1,721,163 research outputs found
Pachycerianthus (Anthozoa: Ceriantharia: Cerianthidae); two newly described species from Port Jackson, Australia
No full textFig. 1. a - Generalised view of organism; b - Pachycerianthus delwynae showing distinctive markings and coiled tentacles; c - Pachycerianthus longistriatus showing distinctive markings on the tentacles.Published as part of Carter, Scott, 1995, Pachycerianthus (Anthozoa: Ceriantharia: Cerianthidae); two newly described species from Port Jackson, Australia, pp. 1-6 in Records of the Australian Museum 47 (1) on page 2, DOI: 10.3853/j.0067-1975.47.1995.3, http://zenodo.org/record/465471
The Loneliness of the Long Distance Thinker: Sraffa, Marx, and the Critique of Economic Theory
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Comment : On Sinha and Perri: Hamlet without the Prince: Sraffa (and Marx) without Competition
No full textBila cinta sebuah permainan : inilah aturannya sepuluh aturan memenangkan dan mempertahankan cinta sejati/ Carter-Scott
No full text272 hal.; 21 cm
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The genomic complexity of primary human prostate cancer
Get PDF2011 August 10.Prostate cancer is the second most common cause of male cancer deaths in the United States. However, the full range of prostate cancer genomic alterations is incompletely characterized. Here we present the complete sequence of seven primary human prostate cancers and their paired normal counterparts. Several tumours contained complex chains of balanced (that is, ‘copy-neutral’) rearrangements that occurred within or adjacent to known cancer genes. Rearrangement breakpoints were enriched near open chromatin, androgen receptor and ERG DNA binding sites in the setting of the ETS gene fusion TMPRSS2–ERG, but inversely correlated with these regions in tumours lacking ETS fusions. This observation suggests a link between chromatin or transcriptional regulation and the genesis of genomic aberrations. Three tumours contained rearrangements that disrupted CADM2, and four harboured events disrupting either PTEN (unbalanced events), a prostate tumour suppressor, or MAGI2 (balanced events), a PTEN interacting protein not previously implicated in prostate tumorigenesis. Thus, genomic rearrangements may arise from transcriptional or chromatin aberrancies and engage prostate tumorigenic mechanisms.National Human Genome Research Institute (U.S.
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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