1,720,989 research outputs found
Un mondo a parte? A proposito della Storia del limbo di Chiara Franceschini
No full textUn mondo a parte? A proposito della Storia del limbo di Chiara Franceschini. Con una ricerca su Tommaso Campanella
Atti del convegno "Questioni di storia inglese tra Cinque e Seicento: cultura, politica e religione", (Scuola Normale Superiore di Pisa, 11-12 aprile 2002), a cura di Stefano Villani, Stefania Tutino, Chiara Franceschini.
No full textMario Rosa, Introduzione. Paolo Cristofolini, Ricordo di un amico. Daniela Bianchi, L'intero libro di Dio, chiamato Bibbia. Alle origini dell'identità puritana. Ginevra Crosignani, Thomas Wright, i suoi scritti ritrovati e il dibattito con Robert Parsons, S. J., sulla partecipazione al servizio e al sermone anglicano. Stefania Tutino, Thomas Pounde, Andrew Willet e la questione cattolica all'inizio del regno di Giacomo I. Chiara Franceschini, Nostalgie di un esule. Note su Giacomo Castelvetro (1546-1616). Eleonora Belligni, Marcantonio De Dominis tra l'Inquisizione romana e Giacomo I: nuove prospettive storiografiche dopo Cantimori. Mauro Simonazzi, La melanconia nell'Inghilterra moderna: Edward Jorden, Timothie Bright e Thomas Adams. Mario Caricchio, Giles Calvert, un "editore d'area" nella rivoluzione inglese. Stefano Villani, "Una piccola epitome di Inghilterra". La comunità inglese di Livorno negli anni di Ferdinando II: questioni religiose e politiche. Luisa Simonutti, William Popple e William Penn. Dalla libertà di coscienza alle libertà civili. Giovanni Tarantino, Libertà di coscienza, 'aritmetica politica' e interesse nazionale: le ragioni economiche della tolleranza nel regno di Giacomo II Stuart. Guglielmo Sanna, Contrattualismo e obbedienza politica nella cultura anglicana degli inizi del Settecento. Dario Pfanner, Charles Blount (1654-1693): la voce di un libero pensatore nella Londra di fine Seicento. Tomaso Cavallo, Aggressore dell'umanità e apologeta della tirannide? L'Hobbes degli enciclopedisti
Chapels of the Cinquecento and Seicento in the Churches of Rome. Form, Function, Meaning
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Terribili a udirsi, più terribili a vedersi
Full text linkIn this essay, Chiara Franceschini discusses the extremely imaginative series of miniatures of hell and the Last Things as well as the complex relations between text and image in the Livre de la Vigne, Ms. Douce 134 from the Bodleian Library (1460 circa).
Published by the Istituto della Enciclopedia Italiana Treccani, to accompany a fac-simile of the Ms. Douce 134 from the Bodleian Library in Oxford, this contribution discusses the extremely rich series of miniatures of hell and infernal punishments and the complex relations between text and image in this unique manuscript, which was produced possibly in the Grand Chartreuse in the region of Grenoble around 1460:
Chiara Franceschini, “Terribili a udirsi, più terribili a vedersi”, in: Istituto della Enciclopedia Italiana (ed.), Il manoscritto Douce 134: mirabile visione, Roma: Treccani, 2019, pp. 105-135.
http://www.treccani.it/catalogo/catalogo_prodotti/tesori_svelati/la_mirabile_visione.htm
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