1,720,955 research outputs found
Provocaciones Amefricanas
No full textObra multimedial que se enmarca en la radicación del proyecto de producción artística CePIAbierto (2023/2024 - RHCD 2023-28) "Provocaciones Amefricanas". Este proyecto surge como una respuesta artística y reflexiva a la necesidad de decolonización en Argentina. Además se basa en la interrelación de diferentes formas de expresión artística y pensamiento, tiene como objetivo principal la reconstrucción del cuerpo y el territorio ancestral desde una perspectiva racializada. Enfocándose en la reconstrucción de identidades fragmentadas y en la resistencia a la “ideología del blanqueamiento” dominante en la sociedad argentina, “Provocaciones Amefricanas” busca explorar preguntas fundamentales sobre la epistemología racial y colonial. ¿Cómo recuperar la identidad racial y ancestral en un contexto colonial? ¿Cómo construir un saber negro u originario en medio de una sociedad que sistemáticamente los ha negado e invisibilizado?. Esta obra trabaja sobre la adaptación, resistencia, reinterpretación y creación de nuevas formas poéticas/políticas que sean afrocentradas, desde perspectivas originarias del Abya Yala y sus posibles cruces.Fil: del Valle Ibarra, Yesica. Universidad Nacional de Córdoba. Facultad de Artes; Argentina.Fil: Cabrera Nieto, Rodrigo David. Universidad Nacional de Córdoba. Facultad de Artes; Argentina.Fil: Villalva, Mariano. Universidad Provincial de Córdoba. Escuela Superior Integral de Teatro Roberto Arlt; ArgentinaEl proyecto Provocaciones Amefricanas presenta una obra multimedial a partir de la noción de Améfricanidad de Lélia Gonzalez, pensada como construcción de un territorio que reconoce en su construcción la presencia y sabidurías amerindias y africanas. A partir de allí profundiza en una comprensión distinta sobre la región que habitamos, abriendo nuevos imaginarios sobre lo vivible.Fil: del Valle Ibarra, Yesica. Universidad Nacional de Córdoba. Facultad de Artes; Argentina.Fil: Cabrera Nieto, Rodrigo David. Universidad Nacional de Córdoba. Facultad de Artes; Argentina.Fil: Villalva, Mariano. Universidad Provincial de Córdoba. Escuela Superior Integral de Teatro Roberto Arlt; Argentin
Caracú. Prácticas escénicas desde la antropofagia hacia una poética decolonial.
No full textResumen: este artículo presenta una investigación escénica desarrollada en el marco del Trabajo Final de Grado en Teatro (Universidad Nacional de Córdoba), que propone una praxis situada y decolonial a través del diseño y realización de un laboratorio escénico. A partir del concepto de antropofagia activa (Rolnik, 2021), se abordaron prácticas corporales y senso-cartográficas que problematizan los regímenes de percepción heredados de la modernidad colonial. El trabajo articula teoría y práctica desde un posicionamiento encarnado, disidente y racializado, indagando la relación entre cuerpo, percepción y poder. Se exploraron modalidades perceptivas no-hegemónicas —lo háptico, lo gravitatorio—, la noción de cuerpo vibrátil y dispositivos escénicos que interrumpen la representación para activar experiencias de copresencia. El eje conceptual y físico ano-boca se planteó como imagen subversiva para desorganizar la lógica vertical del cuerpo y proponer un campo sensorial horizontal, pulsional y contrasexual. La investigación propone una poética de la vibración, el contagio y el desborde como modos de hacer cuerpo en resistencia. Abstract: This article presents a performance-based research project developed as the Final Degree Thesis in Theatre (Universidad Nacional de Córdoba), which proposes a situated and decolonial praxis through the design and implementation of a performance laboratory. Based on the concept of active anthropophagy (Rolnik, 2021), the research involved corporeal and senso-cartographic practices that question perception regimes inherited from colonial modernity. The work articulates theory and practice from an embodied, dissident, and racialized standpoint, exploring the relationships between body, perception, and power. Non-hegemonic perceptual modes —such as the haptic and the gravitational— were explored, along with the notion of a vibratile body and scenic devices that interrupt representation to activate experiences of co-presence. The conceptual and physical anus-mouth axis was introduced as a subversive image to disrupt the vertical logic of the body and propose a horizontal, pulsional, and countersexual sensory field. The research advances a poetics of vibration, contagion, and overflow as modes of embodied resistance
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
- …
