terancam punah. Berhubungan dengan keprihatinan terhadap biota laut utamanya penyu maka penulis ingin mengungkapkan bentuk-bentuk keprihatinan tersebut dengan cara menuangkannya ke dalam seni lukis. Karya seni yang akan dibuat oleh penulis yaitu karya seni lukis dengan menggunakan teknik batik dingin, colet, labur, dan sembur (airbrush). Rumusan masalah dari karya penciptaan ini adalah Bagaimana mengembangkan gagasan penyu ke dalam konsep berkarya seni lukis dengan teknik batik, colet, labur, dan sembur (airbrush) pada visualisasi karya seni lukis. Metode yang digunakan yaitu penulis melakukan pencarian data dan informasi. Kemudian penulis mulai mendesain gambar yang diawali dengan sketsa konsep, menyiapkan alat dan bahan, dan membuat sketsa pada media yang ditentukan, yaitu kain mori dan kanvas. Erdiri dari empat karya, yaitu Karya 1 “Hunting” dan Karya 2 “Trapped” sebagai lukisan berbahan media kain mori, dan Karya 3 “Eat Plastic Jelllyfish” dan karya 4 “can we survive?” yang memakai media kanvas. Berdasarkan hasil penciptaan karya, karya yang menggunakan mix media ini didominasi oleh gambar objek utama yaitu penyu dan objek pendukung yaitu sampah di laut. Warna yang digunakan didominasi warna dingin seperti biru dan hijau toska, dan warna panas seperti merah mudah dan kuning untuk gambar penyu sebagai objek utama. Bahan dan teknik yang digunakan menggunakan malam dingin, colet, labur dan sembur (airbrush). Bagi penulis selanjutnya, diharapkan dapat mendalami dan melakukan observasi langsung untuk mendapatkan informasi lebih lengkap.
The problem of pollution of plastic waste from year to year is increasingly alarming. This large amount of plastic waste makes several species threatened for all marine biota including sea turtles. According to the International Union for Conservation of Nature (IUCN), all turtle species are vulnerable, endangered, or very endangered. In connection with the view of sea turtles, the author wants to express his form by pouring it into the painting. The artwork that will be created by the author is a painting using the techniques of cold batik, colet, daub, and spray (airbrush). Therefore the problem formulation of this work is how to develop concepts with batik art, colet, daub, and spray (airbrush) on visualizing paintings. The method used is writing information and information. Then the author began designing images that began with concept sketches, making tools and materials, and sketching the right media, namely Mori and canvas fabric. It consists of four works, namely Work 1 "Hunting" and Work 2 "Trapped" as films made from Mori cloth media, and Work 3 "Eat Plastic Jelllyfish" and work 4 "Can we survive?" Those who use canvas media. Based on the results of the work, works that use this mixed media are used by images of the main objects, namely turtles and supporting objects, namely garbage in the sea. The colors used for turquoise blue and green, and hot colors like easy red and yellow for turtle images as the main object. Materials and techniques used for cold, dripping, sleeping and brushing air. For writers, it can be accessed and repaired directly to get more complete information
La correspondance de Flaubert à Louise Colet, 1851-1854
No full textThis study explores the letters which Flaubert wrote to Louise Colet between 1851 and 1854, and scrutinizes more particularly the dynamics of their epistolary relationship as well as the nature of the "contract" between the author and his mistress. A letter justifies and exists only by virtue of the distance and absence of the other person, and its appears that Flaubert resolutely availed himself of this mode of communication with Louise, and thus preserved efficiently the necessary solitude and silence for the composition of his work. The first part of the inquiry, which attempts to define the status and function of Louise in the Correspondence, is devoted to the eloquent forcefulness and the sheer quality of Flaubert's exposition. The second part of this work focuses on the originality of Flaubert's ideas in the letters and how they are representative of this life long literary beliefs. This so called love correspondence is literally permeated with literary discussion, and the reader of these letters quickly begins to wonder why Flaubert elected as his privileged correspondent a mistress who was incapable of understanding or sharing his profound convictions on aesthetic matters
« Ne se dit qu’en parlant des monuments » ? Les hauts et les bas de l’ethos viril de l’écrivain dans la correspondance de Gustave Flaubert et Louise Colet
