8 research outputs found
Theory of planned behavior and different forms of organizational change behavior
No full textComplementing prior research on the macro- and system-focused views of organizational change, we examined microprocesses of change by attending to 3 different forms of change behavior as predicted by the theory of planned behavior (TPB). Data were collected from 193 employee-coworker dyads working in various organizations in South Korea. Results showed that the TPB-based predictors were related to distinct forms of change behavior. Specifically, the change efficacy of employees predicted their compliance with change, management support for change predicted employees' cooperation with change, and change favorableness was related to proactive championing for change. Magnitude of change was a positive predictor of the 3 forms of change behavior (compliance, cooperation, and championing) and moderated the relationship between change efficacy and compliance with change. We have contributed to the literature by elaborating on the microlevel dynamics of organizational change by introducing the TPB to explain behavioral reactions to change.OAIID:RECH_ACHV_DSTSH_NO:T201816146RECH_ACHV_FG:RR00200001ADJUST_YN:EMP_ID:A003083CITE_RATE:.458DEPT_NM:경영학과EMAIL:[email protected]_YN:YN
A study on MERS-CoV outbreak in Korea using Bayesian negative binomial branching processes
No full textSpeech signal likability estimation through harmony between pitch and formant
No full textVoice likability is a critical factor in machine-human interaction. However, studies on speech likability typically does not apply the harmony theory in music, which suggests general rules for pleasant sounds. In this paper, I propose a new method that estimates the likability of vocal signals using the harmonic relation of pitch and the first formant (F1). I extract the pitch and F1 from the vowel signal and compute the average cent value between notes in the musical scale from each pitch and F1. A small cent value indicates a consonant relation between pitch and F1. I compared the calculated cent values with the MOS test results from ten speech samples. The results showed a clear correlation between the subjective MOS scores and the consonance of pitch and F1 in vowels.</p
PELATIHAN SENI KALIGRAFI UNTUK MENINGKATKAN KREATIVITAS ANAK DI DESA RIDOGALIH
No full textTPQ Nurul Karomah is a place of religious-based learning located on Hamlet 2. Ridogalih Village, Cibarusah District, Bekasi Regency Learning at TPQ Nurul Karomah is carried out every day in the afternoon or evening. The children of TPQ Nurul Karomah still lack the ability to understand the art of Islamic calligraphy, because basically at TPQ Nurul Karomah itself there has not been any implementation or even special calligraphy art training for TPQ Nurul Karomah children. There the teachers only applied the laws of tajwid, mufrodat in Arabic, and memorized short letters of the Koran. Based on the problems at TPQ Nurul Karomah, the author was motivated to carry out training activities in the art of Islamic calligraphy, with the aim of increasing children's creativity at TPQ Nurul Karomah. The service method carried out by the author is in the form of calligraphy art training which has 3 stages, namely the preparation, implementation and evaluation stages. The training program itself was carried out at TPQ Nurul Karomah involving 30 children, as the main subjects in this program. The results of the service show that community service activities have an impact, namely (1) Increasing the creativity of Ridogalih village children in writing Arabic through the art of calligraphy (2) can have a positive impact on children in developing their creativity, because carrying out this activity can provide a good understanding to TPQ children by holding training
