4,976 research outputs found
Apresentação feita pela Dra. Sonia Castillo Ballén
No full textThe articles that make up this issue of the Corpo-grafías Magazine, brings together diverse voices of researchers, artists, activists, as well as spokespersons from communities in Latin America and the world, regarding the “body” as a vital experience of people, a problem of the sciences, as well as reasons for creation, training and representation both in the arts and in cultures.
What these voices say from their plural places of enunciation, inquire into the ways in which people and peoples live and resist, how they survive and re-exist while with this, they re-create in everyday life, human ways as we do life. That is, the ways of living as the ways of putting into practice the very praxis of the condition of existence, both personal and collective. This condition of existence is primal, bodily condition, since it is in the existence or non-existence of the bodily manifestation that the living is as long as it exists.Los artículos que conforman este número de la Revista Corpo-grafías, reúne voces diversas de investigadrxs, artistas, activistas, así como de voceros de comunidades de Latinoamérica y del mundo, respecto del “cuerpo” en tanto experiencia vital de las gentes, problema de las ciencias, así como motivos de creación, de entrenamiento y de representación tanto en las artes como en las culturas. Lo que dicen estas voces desde sus lugares plurales de enunciación, indaga en las maneras como las personas y los pueblos viven y resisten, como sobreviven y re-existen mientras con esto, re-crean en el día a día, los modos humanos como hacemos la vida. Es decir, los modos del vivir en tanto las maneras de poner en acción la praxis misma de la condición de la existencia, tanto personal como colectiva. Esta condición de la existencia es de modo primigenio, condición corporal, dado que es en la existencia o no existencia de la manifestación corporal que lo vivo es en tanto existe.Os artigos que compõem esta edição da Revista Corpo-grafías reúnem diversas vozes de pesquisadores, artistas, ativistas e porta-vozes de comunidades da América Latina e do mundo, sobre o “corpo” como uma experiência vital das pessoas, um problema de as ciências, bem como as razões para criação, treinamento e representação, tanto nas artes quanto nas culturas.
O que essas vozes dizem de seus lugares plurais de enunciação, indaga sobre como as pessoas e os povos vivem e resistem, como eles sobrevivem e reexistem enquanto com isso, eles recriam na vida cotidiana, as formas humanas como nós. a vida. Ou seja, os modos de viver e os modos de colocar em prática a própria práxis da condição de existência, pessoal e coletiva. Essa condição de existência é primal, condição corporal, uma vez que é na existência ou não existência da manifestação corporal que o viver é enquanto existir
Sonia és a Sápadtarcúak
No full text1. Funnt town / Galambos E. - Galambos E + 2. Love struck my heart / Galambos E. - Hegyessy Á. + 3. Shining of your eyes / Galambos E. - Scott Knight + 4. Sueno abrasador / Galambos E. - Sonia Zambrano + 5. Bűvös madár / Galambos E. - Hegyessy Á. - Barta I. + 6. Mundo herido / Galambos E. - Sonia Zambrano + 7. Round trip boogie / Gyaraki Zs. - Hegyessy G. + 8. In a silent way / Galambos E. + 9. Need somebody to love / Galambos E
Pulitzer-Prize Winning Author Sonia Nazario
No full text--Pulitzer-Prize Winning Author Sonia Nazario--Enrique\u27s Journey--Monday, April 11 @ 7 p.m.--Latino Americans 500 Years of History--Sponsors--More information can be found at library.uni.edu/diversityhttps://scholarworks.uni.edu/latinoamericans_documents/1004/thumbnail.jp
Autograph of Sonia Johnson in "The SisterWitch Conspiracy"
No full textThe title page and an autograph by the author, Sonia Johnson, in their work ""The SisterWitch Conspiracy"" with an inscription.To Carolyn, In appreciation of your courage and passion. Soni
Author interview: Q and A with Sonia Livingstone and Alicia Blum-Ross, authors of Parenting for a Digital Future
No full textIn this author interview, we speak to Sonia Livingstone and Alicia Blum-Ross about their new book, Parenting for a Digital Future, which draws on interviews and a national survey with UK parents to explore how hopes and fears about digital technologies are shaping parenting today
Interview with Ruba Salih, by Nadeem Karkabi and Sonia Boulos
No full textOn the occasion of publishing a special issue of Palestine/
Israel Review (PIR) on the decolonization of the city of Haifa, PIR interviewed Ruba Salih, a professor of anthropology at the Department of
Arts, University of Bologna. Salih’s research focuses on transnational
migration and diasporas across Europe, the Middle East, and North
Africa; Islam and gender; the Palestine question and refugees; and
trauma and conflict in the Middle East. She is the author of numerous academic works, including the book Gender in Transnationalism:
Home, Longing and Belonging among Moroccan (Routledge, 2003), and
the article “Bodies That Walk, Bodies That Talk, Bodies That Love: Palestinian Women Refugees, Affectivity, and the Politics of the Ordinary” (Antipode, 2017). Currently, she is working on a book on waiting and the politics of return among Palestinian refugees (Cambridge University Press). Ruba herself is the daughter of a Palestinian refugee from
Haifa, and her mother was born in Yafa/Jaffa. PIR held an interview
with her to talk about her work and her own experience of refuge as a