No full textDans sa longue correspondance adressée à Louise Colet, Flaubert instaure un double ethos amoureux et auctorial. Ces deux facettes sont liées, autour de la question centrale de la virilité : elles affirment une même revendication de singularité ; elles permettent à l’amant de glisser de l’autojustification à un discours de maîtrise ; et l’opposition des genres fournit des structures stéréotypiques susceptibles de consolider son autorité, face à sa partenaire comme dans le champ littéraire contemporain. L’ethos se construit de manière dynamique et différentielle, dans un processus de négociation qui implique étroitement sa partenaire.In his long correspondence with Louise Colet, Flaubert establishes a double ethos of lover and author. These two facets are linked, around the virility key issue: they highlight the same claim to singularity; they enable the lover to slide from self-justification to a discourse of mastery; and the gender difference provides stereotypical structures likely to consolidate his authority, both in relation to his partner and to the contemporary literary field. Ethos is constructed dynamically and differentially, in a process of negotiation that closely involves his partner
Use profile, intrinsic value, direct cost of medicines and quality of life of elderly participants in acquaintanceship groups in Porto Alegre, RS, Brazil
No full textO envelhecimento populacional está correlacionado com o aumento dos custos e dos cuidados em saúde, e pela piora na qualidade de vida. O objetivo deste estudo é conhecer o perfil de consumo de medicamentos e o índice de qualidade de vida de grupos de pacientes idosos usuários do SUS e de planos de saúde privado e descrever o custo mensal do tratamento. A pesquisa seguiu um modelo de estudo transversal, e utilizou como instrumento de coleta de dados dois questionários estruturados, com amostragem foi do tipo intencional. O projeto foi aprovado pelo CEP/UFRGS. A coleta de dados foi realizada no período de março a julho de 2007, com 225 idosos, sendo: 61 na classe A, 80 na classe C e de 84 na classe E. A maioria era do sexo feminino, com idade média de 70 anos. O número médio de medicamentos citados foi: na classe A= 5,34; C= 4,07; E= 4,28. O custo de referência dos medicamentos variou entre as classes sociais estudadas, sendo: na classe A, de R 72,32 (DP±82,86). O custo social dos medicamentos foi: na classe A de 210,03(DP±152,52); na classe C de 86,10 (DP±80,09) e para classe E de 78,39 (DP±167,92). Estatisticamente observou-se que a classe A diferiu da demais em relação ao custo dos medicamentos. Na classificação dos medicamentos de acordo com o valor intrínseco foi observado que na classe A 39% dos medicamentos apresentaram valor elevado, esse valor elevou-se para 52% e 59% classe social C e E, respectivamente. Quanto aos escores obtidos no questionário SF-36 para qualidade de vida o valor máximo na classe A foi de 89,45, relacionado ao aspecto social, na classe C os maiores escores foi no item relacionado ao estado geral de saúde e o aspecto emocional apresentou os maiores valores na classe E. Houve diferença estatística entre classe A e as classes C e E nos domínios dor, vitalidade, aspecto social e saúde mental. Este estudo possibilita o desenvolvimento de novas hipóteses de investigação para a construção de ações voltadas para a garantia de acesso dos idosos aos serviços de saúde, não só em quantidade, mas em qualidade, que contribuam para a qualidade de vida e segurança na utilização de medicamentos.The population aging is correlated with the increase of the costs and the health´s care, and with the worsening in the life quality. The objective of this study is to know the profile of medicine consumption, the index of life quality of elder groups which use the SUS and the private health plans and to describe the monthly cost of the medicines treatment. The research followed a model of transversal study and used as instrument of data collection data two structuralized questionnaires with intentional type of sampling. The project was approved by the CEP/UFRGS. The data collection was carried out in the period of March to July of 2007, with 225 elder people, being: 61 in the class A, 80 in class C and 84 in class E. The majority was female with a mean age of 70 years old. The mean number of medicine used was: in class A=5,34; C = 4,07; E = 4,28. The medicines cost of reference varied between the studied social class being: in class A, of R 72,32 (DP±82,86). The social cost of medicines was: in class A of 210,03(DP±152,52); in class C of 86,10 (DP±80,09) and for class E of 78,39 (DP±167,92). It was observed that the class A differed of the other classes in relation to the cost of medicines. In the medicines classification, in accordance with the intrinsic value, it was observed that in class A 39% of medicines have presented a high value, which is 52% and 59% to the social classes C and E, respectively. In relation to the questionnaire SF-36 for life quality, the maximum value in class A was 89,45, related to the social aspect, in class C the greater value was related to the general state of health and the emotional aspect presented the biggest values in class E. There were difference statistics among classes A, C and E in the pain, vitality, social aspect and mental health. This study makes possible the development of new hypotheses of inquiry for the construction of actions directed to guarantee the access of elder people to the health services, not only in amount, but in quality, that contribute for the quality of life and security in the medicine use
Perfil de uso de antimicrobianos e suas interações medicamentosas em uma UTI adulto do Rio Grande do Sul.
