99,413 research outputs found
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer
No full textEste artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema. Enquanto a imagem de Godard enfatiza a capacidade que tem um filme de transmitir a visão de mundo pessoal de um artista, a presença de Coutinho na tela funciona menos como um meio de subjetivar a obra do que como um catalizador instigando cetas reações nos "atores" filmados
Plano de empreendimento: Coutinho Serviços Contábeis
No full textEste trabalho visa apresentar o plano de empreendimento de um escritório de contabilidade, a Coutinho Serviços Contábeis. A empresa oferecerá uma contabilidade empresarial completa com foco na área de finanças corporativas e gestão financeira para o público de Pequenas e Médias Empresas (PME’s), cujos adotantes iniciais para captação de clientes serão: donos de estabelecimentos comerciais e prestadores de serviços. Sendo assim, neste documento será abordado desde a ideia do empreendimento como um todo até em como será estruturado em relação às estratégias de marketing e o plano financeiro para a devida análise da viabilidade do mesmo, através das ferramentas de gestão aprendidas e desenvolvidas durante o curso de graduação tecnológica em Processos Gerenciais com ênfase em Empreendedorismo na Universidade Federal Fluminense (UFF).This paper aims to present the business plan of an accounting firm, Coutinho Serviços Contábeis. The company will offer complete business accounting focused on the area of corporate finance and financial management for the public of Small and Medium Enterprises (SMEs), whose initial adopters for attracting customers will be: owners of commercial establishments and service providers. Therefore, in this document it will be approached from the idea of the enterprise as a whole to how it will be structured in relation to the marketing strategies and the financial plan for the due analysis of its viability, through the management tools learned and developed during the course undergraduate degree in Management Processes with an emphasis on Entrepreneurship at Universidade Federal Fluminense (UFF).42 f
GRANDE SERTÃO: VEREDAS; TRAVESSIAS, DE EDUARDO COUTINHO
No full textLivro resenhado:
COUTINHO, Eduardo F. Grande Sertão: Veredas; travessias. São Paulo: É Realizações Ed., 2013
DESEMPENHO DO ÍNDICE COUTINHO NA AVALIAÇÃO DO PADRÃO DE FIBROSE PERIPORTAL EM PACIENTES COM ESQUISTOSSOMOSE EM HOSPITAL DE REFERÊNCIA EM RECIFE
No full textIntrodução/objetivo: A avaliação do padrão da fibrose periportal (FPP) na esquistossomose mansoni é essencial, uma vez que permite determinar a gravidade da doença e prever complicações, como hemorragia digestiva. Essa análise é realizada pela ultrassonografia, porém apresenta limitações, como operadores treinados e disponibilidade de maquinário. Desta forma, vem-se utilizando biomarcadores para avaliar a FPP, dentre os quais se destaca o Índice Coutinho. O objetivo deste estudo foi analisar o desempenho do Índice Coutinho na avaliação do padrão da FPP, tendo como padrão-ouro a ultrassonografia. Métodos: Em 2019, foram avaliados 57 pacientes com FPP (idade 64 anos, 54,4% feminino) acompanhados em hospital de referência em Recife (HC-UFPE). Todos os pacientes realizaram US (Siemens Acuson S2000) pelo mesmo operador e o padrão da FPP foi definido pela classificação de Niamey. Os exames que compõem o Índice Coutinho [(FA/LSN) / plaquetas] x 100] foram realizados no Laboratório Central do HC-UFPE. As análises estatísticas foram realizadas pelo software SPSS versão 25 para Windows. Resultados: O Índice Coutinho variou entre: 0,19 e 4,51 (Percentis 25 e 75 de 0,40 e 1,27, respectivamente). Foram observados os resultados de mediana do Índice Coutinho e P25-P75, respectivamente: 0,30 (0,21-0,36) para FPP padrão C (Periférica); 0,54 (0,36-0,79) para padrão D (Central) e 1,12 (0,87-1,67) para padrão E/F (Avançada / muito avançada). Quando as 3 medianas do Índice Coutinho foram comparadas entre si com os respectivos padrões de Niamey C x D x E/F, obteve-se p < 