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    Translation(s)--Moderator Cristina Bacchilega Introduces the Panelists

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    Moderator Cristina Bacchilega introduces the panelists on the Translation(s) panel. Translation(s): This panel discusses the impact of translation on the conceptualization and circulation of literatures and oratures in the world, historically and in the present. Questions shaping this discussion include: How are the challenges and benefits of translating literatures of the world into English different from translating Samoan literature into Hawaiian or Arabic into Turkish? How has translation done violence to the people and literatures of colonized nations and how does it contribute to decolonization and cultural revitalization? Should everyday, oral translation practices all over the world impact our understanding of the value of translation as a social and literary process? How can translation practices contribute to resisting a globalizing pedagogy of "world literature"? Moderator: Cristina Bacchilega Panelists: Ngũgĩ wa Thiong'o, Yung-Hee Kim, Bryan Kuwada, S. Shanka

    Fairy Tales Transformed? Twenty-First-Century Adaptations and the Politics of Wonder by Cristina Bacchilega (Review)

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    Reviews the book: Fairy Tales Transformed? Twenty-First-Century Adaptations and the Politics of Wonder by Cristina Bacchilega. Detroit: Wayne State University Press, 2013

    Albert Wendt & Ngũgĩ wa Thiong'o Reading and Conversation--Introductions to Ngũgĩ wa Thiong'o

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    Cristina Bacchilega and S. Shankar introduce Ngũgĩ wa Thiong'o. Albert Wendt and Ngũgĩ wa Thiong'o read selections from their literary work and engage in a conversation on the overarching themes of the Words in the World symposium

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Brincando, brincando ...Pós-modernismo nos contos de fadas

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    Ninguém melhor do que a própria autora para definir o espírito (confessadamente pós-lacaniano) que enforma as análises da recente obra ensaística de Cristina Bacchilega sobre várias reescritas feministas de quatro contos de fadas clássicos, que ela apelida de pós-modernas

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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