No full textJustificativa e objetivos: Em hospitais, especificamente nas UTIs, há uma maior possibilidade de seleção e disseminação de cepas microbianas resistentes, em função do uso excessivo de antimicrobianos e o não cumprimento do regime posológico. Com isso, o objetivo desse estudo foi de analisar os antibióticos utilizados, a indicação terapêutica, as interações medicamentosas em potencial, entre estes medicamentos e os demais utilizados pelos pacientes. Métodos: Foi realizado um estudo transversal e descritivo em um hospital nível IV do Rio Grande do Sul, a partir de prescrições medicamentosas da Unidade de Terapia Intensiva do período de abril a maio de 2011, que receberam pelo menos um antimicrobiano durante o período de internação. Sendo que, todas as prescrições foram avaliadas todos os dias. A pesquisa foi aprovada pelo Comitê de Ética em Pesquisa sob parecer consubstanciado número 154/2011. Resultados: A maioria (54%) dos pacientes era do sexo feminino. A média de idade foi de 61,8 anos. A maior parte dos pacientes (63%) tiveram alta da UTI. A média de medicamentos prescritos por paciente foi de 12,5 ± 3,6. Os antibióticos mais prescritos foram vancomicina, piperacilina+tazobactam e cefepime. Entre as possíveis interações, as de maior gravidade foram: Levofloxacino x Haloperidol e Levofloxacino x Insulina regular. Conclusão: Embora nem todas as interações medicamentosas possam ser prevenidas, a propagação do conhecimento entre os profissionais de saúde, através do profissional farmacêutico, quanto aos principais fatores de risco de interações medicamentosas, constitui um dos principais instrumentos de prevenção das interações medicamentosas
INTERAÇÕES MEDICAMENTOSAS POTENCIAIS EM AMBIENTE HOSPITALAR: Uma Revisão Bibliográfica
No full textUm melhor conhecimento sobre a prevalência das interações
farmacológicas conduz a um controle mais efetivo na administração de medicamentos, favorecendo, assim, a adoção de terapias mais eficazes. O presente estudo propõe uma revisão bibliográfica quanto às potenciais interações farmacológicas em prescrições médicas hospitalares. As interações farmacológicas constituem na atualidade um dos temas mais importantes da farmacologia, podendo afetar o resultado do tratamento, pois seu aumento é proporcional ao número de medicamentos administrados. Os sujeitos que apresentam maior suscetibilidade a interações farmacológicas
são os pacientes hospitalizados, que fazem uso de polimedicamentos. Neste contexto, as interações farmacológicas podem aumentar o tempo de internação hospitalar e os gastos em saúde, bem como piorar o quadro clínico e a qualidade de vida. Dessa forma, mostra-se cada vez mais necessária a orientação e o acompanhamento farmacêutico, com o intuito de orientar na escolha dos medicamentos corretos e otimizar o tratamento farmacológico
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