1,721,098 research outputs found
The Italian Banking and Financial Arbitrator between iurisdictio and Strengthening of the Supervisory Function
Starting out from the current crisis which has affected the intermediaries-clients relationship and caused a massive litigation in the banking and financial sector, particularly in the Italian judicial system, this paper sets out to examine the normative framework of the Banking and Financial Arbitrator (A.B.F.). Specifically, the A.B.F. should pursue the aims of fair and impartial dispute resolution in line with the judicial character ascribable to decision-making by that body. However, the Bank of Italy is given the task of defining the composition and organisation of the organs of the Banking and Financial Arbitrator; a closer examination of the rules suggests that there are plenty of room for intervention by the Supervisory Authority with regard to the A.B.F. investigation procedure. It is evident as a result that there is a plausible risk of functionalisation of the activity carried out by the A.B.F. for purposes other that and different from those referable to aims of justice
Politics and Finance in the European Union
The European Union‐wide financial crisis has shown the degenerative
effects of an advanced capitalism including, among others, the limits of a
growth‐model that proved to be inadequate to balance out certain uneven realities.
Some basic points of the regulation concerning the European financial
system seem to have become obsolete given that European Union ‘political’ institutions
were not able to contest the ‘market power’. Thus, this paper analyses
the relationship between ‘politics’ and ‘finance’ in the European Union context highlighting the modalities by which the European Union exercises its deliberative powers based on a process substantially influenced by a co‐decision model
Politica e Finanza nell'Unione europea. Le ragioni di un difficile incontro
L'opera esamina il rapporto fra politica ed finanza a seguito delle recente crisi finanziaria e dei debiti sovrani, in una prospettiva europea. In particolare, sono analizzate le forme esplicative del rapporto menzionato, cui si ricollega l'obiettivo del conseguimento di una linea di sviluppo paritaria dei suoi membri, messa in discussione dalla recente crisi. Rimane comunque forte l'identità europea ed il connesso senso di unitarietà che la stessa riesce ad esprimere
Effects of dihydrotanshinone I on proliferation and invasiveness of paclitaxel-resistant anaplastic thyroid cancer cells
ATC is a very rare, but extremely aggressive form of thyroid malignancy, responsible for the highest mortality rate registered for thyroid cancer. In patients without known genetic aberrations, the current treatment is still represented by palliative surgery and systemic mono-or combined chemotherapy, which is often not fully effective for the appearance of drug resistance. Comprehension of the mechanisms involved in the development of the resistance is therefore an urgent issue to suggest novel therapeutic approaches for this very aggressive malignancy. In this study, we created a model of anaplastic thyroid cancer (ATC) cells resistant to paclitaxel and investigated the characteristics of these cells by analyzing the profile of gene expression and comparing it with that of paclitaxel-sensitive original ATC cell lines. In addition, we evaluated the effects of Dihydrotanshinone I (DHT) on the viability and invasiveness of paclitaxel-resistant cells. ATC paclitaxel-resistant cells highlighted an overexpression of ABCB1 and a hyper-activation of the NF-κB compared to sensitive cells. DHT treatment resulted in a reduction of viability and clonogenic ability of resistant cells. Moreover, DHT induces a decrement of NF-κB activity in SW1736-PTX and 8505C-PTX cells. In conclusion, to the best of our knowledge, the results of the present study are the first to demonstrate the antitumor effects of DHT on ATC cells resistant to Paclitaxel in vitro
Commentario al testo unico delle disposizioni in materia di intermediazione finanziaria
con Capriglione, F
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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