Sosialisasi Pembuatan Biopori Untuk Menanggulangi Banjir Dan Genangan Di Desa Kutamukti
No full textFloods are one of the disasters that still often occur in various regions in Indonesia, floods occur because of high rainfall that is not accompanied by green open spaces and clean river flows from garbage, therefore the plan for the biopore program is intended to minimize the occurrence of puddles. and flooding because water from the soil surface flows directly into the biopori media so that the water does not stay long on the soil surface, Biopori aims to improve the quality of groundwater and nutrients in the soil because the biopori media is filled with organic materials such as vegetable waste and leaves. fall / dry so that it is expected to be able to minimize air pollution from burning garbage because it is not uncommon for people who still burn garbage and waste in their yards, therefore the author makes a program with socialization and training methods so that people want to implement a biopore system around their yards to minimize flood control and puddles as well as organic waste in the biopore media can be used as compost. Overall, the community service activities that have been carried out are going well. Participation, cooperation, and assistance from the parties involved, both internally and externally, were carried out well. The results of the implementation of this community service activity are compiled with and adjusted to the stages of implementing the activities that have been carried out
Development of recombinant secondary antibody mimics (rSAMs) for immunoassays through genetic fusion of monomeric alkaline phosphatase with antibody binders
No full textIn conventional immunoassays, a secondary antibody is used to amplify the signal generated by the binding of the primary antibody to the target analyte. Due to concerns regarding animal use and cost-inefficiency of secondary antibody productions, there is a significant demand for the development of recombinant secondary antibody mimics (rSAMs). Here, we developed rSAMs using a signal-generating enzyme, monomeric alkaline phosphatase (mALP), and antibody-binders, including monomeric streptavidin (mSA2) and mouse IgG1- or rabbit IgG-binding nanobodies (MG1Nb or RNb). The mALP-MG1Nb, mALP-RNb, and mALP-mSA2 were genetically constructed and produced in large quantities using bacterial overexpression systems, which reduced manufacturing costs and time without the use of animals. Each rSAM exhibited high and selective binding to its respective primary antibody, generating linear band signals corresponding to the amounts of target analytes in western blots. The rSAMs also successfully generated sigmoidal signal curves that increased as the sample concentration increased. Moreover, they generated stronger signals than conventional ALP-conjugated secondary antibodies and SA, particularly in the medium to high sample concentration range, in both indirect and sandwich-type indirect ELISAs at the same sample concentration. The rSAMs we developed here may provide new insights to develop novel immunoassay-based analytical and diagnostic tools
Northeastern Asian and Jomon-related genetic structure in the Three Kingdoms period of Gimhae, Korea