0,001; da mesma forma, quando comparados os padrões C x E/F e D x E/F. Além disso, observou-se associação entre os valores do Índice Coutinho e o padrão de FPP, de acordo com a classificação de Niamey, com o coeficiente de correlação de Spearman (r = 0,621; p < 0,001). Conclusão: Nesta série, observou-se que o Índice Coutinho foi capaz de diferenciar os pacientes com padrões mais leves de FPP daqueles com fibrose mais avançada. A utilização de testes não invasivos, de simples execução e baixo custo, auxiliam no diagnóstico dos padrões mais avançados de FPP, constituindo ferramenta importante nas zonas endêmicas
Shared Acoustic Codes Underlie Emotional Communication in Music and Speech - Evidence from Deep Transfer Learning (Datasets)
No full text<p>This repository contains the datasets used in the article "Shared Acoustic Codes Underlie Emotional Communication in Music and Speech - Evidence from Deep Transfer Learning" (Coutinho & Schuller, 2017). </p>
<p>In that article four different data sets were used: SEMAINE, RECOLA, ME14 and MP (acronyms and datasets described below). The SEMAINE (speech) and ME14 (music) corpora were used for the unsupervised training of the Denoising Auto-encoders (domain adaptation stage) - only the audio features extracted from the audio files in these corpora were used and are provided in this repository. The RECOLA (speech) and MP (music) corpora were used for the supervised training phase - both the audio features extracted from the audio files and the Arousal and Valence annotations were used. In this repository, we provide the audio features extracted from the audio files for both corpora, and Arousal and Valence annotations for some of the music datasets (those that the author of this repository is the data curator).</p>
<p>Below, you can find description of the various corpora, the details about the data stored in this repository and information on how to obtain the rest of the data used by Coutinho and Schuller (2017).</p>
<p><strong>SEMAINE (speech)</strong></p>
<p>The SEMAINE corpus (McKeown, Valstar, Cowie, Pantic & Schroder, 2012) was developed specifically to address the task of achieving emotion-rich interactions, and it is adequate for this task as it comprises a wide range of emotional speech. It includes video and speech recordings of spontaneous interactions between human and emotionally stereotyped `characters'. Coutinho & Schuller (2017) used a subset of this database (called <em>Solid-SAL</em>). The <em>Solid-SAL</em> dataset is freely available for scientific research purposes (see http://semaine-db.eu). This repository includes the audio features used in Coutinho & Schuller (2017) (under features/SEMAINE).</p>
<p><strong>RECOLA (speech)</strong></p>
<p>The RECOLA database (Ringeval, Sonderegger, Sauer & Lalanne, 2013) consists of multimodal recordings (audio, video, and peripheral physiological activity) of spontaneous dyadic interactions between French adults. Coutinho & Schuller (2017) used the RECOLA-Audio module which consists of the audio recordings of each participant in the dyadic phase of the task. In particular, they used the non-segmented high-quality audio signals (WAV format, 44.1kHz, 16bits), obtained through unidirectional headset microphones, of the first five minutes of each interaction. Annotations consist of time-continuous ratings of the level of Arousal and Valence dimensions of emotion perceived by each rater while seeing and listening the audio-visual recordings of each participant task. The publicly available annotated dataset includes only part of the data which amounts to a total number of 23 instances. The time frame length used by Coutinho & Schuller (2017) is 1s (the original annotations were downsampled). This repository includes the audio features used in Coutinho & Schuller (2017) (under features/RECOLA). To obtain the annotations you should contact the author of the original study (see https://diuf.unifr.ch/diva/recola/download.html for further details).</p>
<p><strong>ME14 (music)</strong></p>
