3,663 research outputs found

    SLIDES: Forests and Grasslands

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    Presenter: Professor Federico Cheever, University of Denver Sturm College of Law 30 slide

    A Sweet Home No More?: The Future for Habitat Protection Under the Endangered Species Act

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    20 pages. Includes bibliographical references and biographical information for Federico Cheever and Murray D. Feldman. Contents: Babbitt v. Sweet Home Chapter of Communities for a Greater Oregon / Federico Cheever -- The Sweet Home decision and private property issues / Murray D. Feldman -- Memorandum of Agreement between the State of Colorado and the Department of the Interior concerning programs to manage Colorado\u27s declining native species The U.S. Supreme Court decision in Babbitt v. Sweet Home Chapter of Communities for a Great Oregon,115 S.Ct. 2407 (1995), held that the Department of the Interior reasonably construed Congress\u27 intent when it included habitat modification that injures protected wildlife within the definition of harm prohibited by the Endangered Species Act. Speakers include Professor Federico Cheever, University of Denver College of Law; Paul Seby, attorney with the Mountain States Legal Foundation; and Paul Gertler, Assistant Regional Director, U.S. Fish and Wildlife Service. Center Director Betsy Rieke will moderate

    »It contained harbours that pleased me like sonnets«. Kleine Poetik der diegetischen Karte

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    In this article, Federico Italiano explores the relationship between literature and cartography. Beginning with Stevenson’s Treasure Island, the author frames the topic through a general theoretical lens on the spatial dimension of literary texts. He then focuses on a specific phenomenon of literary "carticity"—the diegetic presence of the map, that is, the map as an integral element of the narrative structure. Among others, Italiano examines the works of Houellebecq and Cormac McCarthy

    Natural Resources Law: A Place-Based Book of Problems and Cases, Second Edition

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    By using specific examples from locations across the country, authors Klein, Cheever, and Birdsong evoke the intensity of debate that arises out of disputes over natural resources. Creating context through a place-based approach, the authors illuminate policy and breathe life into statutory interpretation. Students from every part of the country will find something to relate to their own experience in the panoply of issues located in this casebook.https://scholars.law.unlv.edu/books/1028/thumbnail.jp

    Portrait of the Author in (Him/Her)self

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    A fragment of a philosophical essay by Jean-Luc Nancy and Federico Ferrari titled Iconographie dell’auteur (Paris, 2005), published for the first time in Polish, that addresses the problem of a relationship between the image of the author and his/her work

    Aneddoti e ricette a corte di Federico II nel XXI secolo : il buon cibo e il buon bere nel più antico Ateneo pubblico al mondo

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    [Italiano]: Questo volume rappresenta la finalizzazione di una iniziativa nata, condivisa ed interamente realizzata all'interno del gruppo social dei "Prof in cucina e in Cantina", che ha inteso raccogliere ricette e descrizioni aneddotiche di singoli Autori, appartenenti ai ruoli del personale docente e tecnico-amministrativo-bibliotecario dell'Ateneo federiciano, il più antico Ateneo pubblico al mondo. Aneddoti e ricette forniscono spaccati di vita quotidiana e ricostruzioni di eventi che hanno accompagnato gli Autori nei diversi percorsi formativi, sociali e lavorativi, e che non escludono riferimenti al recente periodo emergenziale della pandemia COVID-19. Ad introdurre il Volume è un menù federiciano, con una proposta di 3 pietanze che attualizzano ricette ed abitubini alimentari dell'epoca, e che hanno come riferimento il Liber de coquina, edito a corte di Federico II. Gli 8 Capitoli del volume raggruppano ricette e aneddoti per categorie, e ciascuno di essi è poi preceduto da un breve inserto con ulteriori riferimenti storici all'alimentazione a Corte di Federico II. Così, atmosfere vecchie e nuove, accompagnate dal sentore di aromi e da suggestioni ispirate al vissuto di ciascun Autore, si fondono per offrire a Lettrici e Lettori frammenti di quotidianità vissuti oggi a corte di Federico II, nel XXI secolo./[English]: The Volume represents the endpoint of a recent initiative, which was conceived, shared and fully realized within the social group of the "Prof in Cucina e in Cantina". Here, the several Authors, represented by the teaching and the technical/administrative/librarian staff of the Federico II University in Naples, the oldest public University in the world, propose recipes and anecdotal descriptions of their educational, social and work-related paths, including some episodes from the recent COVID-19 pandemic. A menu inspired to Frederick II introduces the book, with 3 recipes inspired to the Liber de coquina, a cooking manual compiled at the Emperor's court. Each of the following 8 thematic chapters of the book is also anticipated by a brief insert reporting historical reconstructions of the alimentary habits at the court of Frederick II. Thus, old and new atmospheres, accompanied by the scent of aromas and suggestions inspired by the experience of each Author, come together to offer Readers fragments of everyday life at the court of Frederick II, in the 21st century

    Forestry

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    Professor Fischman\u27s contribution is Chapter 31, Forestry, co-authored with Federico Cheever and Robert B. McKinstry, Jr.https://www.repository.law.indiana.edu/facbooks/1203/thumbnail.jp

    Federico De Roberto, «L’imperio»

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    Il breve saggio analizza l'incipit dell'Imperio di Federico De Roberto mettendo a fuoco come l'Autore riesca a dare una rappresentazione teatrale del parlamento e, con ciò, a desacralizzarne la funzione politica e a ridicolizzarne i principali attori: i parlamentari. Questo incipit è ovviamente funzionale alla successiva narrazione della progressiva delusione politica di Ranaldi.The short essay examines the incipit of "L'imperio" by Federico De Roberto focusing on how the author manages to give a theatrical performance of the parliament and, thereby, to desecration and ridiculing the political function of the main actors: the parliamentarians. This incipit is obviously functional to the narration of the progressive political disappointment of Ranaldi
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