1,721,099 research outputs found
God’s Theater: Space for Performance and Stagecraft Experimentation - Il teatro di Dio: spazio di rappresentazione e di sperimentazione scenotecnica
No full textIn 15th-century Florence, Sacra Rappresentazione was popular among all social classes. Sacred dramas were soon produced as literature and became a popular drama genre in the new and growing publishing market. TMany Renaissance authors wrote sacred dramas—including Lorenzo de’ Medici, called Il Magnifico—as they were certain that the genre could be used to guide public and political thought and behavior, and thus educate the whole city. The exhibition featured the theatrical machinery used in these performances, including crucifixes with movable arms, as well as paintings and drawings inspired by sacred dramas
Section II: Sacred Drama :From a Teathrical Form to an Editorial Phenomenon - Sezione II: La Sacra Rappresentazione: da forma spettacolare a fenomeno editoriale
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Sacred Drama. Performing the Bible in Renaissance Florence - La Sacra Rappresentazione: recitare la Bibbia nella Firenze del Rinascimento
No full text“... non ho cosa degna di teatro solenne”. Michelangelo Buonarroti il Giovane intendente di spettacolo
No full textIl saggio indaga la figura del drammaturgo, uomo di teatro Michelangelo Buonarroti il Giovane, nipote del celebre artista, nelle sue funzioni di allestitore della scena, figura protoregistica, attraverso inediti manoscritti e disegni autografi.The essay investigates the figure of the playwright, theater men Michelangelo Buonarroti the Younger, nephew of the famous artist, in his functions as a set-up of the scene, a protoregistic figure, through unpublished manuscripts and autograph drawings
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Reviving MILORD long-range model for simulating the dispersion of the release during fukushima nuclear power plant accident
No full textVariations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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