1,720,959 research outputs found
“It was all that I could think of.” : Migration, youth, and folkloric entertainment in rural Romania
Full text linkA hybrid that originated in the traditional peasant music, Romanian popular music (muzică populară), as it is known from radio broadcasts, TV shows or live performances from all around the country, was developed by mixing the village music of the twentieth century with techniques and principles borrowed from the classical repertoire and other light genres. Muzica populară emerged in the interwar years, but was perfected and regulated by the communist regime, becoming one of the favorite genres of the rural and urban working class. After the fall of communism, it continues to have a great appeal among all age categories. Considering its popularity, our aim was to discover the motivations that lead the village youth of Romania to involve themselves in activities dealing with muzica populară, in particular, or with folklore and traditions, in general. To accomplish this, we conducted several interviews with young people from Sălaj county (Valcăul de Jos, Chieșd, Măeriște and Marin), from which a few patterns emerged: 1. the appearance of television channels dedicated exclusively to muzică populară created the context for their rapid familiarization with the genre; 2. because of the massive migration of the 2000s, many of them spent their childhood with their grandparents, who initiated their nephews into the consumption of muzică populară; 3. the youth motivate their involvement in activities dealing with folklore and rural traditions with arguments about their devotion to the local culture and their willingness and duty to preserve and promote it.
If we want to look beyond the explanations provided by our informers, we can explain the success of muzică populară among young people by structural factors that are at work in the whole society, namely the lack of interest of post-communist authorities in building and/or maintaining a cultural and educational infrastructure in the rural areas. Without an established framework able to introduce them to various artistic and intellectual activities, in which they could further their interests and abilities, the rural youth are left with limited options, one of the most convenient being that of muzică populară and/or folk traditions. Thus, this paper aims to explore contemporary rural pop culture by considering the connection between the deterioration of the cultural infrastructure in rural areas, transnational migration and the exponential development of an industry devoted to the recent muzică populară
“It Was All that I Could Think of.” Migration, Youth, and Folkloric Entertainment in Rural Romania
Full text linkAbstract: A hybrid that originated in the traditional peasant music, Romanian popular music (muzică populară), as it is known from radio broadcasts, TV shows or live performances from all around the country, was developed by mixing the village music of the twentieth century with techniques and principles borrowed from the classical repertoire and other light genres. Muzica populară emerged in the interwar years, but was perfected and regulated by the communist regime, becoming one of the favorite genres of the rural and urban working class and, nowadays, it continues to have a great appeal among all age categories. Our aim was to discover the motivations that lead the village youth of Romania to involve themselves in activities dealing with muzica populară, in particular, or with folklore and traditions, in general. To accomplish this, we conducted several interviews with young people from Sălaj county, from which a few patterns emerged: the rapid familiarization with the genre due to specific TV channels; the acquired taste due to grandparents raising their grandchildren in the absence of the parents who migrated in the 2000s; the expressed devotion to the local culture and their willingness and duty to preserve and promote it. We can also explain the success of muzică populară among young people by structural factors that are at work in the whole society, namely the lack of interest of post-communist authorities in building and/or maintaining a cultural and educational infrastructure in the rural areas. Thus, this paper aims to explore contemporary rural pop culture by considering the connection between the deterioration of the cultural infrastructure in rural areas, transnational migration and the exponential development of an industry devoted to the recent muzică populară
Ioan Halmaghi and the “wondrous craft” of the Păscălie. Bibliomancy and the calculation systems of eastern chronology at the end of the eighteenth century
Full text linkThe Human Cost of Fresh Food: Romanian Workers and Germany's Food Supply Chains
Full text linkFresh food supply chains in Europe’s transnational agribusinesses depend on cheap, non-unionised, and privately managed labour from low-wage eastern European countries. The costs versus benefits of this phenomenon are under-studied. By examining seasonal farm migration from Romania to Germany, we argue that the Covid-19 pandemic is, for farmworkers, a Janus-faced event. On the one hand, it has worsened the precarity of migrant farmworkers. Changes in the German state’s pay legislation that excluded workers from social benefits, and the reluctance of the German state to enforce labour legislation to the full in the early stages of the pandemic sharpened what we have termed the structural disempowerment of migrant farmworkers. Romanian seasonal workers have had little choice but to implicitly subsidise the costs of German farm products. At the same time, the health crisis has made their work visible and led to processes that challenge the perception of migrant workers as passive agents. In this regard we refer specifically to (i) the supportive media coverage in Romania, Germany, and beyond and (ii) the assertion of union-affiliated farm and abattoir labour activism in Germany. These planted seeds of contestation, and collective action against abuses sprang up in several farms. Combined with a flare-up of Covid-19 in German abattoirs in the summer of 2020, these campaigns for visibility and improved working conditions led the German government to alter legislation so as to better protect seasonal labour in the fresh vegetable and meat sectors. Going forward, the tension between these two opposing sociopolitical drivers may shape the governance of seasonal labour in Europe
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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