<p>The MediaEval ``Emotion in Music'' task is dedicated to the estimation of Arousal and Valence scores continuously in time and value for song excerpts from the Free Music Archive. Coutinho and Schuller (2017) used the whole corpus (development and test sets for the 2014 challenge) which includes 1,744 songs belonging to 11 musical styles -- Soul, Blues, Electronic, Rock, Classical, Hip-Hop, International, Folk, Jazz, Country, and Pop (maximum of five songs per artist). This repository includes the audio features used in Coutinho & Schuller (2017) (under features/ME14). The full dataset (including annotations) can be obtained from http://www.multimediaeval.org/mediaeval2014/emotion2014/.</p>
<p><strong>MP (music)</strong></p>
<p>This is a corpus compiled specifically for this work described in Coutinho & Schuller (2017) using data collected in four previous studies. It consists of emotionally diverse full music pieces from a variety of musical styles (Classical and contemporary Western Art, Baroque, Bossa Nova, Rock, Pop, Heavy Metal, and Film Music). Annotations were obtained in controlled laboratory experiments whereby the emotional character of each piece was evaluated time-continuously in terms of levels of Arousal and Valence perceived by listeners (ranging between 35 to 52 in the four studies). In what follows, some details about the various studies are described.</p>
<ul>
<li>MP<sub>DB1</sub>: This subset of the MP corpus consists of the data reported by Korhonen (2004), and gently made available by the author. This dataset includes six full (or long excerpts) music pieces ranging from 151s to 315s in length (only classical music). Each piece was annotated by 35 participants (14 females). The time series correspondents to each music piece were collected at 1Hz. The golden standard for each piece was computed by averaging the individual time series across all raters. This repository includes the audio features used in Coutinho & Schuller (2017) (under features/MP/DB1). To obtain the labels please contact the author of the original study.</li>
<li>MP<sub>DB2</sub>: The dataset by Coutinho & Cangelosi (2011) includes 9 full pieces (43s to 240s long) of classical music (romantic repertoire) annotated by 39 subjects (19 females). Values were recorded every time the mouse was moved with a precision of 1 ms. The resultant timeseries were then resampled (moving average) to a synchronous rate of 1 Hz. The golden standard for each piece was computed by averaging the individual time series across all raters. This repository includes the audio features (under features/MP/DB2) and labels (under annotations/MP/DB2) used in Coutinho & Schuller (2017).</li>
<li>MP<sub>DB3</sub>: This dataset was collected by Coutinho & Dibben (2012) and it consists of 8 pieces of film music (84s to 130s long) taken from the late 20th century Hollywood film repertoire. Emotion ratings were given by 52 participants (26 females). The annotation procedure, data processing, and golden standard calculations were identical to MP<sub>DB2</sub>. This repository includes the audio features (under features/MP/DB3) and labels (under annotations/MP/DB3) used in Coutinho & Schuller (2017).</li>
<li>MP<sub>DB4</sub>: This dataset was collected by Grewe, Nagel, Kopiez and Altenmüller (2007), and gently made available by the authors. It includes seven music pieces (127s to 502s in length) of heterogeneous styles (e.g., Rock, Pop, Heavy Metal, Classical). Each music piece was annotated by 38 participants (29 females) using an identical methodology to MP<sub>DB2</sub> and MP<sub>DB3</sub>. Data processing and golden standard calculations were also identical. This repository includes the audio features (under features/MP/DB4) used in Coutinho & Schuller (2017). To obtain the labels contact the authors of the original study</li>
</ul>
<p> </p>
<p><strong>Bibliography</strong></p>
<p>Coutinho, E., & Cangelosi, A. (2011). Musical emotions: predicting second-by-second subjective feelings of emotion from low-level psychoacoustic features and physiological measurements. <em>Emotion</em>, <em>11</em>(4), 921.</p>
