3,846 research outputs found
Charles C. Chapman\u27s birthday celebration, Fullerton, California,1932
No full textFamily portrait taken at Charles C. Chapman\u27s birthday celebration, Fullerton, California,July 2, 1932. The group poses outside his residence on the lawn. Top row [left to right]: Arthur Irvin, Charles Wickett, Irvin Chapman, Sam Collins, Paul Williams, Grant Chapman,, Sidney Chapman, Clay McCarn, Earl Chapman\u27s son David McDougal, Earl Chapman\u27s son William McDougal, Earl Chapman, Harry Chapman, William Wickett Sr. Second row [left to right]: Mr. VanMeter, Mrs. Sinclair, C. C. Sinclair, John Franklin, Way Bagley, Marjorie Collins, Emma Williams, Ruth Chapman, Vesta Chapman, Inez Bagley, Grace Chapman, Bertha Chapman, Clough Chapman, Frank and Bertha Chapman\u27s daughter Agnes McDougal [Streech], Georgiana Chapman, Thela Clough, Mrs. Earl [Ann] Chapman, Bessie Reynolds, Fred Chapman, E. B. [Bert] Reynolds. Seated [left to right]: Mrs. VanMeter, Hattie Clark, Louie Messlar, Charlie Thamer, Louella Thamer, Dolla Harris, Stanley Chapman Sr. holding Mary Anne, Ethel Wickett, Charles C. Chapman, Clara Chapman, Colum C. Chapman, Aunt Annie Colum, Deryth Chapman, Anna Marie Chapman, Floy Chapman, Edith Chapman. Front row [left to right]: Sam E. Collins, Bill Wickett Jr., Joyce Chapman, Marilyn Chapman, Elizabeth Chapman, Mary McCarn, Nina Chapman Lescher, Jodeane Collins, Bob Gibb, Jean Chapman. In front is a floral arrangement with drawing of a Western Union telegram To Chas. C. Chapman, July 2, 1932, N. Fullerton, Cal., \u27Wishing you a happy birthday, Nina.https://digitalcommons.chapman.edu/chapman_family/1043/thumbnail.jp
Chapman House
No full textCottage built for Sarah E. Chapman (born c. 1807), who resided here with Ivey Prescott Bell (1814-1868), ship carpenter; and wife, Rebecca (1826-1909); and son, Benjamin (1852-1923), co-founder of Jackson & Bell, printers. Purchased in 1927 for rental income by Elizabeth Winston Broadfoot (1895-1991)
“A Crisis in Our Cause”: The Fifteenth Amendment and the Newport Woman Suffrage Convention of August 1869
No full textIn “A Crisis in Our Cause”: The Fifteenth Amendment and the Newport Woman Suffrage Convention of August 1869,” Elizabeth C. Stevens details the painful rupture in the fledgling woman suffrage movement of the late 1860s by examining a suffrage convention held in Newport, R.I. in August 1869. Tensions between colleagues in the woman’s rights and abolitionist movements of the mid-nineteenth century over the pending passage of the Fifteenth Amendment boiled over into hostility and anger as plans for the convention evolved. Paulina Wright Davis, leader of the Rhode Island Woman Suffrage Association, was at the forefront in organizing the convention at the behest of Susan B. Anthony and Elizabeth Cady Stanton. Elizabeth C. Stevens is the editor of Newport History and the author of Elizabeth Buffum Chace and Lilllie Chace Wyman: A Century of Abolitionist, Suffragist and Woman’s Rights Activism
Tudor women writers fashioning masculinity
No full textThis thesis contributes to the growing interest in early modern masculinity and its literary representations by introducing texts by women writers into dialogue with their male-authored counterparts. It argues for a more nuanced approach that recognises that the concepts of masculinity and femininity can only be fully understood when studied in relation with each other.
