412 research outputs found
La critica italiana e le culture del progetto (1945-1960): strumenti, temi, attori
No full textIl seminario - a cura di Andrea Borsari, Elena Formia, Giovanni Leoni con Matteo Cassani Simonetti e Matteo Sintini – conclude un’attività condotta con gli studenti del Dottorato di Ricerca in Architettura e dedicata a proporre una riflessione sugli strumenti e le figure della critica elaborati dalla cultura italiana del progetto tra il 1945 e il 1960. L'attività è stata svolta nell'ambito della ricerca Mapping.Crit.Arch.: Architectural criticism XXth and XXIth centuries, a cartography finanziata dall'Agence Nationale de la Recherche (Francia) e in vista del Second International Workshop a Bologna (4-5 ottobre 2016), alla cui organizzazione il Dottorato in Architettura contribuisce (mac.hypotheses.org). Mostra e presentazione finale dei lavori degli studenti del Dottorato di Ricerca in Architettura dedicati all’analisi di progetti editoriali italiani inerenti la critica del design e dell’architettura (in collaborazione con Daniele Baratta, Ugo Cornia, Giulia Favaretto, Riccardo Foschi, Elisabetta Caterina Giovannini, Gioia Laura Iannilli, Stefano Politi, Davide Prati, Angela Santangelo, Alessandro Tognon)
La critica italiana e le culture del progetto (1945-1960): strumenti, temi, attori
No full textMostra e presentazione finale dei lavori degli studenti del Dottorato di Ricerca in Architettura dedicati all’analisi di progetti editoriali italiani inerenti la critica del design e dell’architettura (in collaborazione con Daniele Baratta, Ugo Cornia, Giulia Favaretto, Riccardo Foschi, Elisabetta Caterina Giovannini, Gioia Laura Iannilli, Stefano Politi, Davide Prati, Angela Santangelo, Alessandro Tognon). Il seminario - a cura di Andrea Borsari, Elena Formia, Giovanni Leoni con Matteo Cassani Simonetti e Matteo Sintini – conclude un’attività condotta con gli studenti del Dottorato di Ricerca in Architettura e dedicata a proporre una riflessione sugli strumenti e le figure della critica elaborati dalla cultura italiana del progetto tra il 1945 e il 1960. L'attività è stata svolta nell'ambito della ricerca Mapping.Crit.Arch.: Architectural criticism XXth and XXIth centuries, a cartography finanziata dall'Agence Nationale de la Recherche (Francia) e in vista del Second International Workshop a Bologna (4-5 ottobre 2016), alla cui organizzazione il Dottorato in Architettura contribuisce (mac.hypotheses.org)
Electron Transfer in the Reactions of Organic Trichloromethyl Derivatives with Iron(II) Chloride
No full textReduction of trichloromethyl derivatives RCCl3 [1, R = Ph;2, R = PhC(O); 3, R = EtOC(O)] with iron(II) chloride in acetonitrile, has been studied in order to examine the mechanism of the electron transfer (ET) process and the reactions of the radicals formed. Substrates 1-3 afforded different product compositions and the cause was identified as differences in the reactivity of radicals which is substantially of two types: reductive coupling and proton abstraction after further reduction to a carbanion coordinated to the metal ion. Compound 1 gave only coupling products, compound 2 only hydrogenated products and compound 3 a mixture of coupling and hydrogenated products depending on experimental conditions. Proton abstraction by the carbanion was found to occur from water molecules, which should be present in the coordination shell of the metal ion, and not from the solvent. The different behaviour of compounds 1-3 is attributed to the presence of substituents which are able to stabilize the radical and carbanionic intermediates. Rate constants at different temperatures were measured and the activation parameters calculated. The three substrates differ only slightly in reaction rates, in the order 1 > 2 > 3. Activation enthalpies are very close to each other and this agrees with the almost equal values of C-Cl bond dissociation energies of compounds 1-3, empirically determined. Large, negative entropies of activation were found, suggesting that an ordered activation complex should be formed in order that electron transfer from the metal ion to the organic halide can take place
Comedy and Weirdness: Poetics of Marginality in the Fiction of Ermanno Cavazzoni, Paolo Nori and Ugo Cornia