descendant of Palestinian refugees from Haifa. Nadeem Karkabi and
Sonia Boulos conducted the interview for PIR
Pereira territory or territory of oblivion, a radiography of the modes of sentient relationship in three representative artworks of the 44th National Salon of Artists AÚN 2016
No full textEn esta investigación creación se abordan los modos de relación sintiente alrededor del territorio pereirano a través de tres obras participantes del 44 Salón Nacional de Artistas AÚN y de mi experiencia socio personal. Estas obras son la naturaleza de la irrupción de Fredy Clavijo, la oreja hueca de la montaña y tres cuentos denigrantemente cortos de Ricardo Muñoz y, Río escultor de piedras del Grupo Otún. La apuesta metodológica es realizada desde la autoetnografía en su posibilidad literaria, la genealogía y la entrevista. Por otro lado, la valoración del territorio se desarrolló a partir de los planteamientos de Beatriz Nates y, lo intersensible a partir de los modos de relación sintiente propuestos por Sonia Castillo en enlace con los desarrollos alrededor de la matriz artística por Katya Mandoki. Esta investigación es una reflexión crítica que comprende un fragmento de la institución artística colombiana la cual ha hecho del territorio pereirano un territorio de olvido.In this Creation-Research the Modes of Sentient Relationship around the Pereira Territory are addressed through of three participating works of the 44th National Salon of Artists AÚN and my personal-social experience. This works are La Naturaleza de la Irrupción by Fredy Clavijo, La Oreja hueca de la Montaña y tres cuentos denigrantemente cortos by Ricardo Muñoz and Río Escultor de Piedras by Grupo Otún. The methodological bet is made from the autoethnography in its literary possibility, the genealogy and the interview. By the other hand, the assessment of the territory is made from the approach of Beatriz Nates and the appreciation of the intersensible was based on the modes of sentient relations proposed by Sonia Castillo in connection with the developments around the Artistic Matrix by Katya Mandoki. This investigation is a critical reflection that includes a fragment of the Colombian artistic institution, which has turned Pereira Territory into a territory of oblivion
Archaeological sites in the area of the Iron Age city of Edeta -Valencia, Spain-
No full textArchaeological sites in the area of the Iron Age city of Edeta.This DTM is supplementary material of a forthcoming paper in Zephyrus "Analysing the sacred landscape in the Iberian Iron Age: GIS, caves and ritual performance" by Sonia Machause López and Agustín Diez Castillo
Interprétation de trois moments d'adaptation dans la mise en œuvre de l'atelier artistique : Nous dansons en tissant des territoires dans le cadre du projet TransMigrARTS
No full textInternational audienceThis article presents an assessment of the prototype workshop TransMigrARTS Dance Weaving Territories, held from April 15 to May 20, 2024, at the Pablo Iglesias Sociocultural Center in San Sebastián de los Reyes, Madrid (Spain), from three analytical perspectives: “Ductus or intersensitivekinetic route” proposed by María Teresa García Schlegel, “Modes of sentient relationships” by Sonia Castillo Ballén, and “Collective body” by Elizabeth Garavito. The above, from the perspective of intersensitivities, from which scientific and artistic attention is paid to the adaptations and transformations resulting from the implementations of the prototype artistic workshops with migrant populations within the TransMigrARTS research project.Este artículo recoge la valoración del taller artístico prototipo TransMigrARTS Danzamos Tejiendo Territorios, llevado a cabo entre el 15 de abril al 20 de mayo de 2024, en el Centro Sociocultural Pablo Iglesias de San Sebastián de los Reyes, Madrid (España) desde tres perspectivas de análisis: “Ductus o ruta cinética intersensible” propuesta por María Teresa García Schlegel, “Modos de relaciones sintientes” por Sonia Castillo Ballén y “Cuerpo colectivo” por Elizabeth Garavito. Lo anterior, desde la perspectiva de las intersensibilidades, a partir de la cual se presta atención científica y artística a las adaptaciones y transformaciones resultantes de la implementaciones de los talleres artísticos prototipo, con poblaciones migrantes, en el seno del proyecto de investigaciónTransMigrARTS.Cet article rassemble le bilan du prototype de l'atelier TransMigrARTS Dance Weaving Territories réalisé entre le 15 avril et le 20 mai 2024, au Centre socioculturel Pablo Iglesias de San Sebastián de los Reyes, Madrid (Espagne) à partir de trois perspectives d'analyse : Ductus ou parcours cinétiqueintersensible proposé par María Teresa García Schlegel, Modes de relations sensibles par Sonia Castillo Ballen et Corps collectif par ElizabethGaravito. Ce qui précède, du point de vue des intersensibilités, à partir desquelles une attention scientifique et artistique est portée aux adaptations et transformations résultant des mises en œuvre des ateliers artistiques prototype avec des personnes migrantes dans le cadre du projet TransMigrARTS
Los desafíos de la lectura y la escritura en la educación superior: Caminos posibles
No full textEvaluación del desempeño o de las concepciones de los estudiantes. Propuestas pedagógicas y didácticas para favorecer el desempeño de los estudiantes. Formación de maestros universitarios. Análisis del discurso y formación universitari
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