No full text© 2022 Elsevier Inc.The genetic history of prehistoric and protohistoric Korean populations is not well understood because only a small number of ancient genomes are available. Here, we report the first paleogenomic data from the Korean Three Kingdoms period, a crucial point in the cultural and historic formation of Korea. These data comprise eight shotgun-sequenced genomes from ancient Korea (0.7×–6.1× coverage). They were derived from two archeological sites in Gimhae: the Yuha-ri shell mound and the Daesung-dong tumuli, the latter being the most important funerary complex of the Gaya confederacy. All individuals are from between the 4th and 5th century CE and are best modeled as an admixture between a northern China Bronze Age genetic source and a source of Jomon-related ancestry that shares similarities with the present-day genomes from Japan. The observed substructure and proportion of Jomon-related ancestry suggest the presence of two genetic groups within the population and diversity among the Gaya population. We could not correlate the genomic differences between these two groups with either social status or sex. All the ancient individuals genomic profiles, including phenotypically relevant SNPs associated with hair and eye color, facial morphology, and myopia, imply strong genetic and phenotypic continuity with modern Koreans for the last 1,700 years.N
1900-1928 Yılları Arası Yayımlanan Mizah Gazete Ve Dergilerinin İncelenmesi
No full textThis thesis, entitled “An Investigation About Humor Magazines Between 1900-1928” aims to provide a complete account of humorous newspapers and magazines during the mentioned years and to reveal the history of humorous periodicals of the period, to determine the periodical humor writers and poets, and to determine the subjects that are processed in humorous periodicals. In the preface, the aim of the thesis, boundaries, methods used are determined; In the introduction, political and social events between 1900 and 1928 were told and humorous articles and cartoons from the first books on Turkish humor culture, Turkish humor, history of humor journalism and up to 1900 were mentioned. In the first section, 120 humorous newspapers and magazines constituting the scope of the thesis were presented in alphabetical order in order to give the newspapers and magazines published in the same name together and to reveal their differences or similarities. In the second section, a complete list of 120 humorous newspapers and magazines constituting the scope of the thesis is given. In the third section, periodical publications were listed according to the author, and poets and writers writing in humorous newspapers and magazines were identified. In the conclusion section, evaluations were made about the general appearance of the humor press between 1900-1928 through statistical evaluation according to the names of the magazines and the author.ÖNSÖZ
GİRİŞ: TARİHSEL BİR BAKIŞ
1. 1900-1928 YILLARI ARASI SİYASAL VE TOPLUMSAL OLAYLAR
1.1 Tanzimat Fermanı’nın İlânından 1900’e Kadarki Döneme Kısa Bir Bakış
1.2 1900-1928 Yılları Arası Siyasal ve Toplumsal Olaylar
2. 1900’E KADAR TÜRKİYE’DE MİZAH BASINI TARİHİ
2.1 Türk Mizah Kültürü
2.2 İlk Mizah Kitapları
2.3 Mizah Gazeteciliği Tarihi
2.4 1900’e Kadarki Mizah Gazeteleri ve Karikatürler
1.BÖLÜM: 1900-1928 YILLARI ARASINDA ÇIKAN MİZAH GAZETE VE DERGİLERİN TANITIMI
1.1 Alafranga (İstanbul, 13 Aralık 1910)
1.2 Alay (İstanbul, 10 Ocak 1920)
1.3 Anadolu’da Kalem (Ankara, 28 Mayıs 1921)
1.4 Arz-ı Hâl (İstanbul, 11 Mart 1910)
1.5 Ayine (İstanbul, 18 Ağustos 1921)
1.6 Babalık Mizah Eki (Konya, 6 Mayıs 1922)
1.7 Boşboğaz ile Güllabi (İstanbul, 10 Ağustos 1908)
1.8 Cadaloz /Afacan (İstanbul, 4 Nisan 1911)
1.9 Cadı (İstanbul, 27 Şubat 1919)
1.10 Cart Beyim (İstanbul, 15 Haziran 1911)
1.11 Cici (İstanbul, 25 Mayıs 1911)
1.12 Cihan (İstanbul, 5 Nisan 1924)
1.13 Cingöz (İstanbul, 10 Eylül 1908)
1.14 Coşkun Kalender 1 (İstanbul, 15 Nisan 1909)
1.15 Coşkun Kalender 2 (?, 18 Ocak 1913)
1.16 Curcuna 1 (Mısır, 22 Ocak 1906)
1.17 Curcuna 2 (İstanbul, 6 Mart 1909)
1.18 Curcuna 3 (İstanbul, 20 Mayıs 1909)
1.19 Çalçene (Kastamonu, 09 Ağustos 1927)
1.20 Çekirge (İstanbul, 27 Mart 1911)
1.21 Çimdik (İstanbul, 16 Haziran 1910)
