2,516,540 research outputs found
Kronika
Ogólnopolski Zjazd Katedr Historyczno-Prawnych w Łodzi (Tadeusz Szulc) ... 225
41 Sesja Commission Internationale pour l’histoire des Assemblées d’Etats et du Parlamentarisme w Warszawie (Wanda Sudnik) ...227
42 Sesja Commission Internationale pour l’histoire des Assemblées d’Etats et du Parlamentarisme w Lizbonie (Janusz Justyński) ... 229
Roman Schnur doktorem honoris causa Uniwersytetu Warszawskiego (Henryk Olszewski) ... 229
Profesor Juliusz Bardach wyróżniony Medalem im. Oswalda Balzera (Henryk Olszewski) ... 230
Sympozjum: Stan badań nad dziejami polskiego parlamentaryzmu do 1914 r. w Warszawie (Wanda Sudnik) … 230
Sympozjum Gruppo Interuniversitario per la Storia dell ’Europa Mediterranea w Messynie (Irena Malinowska-Kwiatkowska) … 233
Kolokwium habilitacyjne dra Piotra Jurka (Jerzy W. Ochmański) … 234
Obrona pracy doktorskiej (Krzysztof Amielańczyk) …. 235
IV Kurs Międzynarodowej Szkoły „Jus Commune” na temat: Doctrines of Civil and Canon Law in the Middle Ages (Marcin Kwiecień) … 23
CPH 82 (Reumacon) in refractory inflammatory arthritis.
To access publisher full text version of this article. Please click on the hyperlink in Additional Links fieldIn this retrospective analysis of the DMARD CPH 82 in 44 Icelandic patients with severe refractory arthritis, clinical tolerance was good and serious side effects absent, although the majority were using the drug in combination with other DMARDS. Side effects leading to discontinuation were seen in 16% and the three year drug-survival was 51%
1990 census of population and housing.
"Issued April 1993."Shipping list no.: 93-0367-P.At head of title: 1990 CPH-2-44.Includes bibliographical references (p. F-4).Mode of access: Internet.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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Conceptual Design of A 1-2 GeV Synchroton Radiation Source
A description is presented of the conceptual design of the Lawrence Berkeley Laboratory 1-2 GeV Synchrotron Radiation Source, which is designed to produce ultraviolet and soft x-ray radiation. The facility consists of an injection system (linac plus booster synchrotron), a low emittance storage ring optimized at 1.5 GeV, several insertion devices (wigglers and undulators) located in the storage ring straight sections, and beam lines from the insertion devices and bending magnets. Storage ring performance is analyzed in terms of lattice, collective instabilities and beam lifetime. The injection system and its performance are discussed. Spectral characteristics of the radiation are presented
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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