7,888 research outputs found
Consumo, publicidad y cultura. Juan Rey (editor), Jorge David Fernández Gómez, Antonio Pineda Cachero. Sevilla: MAECEI, 2003. 187 páginas
Obra ressenyada: Juan REY; Jorge David FERNÁNDEZ GóMEZ; Antonio PINEDA CACHERO, Consumo, publicidad y cultura. Sevilla: MAECEI, 200
Consumo, publicidad y cultura. Juan Rey (editor), Jorge David Fernández Gómez, Antonio Pineda Cachero. Sevilla: MAECEI, 2003. 187 páginas
Obra ressenyada: Juan REY; Jorge David FERNÁNDEZ GóMEZ; Antonio PINEDA CACHERO, Consumo, publicidad y cultura. Sevilla: MAECEI, 200
La belleza embriagadora. EL mito de Dionisio en la Publicidad. Jorge David Fernández Gómez, Antonio Pineda Cachero. Sevilla, Alfar, 2002. 186 páginas
Obra ressenyada: Jorge DAVID FERNANDEZ y GÓMEZ, Antonio PINEDA CACHERO. La belleza embriagadora. EL mito de Dionisio en la Publicidad. Sevilla: Alfar, 2002
La belleza embriagadora. EL mito de Dionisio en la Publicidad. Jorge David Fernández Gómez, Antonio Pineda Cachero. Sevilla, Alfar, 2002. 186 páginas
Obra ressenyada: Jorge DAVID FERNANDEZ y GÓMEZ, Antonio PINEDA CACHERO. La belleza embriagadora. EL mito de Dionisio en la Publicidad. Sevilla: Alfar, 2002
<i>No se sabe</i>: entrevista a José Eduardo Jorge
Entrevista al investigador de la UNLP José Eduardo Jorge, especialista en cultura política. Jorge, además, es miembro del Consejo Directivo del Instituto de Investigación en Comunicación (IICOM), director de proyectos de investigación acreditados y autor de un centenar de artículos científicos y de divulgación sobre Cultura Política y Comunicación Política. Autor también del libro Cultura Política y Democracia en Argentina (Edulp, 2010). Revisor de artículos científicos de la revista Questión.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de José Eduardo Jorge presentes en el repositorio.Radio Universidad Nacional de La Plat
Vida, obra y tiempo literario de Jorge Campos (1916-1983)
En el contenido de la tesis pueden señalarse las siguientes partes: 1) biografía del escritor Jorge Campos; 2) noticia extensa y crítica relativa a la literatura española que se produjo a lo largo de los años 40 hasta principios de los ochenta, que son las décadas que coinciden con la actividad literaria de Jorge Campos; 3) análisis pormenorizado de su obra narrativa, tanto la contenida en volumen como la aparecida en ciertas publicaciones periódicas; 4) bibliografía: "de Jorge Campos", sobre Jorge Campos y bibliografía general; 5) apéndice con el texto de algunos cuentos inéditos del autor
Miradas Al Sur: a criação mitológica do bairro sur na obra de Jorge Luis Borges
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2014Este estudo investiga como Jorge Luis Borges constrói o Sur como espaço mítico, em seus três primeiros livros de poesia. Para tanto, analisou-se de que forma a representação de tal espaço torna-o simbólico e, posteriormente, mítico, tanto no conjunto da obra do autor, como também, a partir desse movimento individual de Borges, no imaginário coletivo da cidade. Estudou-se ainda como a memória própria e o imaginário criaram espaços afetivos, que permeiam a totalidade dos textos do autor.Abstract: This study investigates how Jorge Luis Borges builds Sur neighborhood as mythic space in his first three books of poetry. To this end, we analyzed how the representation of such a space make of it a symbolic and later a mythical space, both in the overall work of the author, but also that individual movement of Borges that achieve the collective imagination of the city. Still we have studied how the personal memory and the imagery is able to create emotional spaces, which constitute the totality of texts by the author
Enlaces: memória e subjetividades no acervo Jorge Amado
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.O objetivo central da minha dissertação é apresentar o resultado das relações afetivas constituídas e apreendidas no Acervo Jorge Amado (NuLIME). A minha subjetividade foi ao encontro da memória material das cartas destinadas ou remetidas por dois comunistas: Juan e Joaquim. A leitura delas me permitiu ressignificar a questão da autoria e da literatura epistolar. O trabalho, em parte, foi apresentado como cartas. A escrita, situada no limite entre ficcional e factual, faz referências ao contexto político e social do Brasil no período da ditadura de Vargas. O trabalho está inserido no contexto específico da