1.22 Davul 1 (İstanbul, 27 Ekim 1908)
1.23 Davul 2 (Lefkoşa, 09 Temmuz 1922)
1.24 Deccal (İstanbul, 16 Ocak 1919)
1.25 Dertli ile Garip (İstanbul, 19 Ağustos 1910)
1.26 Deve Kuşu (Trabzon, 8 Ekim 1926)
1.27 Dolab (İngiltere, 14 Kasım 1900)
1.28 Piyano/Düşünüyorum (?, 23 Ağustos 1910)
1.29 Edeb Yahu (İzmir, 16 Ekim 1908)
1.30 El-Üfürük (İstanbul, 22 Ağustos 1908)
1.31 El Üfürük Zeylen Körük (İstanbul, Tarihsiz)
1.32 Eşek (İstanbul, 30 Kasım 1910)
1.33 Ezop (İstanbul, 02 Eylül 1908)
1.34 Falaka (İstanbul, 7 Ağustos 1911)
1.35 Feylesof (İstanbul, 16 Temmuz 1914)
1.36 Gece Kuşu (İstanbul, 06 Ocak 1911)
1.37 Gelincik (İstanbul, 8 Haziran 1924)
1.38 Geveze (İstanbul, 19 Kasım 1908)
1.39 Gramofon (İstanbul, 06 Mart 1909)
1.40 Guguk (İstanbul, 2 Ağustos 1924)
1.41 Gülünçlü Sahne-i Meddah (İstanbul, 1326/1910?/1911?)
1.42 Hacivat (İstanbul, 9 Eylül 1908)
1.43 Hande 1 (İstanbul, 4 Nisan 1910)
1.44 Hande 2 (İstanbul, 31 Temmuz 1916)
1.45 Hayal-i Cedid (İstanbul, 18 Mart 1910)
1.46 İbiş (İzmir, 19 Kasım 1908)
1.47 İğne (Selanik, 12 Haziran 1910)
1.48 İncili Çavuş (İstanbul, 10 Ağustos 1908)
1.49 Kafes (Kahire, 06 Nisan 1909)
1.50 Kahkaha 1 (?, 18 Haziran 1922)
1.51 Kahkaha 2 (Cumartesi) (İzmir, 30 Aralık 1922)
1.52 Kahkaha 3 (Trabzon, 7 Ekim 1924)
1.53 Kâhya Kadın (İstanbul, 17 Haziran 1910)
1.54 Karakuş Ezop (İstanbul, 22 Eylül 1908)
1.55 Kara Sinan (İstanbul, 8 Haziran 1911)
1.56 Karikatür 1 (?, 3 Aralık 1909)
1.57 Karikatür 2 (İstanbul, 19 Mart 1914)
1.58 Kartal (İstanbul, 14 Ağustos 1909)
1.59 Kaynana (İzmir, 17 Nisan 1927)
1.60 Kavlak (Giresun, 16 Mart 1912)
1.61 Kibar (İstanbul, 06 Aralık 1910)
1.62 Kukuruk (İzmir, 29 Ağustos 1908)
1.63 Lâla (İstanbul, 15 Aralık 1910)
1.64 Lak Lak 1 (Kahire, 15 Mayıs 1907)
1.65 Lak Lak 2 (İstanbul, 23 Temmuz 1909)
1.66 Latife (İstanbul, 01 Temmuz 1911)
1.67 Leylak (İstanbul, 28 Mayıs 1914)
1.68 Mahkûm (İstanbul, 24 Eylül 1908)
1.69 Malum (İstanbul, 20 Aralık 1910)
1.70 Mehtap (Ankara, 25 Ocak 1928)
1.71 Mektepliler Âlemi (İstanbul, 24 Şubat 1925)
1.72 Molla Nasreddin (Tiflis, 28 Mart 1909)
1.73 Musavver Eşref (?, 18 Mart 1909)
1.74 Musavver Geveze (İstanbul, 15 Ağustos 1908)
1.75 Musavver Karnaval (İstanbul, 22 Eylül 1908)
1.76 Musavver Kaval (Eskişehir, 15 Nisan 1920)
1.77 Musavver Şahika (İstanbul, 12 Aralık 1910)
1.78 Musavver Şukufe (İstanbul, 14 Mart 1910)
1.79 Nasreddin Hoca 1 (?, Tarihsiz)
1.80 Nasreddin Hoca 2 (İstanbul, 03 Ekim 1914)
1.81 Nasreddin Hoca 3 (İstanbul, 21 Ocak 1915)
1.82 Nasreddin Hoca 4 (İstanbul, 6 Ocak 1927)
1.83 Nay (İstanbul, 17 Mart 1912)
1.84 Nefir (Selanik, 5 Şubat 1922)
1.85 Nekregu (İstanbul, 31 Ağustos 1908)
1.86 Nekregu ile Pişekâr (İstanbul, 27 Mayıs 1909)
1.87 Ne Münasebet (Sibirya, 20 Ocak 1919)
1.88 Nesl-i Âti (İstanbul, 8 Ağustos 1912)
1.89 Neşter (İzmir, 23 Nisan 1909)
1.90 Peyami Sabah (Bursa, 20 Ekim 1922)
1.91 Püsküllü Bela (İstanbul, 24 Şubat 1909)
1.92 Resimli Yurt (İzmir, 09 Eylül 1924)
1.93 Serbaz (Kastamonu, 1327-1911?/1912?)
1.94 Şahika (İstanbul, 1328-1912/1913?)