The first chapter explores how, notwithstanding the wisdom of conduct books and marriage guides, the demands of the state may not always be commensurate with those of the domestic realm and shows that this conflict necessitates a rethinking of existing definitions of masculinity by focusing on selected writings of the Tudor sisters Mary and Elizabeth and Jane Fitzalan’s *Tragedie of Iphigeneia*. The second chapter identifies how Elizabeth’s unique discursive strategies were designed to elicit support from her male subjects and subdue the belligerence that simmered under polemic like John Stubbs’ *Gaping Gulf*. In her letters to Anjou, the chapter examines how Elizabeth manoeuvred around her position as a beloved and as a monarch to fashion a husband who would not only be sympathetic but also subordinate to her political authority. This chapter also shows how the fabulous world of John Lyly’s *Galatea* consummates the Queen’s desire for the ideal male subject. The final chapter investigates the construction of martial manhood. It juxtaposes Mary Sidney’s *The Tragedy of Antonie* with William Shakespeare’s *Antony and Cleopatra* to determine how the figure of Cleopatra, common to both plays, challenges and revises the martial code of masculinity as embodied by Antony. By examining the authorial position appropriated by Cleopatra in the plays and its impact on the narrative, this chapter also extends this thesis’ interest in the extent to which female characters within texts compete for diegetic control with male protagonists
RoMEO Studies 2: How academics wish to protect their open-access research paper
No full textThis paper is the second in a series of studies (see Gadd, E., C. Oppenheim, and S. Probets. RoMEO Studies 1: The impact of copyright ownership on author-self-archiving. Journal of Documentation. 59(3) 243-277) emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving). It considers the protection for research papers afforded by UK copyright law, and by e-journal licences. It compares this with the protection required by academic authors for open-access research papers as discovered by the RoMEO academic author survey. The survey used the Open Digital Rights Language (ODRL) as a framework for collecting views from 542 academics as to the permissions, restrictions, and conditions they wanted to assert over their works. Responses from self-archivers and non-archivers are compared. Concludes that most academic authors are primarily interested in preserving their moral rights, and that the protection offered research papers by copyright law is way in excess of that required by most academics. It also raises concerns about the level of protection enforced by e-journal licence agreement
Jews and gender in British literature 1815-1865.
No full textPhDThis thesis examines the variety of relationships between Jews and gender in early
to mid-nineteenth century British literature, focussing particularly on representations
of and by Jewish women. It reconstructs the social, political and literary context in
which writers produced images and narratives about Jews, and considers to what
extent stereotypes were reproduced, appropriated, or challenged. In particular it
examines the ways in which questions of gender were linked to ideas about religious
or racial difference in the Victorian period.
The study situates literary representations of Jews within the context of
contemporary debates about the participation of the Jews in the life of the modern
state. It also investigates the ways in which these political debates were gendered,
looking in particular at the relationship between the cultural construction of
femininity and English national identity.
It first considers Victorian culture's obsession with Rebecca, the Jewess created in
Walter Scott's influential novel Ivanhoe (1819). It examines Rebecca's refusal to
convert to Christianity in the context of Scott's discussion of racial separatism and
modern national unity.
Evangelical writers like Annie Webb, Amelia Bristow and Mrs Brendlah were
prolific literary producers, and preoccupied with converting Jewish women.
Particularly during the 18'40s and 1850s, evangelical writing provided an important
forum for the construction and consolidation of women's national identity.
Grace Aguilar's writing was an attempt to understand Jewish identity within the
terms of Victorian domestic ideology. In contrast, Celia and Marion Moss, in their
historical romances, offered narratives of female heroism and national liberation,
drawing on the contemporary debate about slavery.
Benjamin Disraeli's construction of a "tough version of Jewish identity was a
response both to the contemporary stereotype of the feminised Jew and to the debate
about Jewish emancipation. It also drew on the virile ideology of the Young England
movement of the 1840s
Man in his native noblesse? : chivalry and the politics of the nobility in the tragedies of George Chapman
No full textIn this thesis I argue that the three plays under consideration - Bussy
D'Anbois, The Conspiracy and Tragedy of Charles Duke of Byron, and The
Revenge of Bussy D'Ambois - illustrate Chapman's concern with the role of
chivalry in England following the debacle of the Essex Rebel lion in 1601.
My contention is that, for Chapman, the Essex Rebellion exposed the
fragility and the inconsistencies of Elizabethan chivalry and the political
threat represented by its preoccupation with martial values.
I suggest that in his plays, Chapman sets out to deconstruct the myth
of chivalry by exposing it as a romantic concept which is used by the
martial nobility as a means of Emphasizing their political rights. The
values of chivalry - prowess, honour, loyalty, generosity, courtesy and
independence - are shown, by the plays, to be incompatible with the
political ambitions of the nobility. By associating themselves with this
mythical concept of chivalry, political figures cane to identify their
factions with the values of chivalry. Chapman, I argue, shows haw the myth
is established and then exposes it for what it is, by portraying his
characters as unable to live up to their expected mythical ideals.
Chivalry is stripped of its mythical trappings and exposed as militaristic,
aggressive and politically motivated.
The thesis is divided into five chapters. In the first, I consider
Chapman alongside the Tacitean historians who were connected with the Essex
circle in the 1590s and show how, in The Conspiracy and Tragedy of Charles
Duke of Byron, the dramatist transformed the providentialist narrative of
his source into a play with Tacitean connotations, emphasizing the
relationship between chivalry and constitutional political theory. In the
second chapter I consider Chapman's interest in chivalry and discuss
generally the romantic concept of Elizabethan chivalry and its relationship
with the political concerns of the nobility. In Chapters Three to Five I
discuss Chapman's portrayal of chivalry and its political impliications
Archivist, Archaeologist, Author and the Tactile Window
No full textThe idea that the predominant way of engaging with architecture is through vision is not uncommon but also not always the most appropriate given that buildings are also experienced through tactile interventions. This consequence that emphasises visual aesthetics in order to appreciate and understand architecture probably has much to do with the assumed but rather vaguely defined role of the architect as designer in the practice of architectural design. A resulting misapprehension is that architects designing for visual appreciation think that they are actually designing physical space for embodied tactile engagement.