memória e da narrativa dos comunistas e perseguidos políticos que viveram esta fase da vida intelectual, social, política e literária brasileira.Abstract : My dissertation´s main objective is to present the result of the affective relations constituted and apprehended from Jorge Amado´s collection (NuLIME). My subjectivity is connected to the material memory of the letters destined or posted by two communists: Juan and Joaquim. Reading them has enabled me to reframe the questions of authorship and epistolary literature. The work was partially presented as letters. The writing, classified in between fictional and factual, refers to the social and political context and to the narrative from communists and political persecuted who lived this period of Brazilian intellectual, social, political and literary life
Dancing with Napster: Predictable consumer behavior in the New Digital Economy
The Internet is often characterized as a "disruptive technology," as recently argued by the music industry against Napster and by Sony against PC emulations of its PlayStation. Three questions are raised: 1) How much does the Internet replace traditional media? 2) As another information channel, does the Internet supplement traditional media? 3) How much do Internet users navigate the Web in order to download relevant information goods (news, music, movies) as part of their consumption and purchase strategies?Data from the Pew Internet and American Life Project are used to test two competing hypotheses: 1) Easily copied and distributed digital content encouragesconsumers to exploit the "information wants to be free" character of the Internet, thereby hampering the growth of the market for information goods and services, and 2)Information consumers practice a sophisticated arbitrage process across different media, by weighing the value of online and offline information and thereby reinforcing active participation in the electronic marketplace. The efforts of the music industry to obstruct the downloading of MP3s may represent a serious misunderstanding of consumer arbitrage practices, much as book publishers characterize library use as a threat to book sales. Policy implications of thiswork extend into ongoing public and corporate policy debates about digital content and intellectual property.The original publication is available at: http://www.stanford.edu/group/siqss/itandsociety/v01i02/v01i02a11.pd
Ethics of dust:visual essay on the artistic works by Jorge Otero-Pailos
The works of artist and preservation architect Jorge Otero-Pailos on experimental preservation provoke deep reflections about some of the fundamental questions dealing with heritage: temporality of objects, changeability of inscribed cultural values, the greater purpose of architectural preservation as a cultural practice, and the societal role of an architect and preservationist in formulating narratives around heritage. As the artistic installations featured in this visual essay — The Ethics of Dust (2014–2016) and Watershed Moment (2020) — demonstrate, Jorge Otero-Pailos combines various elusive elements, such as water sounds and dust, to conceive meditative and contemplative spaces. His installations invite visitors to pause and reflect on the memories, both personal, social, and environmental, that define each of us; they probe deep into the past and deep into the future.Since these are some of the issues we wanted to explore in this special issue, ‘Embodiment and Meaning-making: Interdisciplinary Perspectives on Heritage Architecture’, we invited various artists and scholars to write a very short caption in reaction to the images provided by the author through one of these three ‘lenses’:- affect, embodied experience, atmosphere;- politics of heritage;- processes of meaning-making.The results reveal the power of images to provoke imagination through atmospheric and embodied experiences, and the power of experimental heritage work to convey (political) meaning across distance and different analogue or digital media.This visual essay includes contributions from (in order of appearance): Tenna Doktor Olsen Tvedebrink, Federico De Matteis, Michael Hirschbichler, Jovana Popić, Maria De Piedade Ferreira, Uta Pottgiesser, Marcus Weisen and Brady Wagoner, with an epilogue from Jorge Otero-Pailos.Situated ArchitectureHeritage & Technolog
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