1.95 Şaka 1 (İstanbul, 30 Aralık 1909)
1.96 Şaka 2 (İstanbul, 25 Mayıs 1911)
1.97 Şakacı (İstanbul, 7 Ekim 1908)
1.98 Şakrak (İstanbul, 5 Kasım 1908)
1.99 Şeytan 1 (İstanbul, 22 Ağustos 1918)
1.100 Şeytan 2 (İskece, 11 Kasım 1927)
1.101 Tatlı Sert (İstanbul, 25 Temmuz 1921)
1.102 Tokmak 1 (Cenevre, 15 Mart 1901)
1.103 Tokmak 2 (İzmir, 15 Temmuz 1910)
1.104 Tokmak 3 (İstanbul, 28 Kasım 1911)
1.105 Ton Ton Risalesi (?, 18 Eylül 1908)
1.106 Traş 1 (Cumartesi) (?, 25 Ekim 1919)
1.107 Traş 2 (İstanbul, 20 Nisan 1927)
1.108 Üç Gazete -Metin, Feyz-i Hürriyet- Tasvir-i Hayal - (İstanbul, 11 Eylül 1908)
1.109 Vay Vay (İstanbul, 21 Haziran 1925)
1.110 Yarın (İskenderiye, 1 Ocak 1920)
1.111 Yeniçeri (İstanbul, 29 Şubat 1912)
1.112 Yeni Eğlence (İstanbul, 23 Haziran 1911)
1.113 Yeni Kalem (İstanbul, 6 Ekim 1927)
1.114 Yeni Köroğlu (İstanbul, 6 Haziran 1928)
1.115 Yuha (İstanbul, 2 Kanun-ı Evvel ?)
1.116 Zevzek (İstanbul, 11 Eylül 1908)
1.117 Zeybek (İzmir, 22 Kasım 1918)
1.118 Zuhuri (İstanbul, 27 Ağustos 1908)
1.119 Züğürt (İstanbul, 14 Mart 1911)
1.120 Zümrüd-ü Anka (İstanbul, 11 Ocak 1923)
2.BÖLÜM: 1900-1928 YILLARI ARASINDA YAYIMLANAN MİZAH GAZETE VE DERGİLERİNİN YAZI DİZİNİ
2.1 Alafranga
2.2 Alay
2.3 Anadolu’da Kalem
2.4 Arz-ı Hâl
2.5 Ayine 377
2.6 Babalık Mizah Eki
2.7 Boşboğaz ile Güllabi
2.8 Cadaloz (Afacan)
2.9 Cadı
2.10 Cart Beyim
2.11 Cici
2.12 Cihan
2.13 Cingöz
2.14 Coşkun Kalender 1
2.15 Coşkun Kalender 2
2.16 Curcuna 1
2.17 Curcuna 2
2.18 Curcuna 3
2.19 Çalçene
2.20 Çekirge
2.21 Çimdik
2.22 Davul 1
2.23 Davul 2
2.24 Deccal
2.25 Dertli ile Garip
2.26 Deve Kuşu
2.27 Dolab
2.28 Düşünüyorum (Piyano)
2.29 Edeb Yahu
2.31 El Üfürük Zeylen Körük
2.30 El Üfürük
2.32 Eşek
2.33 Ezop
2.34 Falaka
2.35 Feylesof
2.36 Gece Kuşu
2.37 Gelincik
2.38 Geveze
2.39 Gramofon
2.40 Guguk
2.41 Gülünçlü Sahne-i Meddah
2.42 Hacivat
2.43 Hande 1
2.44 Hande 2
2.45 Hayal-i Cedid
2.46 İbiş
2.47 İğne
2.48 İncili Çavuş
2.49 Kafes
2.50 Kahkaha 1
2.51 Kahkaha 2
2.53 Kahkaha 3
2.54 Kâhya Kadın
2.56 Kara Sinan
2.56 Karikatür 1
2.57 Karikatür 2
2.58 Kartal
2.59 Kavlak
2.60 Kaynana
2.61 Kibar
2.62 Kukuruk
2.63 Lak Lak 1
2.64 Lak Lak 2
2.65 Lala 1273
2.66 Latife
2.67 Leylâk
2.68 Mahkûm
2.69 Malum
2.70 Mehtap
2.71 Mektepliler Âlemi
2.72 Molla Nasreddin
2.73 Musavver Eşref
2.74 Musavver Geveze
2.75 Musavver Karnaval
2.76 Musavver Kaval