This prioritisation of vision in the way architects think about and approach design is questioned through the design project of the Tactile Window in which the position of the architect is redefined through inhabiting the roles of archivist, archaeologist and author during the design process.
A 16th century portrait of Queen Elizabeth I known as the Ditchley portrait, currently on display at the National Portrait Gallery is used as the source from which the design of the Tactile Window is derived from and refers back to. Questioning the validity of vision as the sole means of engaging with the work, information about the portrait and working methods gathered from the three carefully chosen positions mentioned above are drawn on and applied to the making of this Tactile Window that becomes an alternative Ditchley portrait. Through exploring the hidden historical and current narratives of and in the existing portrait, the presence of the portrait is alluded to on an alternative physical site. Key to this are the working methods of an invented archival system of design reasoning, the unearthing of archaeological texts and assuming of authorship within the individual frameworks of the roles of archivist, archaeologist and author.
The redefined role of the architect as archaeologist takes onboard the unearthing of associated drawings and writings as well as the methods of organising and applying the recovered information to the system set up by the archivist. This analysis of the graphic and text based information is used to formulate historical narratives that are woven into the design project. Whereas traditional archaeology stresses on the study of a site from a site with quantifiable limits to the physical context, the notion of archaeological sites in this instance refers to the places where the stored information is unearthed. Through the careful process of archiving and analysing this information, a new site that is located within both the physical and historical contexts of interest is discovered. The author then draws upon the elements in the archival system that includes the findings of the archaeologist to construct the alternative Ditchley portrait in this new site of the Echoing Cedar, the result of which bears no visual resemblance to the existing work.
The Tactile Window is a reading of the Ditchley portrait in which information about and in the painting is transformed into a design proposal for an inhabited structure. The intended method of interaction with this alternative portrait is not merely restricted to vision but relies on engagement with the other senses. This experience is enhanced by the interplay with certain site conditions such as wind and rain in order to allude to specific aspects of the Ditchley portrait that are not visually apparent in the existing work.
In the processes of excavating, finding and revealing the hidden information to create this alternative portrait, the effects of the visuals afforded by the existing portrait inadvertently begin to fade as the validity of a single means of visual expression is questioned
Processing Choreography: Thinking with William Forsythe's "Duo"
No full textTold from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community
The impact of changing sediment budgets on an industrialised estuary: a case study of Southampton Water, UK
No full textApproximately 80 of the 170 commercial ports in the UK are either in or near areas protected under the European Habitats Directive. These areas are often also focal points for related industries, urbanisation and recreation. This brings in to question what impact these developments have had on these protected habitats and should future developments be given permission to occur. Pressures on estuaries were found to impact upon the dynamic equilibrium of an estuary through changes in the balance of the sediment budget, energy dispersal and estuary morphology. It was the aim of this thesis to show that through understanding the historical relationship between various pressures and the impact on these components that management of these environments could be improved to protect their environmental interest while allowing sustainable development to occur. Also by understanding the state of equilibrium it could be determined whether historic projects should be included in the cumulative and in-combination impact assessment for new plans or projects under the Conservation of Habitats and Species Regulations 2010. Southampton Water is an industrialised estuary on the South coast of England, the European protected salt marsh and mudflats lining its shores have been declining so this was an ideal case study site to investigate the relationship between pressures on estuaries and their impacts. A geographical information system was used to analyse historic data for Southampton Water between 1783 and 2008 to create 3D model for Southampton Water over time. From this model the volume changes of estuary components, the sediment budget and the change in dynamic equilibrium were quantified for the entire estuary. In novel work the changes were related to historic events which had occurred in the estuary. Importantly the errors associated with the sediment budget and morphological changes were quantified to provide a degree of confidence to these findings. This thesis found that the biggest influences on the sediment budget and equilibrium state of the estuary between 1783 and 2008 were dredging, land claim and Spartina growth/dieback. Land claim alone immobilized 255.4(+/-62) x106m3 of sediment. The estuary has moved from equilibrium state between 1783 and 1894 to one which is sediment starved due to a combination of these pressures.1,525 (+/-280) x103m3/yr of sediment was needed between 2001 and 2008 to balance the budget. Due to continued pressures the basin area is too large for the intertidal area the estuary supports. Error analysis was important in providing confidence to these results. The Main Channel and Test Estuary are still adjusting to historic changes this means that future plans/ projects should take these in to account when assessing the cumulative impact for Habitat Risk Assessments. This thesis showed that future management of the estuary should focus on securing sediment supplies to the estuary and on stabilising the intertidal zone. Subject to data constraints the methods used in this thesis could be applied to any estuary to assess the impacts of drivers and pressures on protected habitats and the management regimes which could be used to ensure their survival
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