<p>Coutinho, E., & Dibben, N. (2013). Psychoacoustic cues to emotion in speech prosody and music. <em>Cognition & Emotion</em>, <em>27</em>(4), 658-684.</p>
<p>Coutinho E, Schuller B (2017) Shared acoustic codes underlie emotional communication in music and speech—Evidence from deep transfer learning. PLoS ONE 12(6): e0179289. https://doi. org/10.1371/journal.pone.0179289.</p>
<p>Grewe, O., Nagel, F., Kopiez, R., Altenmüller, E. (2007). Emotions over time: synchronicity and development of subjective, physiological, and facial affective reactions to music. <em>Emotion, 7</em>(4), pp. 774-788. DOI: 10.1037/1528-3542.7.4.774.</p>
<p>Korhonen, M. (2004). Modeling Continuous Emotional Appraisals of Music Using System Identification. Available from: http://hdl.handle.net/10012/879.</p>
<p>McKeown, G., Valstar, M., Cowie, R., Pantic, M., Schroder, M. (2012). The SEMAINE Database: Annotated Multimodal Records of Emotionally Colored Conversations between a Person and a Limited Agent. <em>IEEE Transactions on Affective Computing</em>, 3, pp. 5-17. DOI: http://doi.ieeecomputersociety.org/10.1109/T-AFFC.2011.20.</p>
<p>Ringeval, F., Sonderegger, A., Sauer, J. & Lalanne, D. (2013). Introducing the RECOLA Multimodal Corpus of Remote Collaborative and Affective Interactions. In <em>Proceedings of the 2nd International Workshop on Emotion Representation, Analysis and Synthesis in Continuous Time and Space (EmoSPACE 2013)</em>, Shanghai, China. IEEE</p>
Table généalogique de la famille de Corten patrons laicqs de canonicats de l'église collegiale de Notre Dame au dela de la Dyle à Malines, avec quelques pieces y annexées touchant l'erection du chapitre &c. ou on a joint ... la liste des prevosts, doyens, et chanoines ... /
No full textGravures: I. B. Ioffroy delineavit, Ant. Opdebeeck sculpsitTable généalogique de la famille de Heyns alias Smets d'où est issuë Anne Heyns alias Smets épouse de Jaques Corten / par J. F. A. F. de Azevedo Coutinho y BernalTable généalogique de la famille de Bayard d'où est issuë Marie-Jossine-Guilhelmine de Bayard épouse de Rombaut Corten / par J. F. A. F. de Azevedo Coutinho y BernalTable généalogique de la famille de Liebeecke d'où est issuë Jeanne-Marie Van Thuynen épouse de Rombaut Corten / par J. F. A. F. de Azevedo Coutinho y BernalEuropeana-GoogleBook
G. Martinico, “Constitutionalism, Federalism and Constitutional Reforms in Francisco Lucas Pires’ Thought”, in M. Lucas Pires, F. Pereira Coutinho (eds.), What Market, What Society, What Union? The Treaty of Amsterdam and the European Thought of Francisco Lucas Pires, 2020, 87-98.
No full textPhlebotomus ayrozai Barretto & Coutinho 1940
No full textayrozai (Barretto & Coutinho), 1940: 131 (Phlebotomus). M., F. Type locality: Brazil, São Paulo, Horto Florestal da Cantareira. Type material: ST M (FSPUSP). Distr.: Colombia (Amazonas, Antioquia, Boyacá, Caquetá, Casanare (Molina et al. 2008), Cauca, Caldas (Barreto et al. 2006), Chocó, Guainía (Flórez & Ferro 2007), Meta, Nariño, Putumayo, Risaralda, Santander, Valle del Cauca, Vichada (Vivero et al. 2010 a)), Bolivia, Brazil, Ecuador, French Guiana, Panama, Peru, Suriname (Kent et al. 2013) Trinidad and Tobago, Venezuela. Refs.: Lewis 1975: 502 (Lutzomyia Turure sp.); CIPA group 1999 (tax., distr., nat. inf., ecol., refs.); Bejarano 2006 a: 52 (Colombian Psychodidae checklist). tintinnabula Christensen & Fairchild, 1971: 301.Published as part of Bejarano, Eduar Elías & Estrada, Luis Gregorio, 2016, FAMILY PSYCHODIDAE, pp. 187-238 in Zootaxa 4122 (1) on page 193, DOI: 10.11646/zootaxa.4122.1.20, http://zenodo.org/record/25724
[Newspaper Clipping: Author Claims Evidence of Second JFK Assassin #1]
No full textNewspaper article titled "Author Claims Evidence of Second JFK Assassin." The article states that author Richard J. Whalen concluded "that there is circumstantial evidence to support the theory of a second assassin in the shooting of President John F. Kennedy.
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