2.77 Musavver Şahika
2.78 Musavver Şukufe
2.79 Nasreddin Hoca 1
2.80 Nasreddin Hoca 2
2.81 Nasreddin Hoca 3
2.82 Nasreddin Hoca 4
2.83 Nay
2.84 Nefir
2.85 Nekregu
2.86 Nekregu ile Pişekâr
2.87 Ne Münasebet
2.88 Nesl-i Âti
2.89 Neşter
2.90 Peyami Sabah
2.91 Püsküllü Bela
2.92 Resimli Yurt
2.93 Serbaz
2.94 Şahika
2.96 Şaka 2
2.97 Şakacı
2.98 Şakrak
2.99 Şeytan 1
2.100 Şeytan 2
2.101 Tatlı Sert
2.102 Tokmak 1
2.103 Tokmak 2
2.104 Tokmak 3
2.105 Ton Ton Risalesi
2.106 Traş 1
2.107 Traş 2
2.108 Üç Gazete -Metin-Feyz-i Hürriyet- Tasvir-i Hayal
2.109 Vay Vay
2.110 Yarın
2.111 Yeniçeri
2.112 Yeni Eğlence
2.113 Yeni Kalem
2.114 Yeni Köroğlu
2.115 Yuha
2.116 Zevzek
2.117 Zeybek
2.118 Zuhuri
2.119 Züğürt
2.120 Zümrüd-ü Anka
3. BÖLÜM: 1900-1928 YILLARI ARASINDA YAYIMLANAN MİZAH GAZETE VE DERGİLERİNDE GEÇEN YAZAR ADLARI DİZİNİ
SONUÇ
KAYNAKÇA
EKLER
1.EK: 1900-1928 YILLARI ARASINDA YAYIMLANMIŞ MİZAH GAZETE VE DERGİLERİ HAKKINDA TEZLER
2.EK: MİZAH HAKKINDA TEZLER
3.EK: MİZAH ÜZERİNE ESERLER“1900-1928 Yılları Arası Mizah Gazete ve Dergilerinin İncelenmesi” başlıklı bu tez belirtilen yıllar arasındaki mizah gazete ve dergilerinin tam bir dökümünü vererek dönemin mizah süreli yayınlarının tanıtılmasını sağlamayı ve tarihçesini ortaya çıkarmayı, dönemin mizah yazar ve şairlerini, mizah süreli yayınlarında işlenen konuları belirlemeyi amaçlamaktadır. Önsözde tezin amacı, sınırları, kullanılan yöntemler belirlenmiş; Giriş bölümünde 1900-1928 yılları arasındaki siyasal ve toplumsal olaylar anlatılmış ve Türk mizah kültürü, Türk mizahı üzerine ilk kitaplardan, mizah gazeteciliği tarihinden ve 1900’e kadarki mizah gazeteleri ve karikatürlerden bahsedilmiştir. Birinci bölümde tezin kapsamını oluşturan 120 adet mizah gazete ve dergisi, aynı adla yayımlanan gazete ve dergileri bir arada verip farklılıklarını ya da benzerliklerini ortaya koyabilmek amacıyla, alfabetik olarak tanıtılmıştır. İkinci bölümde tezin kapsamını oluşturan 120 adet mizah gazete ve dergisinin tam bir dökümü verilmiştir. Üçüncü bölümde süreli yayınlar yazara göre döküm yapılarak mizah gazete ve dergilerinde yazan şair ve yazarlar tespit edilmiştir. Sonuç bölümünde dergilerin adlarına ve yazara göre yapılan istatistiksel değerlendirme aracılığıyla 1900-1928 yılları arasında mizah basınının genel görünümü hakkında değerlendirmeler yapılmıştır