No full textreservedL’elaborato si propone di approfondire il tema della letteratura comica, in particolare attraverso lo studio del personaggio “strambo”, protagonista moderno capace di produrre ilarità, ma al contempo di mettere in evidenza disagi dell’uomo e aspetti problematici della società. Il primo capitolo è di carattere prevalentemente teorico e ripercorre alcune delle tesi elaborate, soprattutto nel corso del Novecento, in materia comica. Il secondo capitolo si focalizzerà poi sui tratti di questi protagonisti marginali, attraverso alcuni esempi letterari specifici e, più in particolare, attraverso l’approfondimento della narrativa di Gianni Celati. Infine, i tre capitoli di carattere monografico analizzano le opere, e i rispettivi protagonisti, di tre autori appartenenti alla “narrativa padano-emiliana”: Ermanno Cavazzoni, Paolo Nori e Ugo Cornia. Verranno prese in analisi alcune delle loro opere, al fine di mettere in evidenza le tematiche ricorrenti di questa produzione e le strategie stilistiche che contraddistinguono la loro scrittura
La critica italiana e le culture del progetto (1945-1960): strumenti, temi, attori
No full textIl seminario - a cura di Andrea Borsari, Elena Formia, Giovanni Leoni con Matteo Cassani Simonetti e Matteo Sintini – conclude un’attività condotta con gli studenti del Dottorato di Ricerca in Architettura e dedicata a proporre una riflessione sugli strumenti e le figure della critica elaborati dalla cultura italiana del progetto tra il 1945 e il 1960. L'attività è stata svolta nell'ambito della ricerca Mapping.Crit.Arch.: Architectural criticism XXth and XXIth centuries, a cartography finanziata dall'Agence Nationale de la Recherche (Francia) e in vista del Second International Workshop a Bologna (4-5 ottobre 2016), alla cui organizzazione il Dottorato in Architettura contribuisce (mac.hypotheses.org). Mostra e presentazione finale dei lavori degli studenti del Dottorato di Ricerca in Architettura dedicati all’analisi di progetti editoriali italiani inerenti la critica del design e dell’architettura (in collaborazione con Daniele Baratta, Ugo Cornia, Giulia Favaretto, Riccardo Foschi, Elisabetta Caterina Giovannini, Gioia Laura Iannilli, Stefano Politi, Davide Prati, Angela Santangelo, Alessandro Tognon)
What Language does Ugo Tudešak speak?
No full textThis work is an analysis of the two phenomena regarding the character of Ugo Tudeško in Držić’s comedy Dundo Maroje. The first part speaks about some characteristics of Italian-German »macaronics« regarding the different sources and models which the author could know while creating this character. The other part is dedicated to »the case of Ugo Tudeško« from the adaptation and direction of Dundo Maroje (Zagreb, 1938) during the time of The Independent Republic of Croatia, when the repertoire success of the time, without any explanation, disappeared at the end of 1943 from the repertoire of The Croatian national Theatre, supposedly due to the caricatural characteristics of German Ugo
UGO FOSCOLO: INTELECTUAL, POETA, ENSAÍSTA
No full textThe Italian author Ugo Foscolo (1778-1827) developed his literary activity in avery peculiar moment of Italian history: the instauration of Napoleon’s government in thepeninsula. Foscolo has not remained apathetic to the political matters which affected his time,and this article aims to analyze how the author’s ideas on the function of poetry are related to hisactivities as an intellectual, essayist and critic of society.O autor italiano Ugo Foscolo (1778-1827) desenvolveu a sua atividade literária nummomento muito peculiar da história italiana: a instauração do governo napoleônico na península.Foscolo não se manteve apático às questões políticas que afligiam o seu tempo, e o presenteartigo objetiva analisar como as idéias do autor sobre a função da poesia se relacionaram com asua atividade de intelectual, ensaísta e crítico da sociedade
Pratiche dell'architettura in Vittorio Ugo (1957-1987)
No full textLa ricerca verte sulla figura di Vittorio Ugo (1938-2005), architetto e urbanista palermitano , docente presso la Facoltà di architettura di Palermo dal 1964 al 1987. Della complessa attività di Ugo, che nella seconda fase si svolge principalmente a Milano, la tesi mette a fuoco il periodo 1957-1987, anni che comprendono la formazione universitaria e la sua poco nota attività di architetto e urbanista a Palermo.Vittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[...] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing
A crítica literária na Itália napoleônica: avaliações e contribuições de Ugo Foscolo The literary criticism in Napoleonic Italy: assessments and contributions of Ugo Foscolo
No full textO artigo analisa as ideias do autor italiano Ugo Foscolo (1778-1827) sobre acrítica literária presente nos seus ensaios sobre literatura, e demonstra como ametodologia proposta pelo autor contribuiu para a renovação da crítica literáriana Itália entre os séculos XVIII e XIX.This paper analyses the ideas of the Italian author Ugo Foscolo (1778-1827) aboutthe literary criticism contained in his essays about literature, and demonstrateshow the metodology proposed by the author contributed to the renewal of theliterary criticism in Italy between the eighteenth and nineteenth centuries.</div
Le "point de départ". Vittorio Ugo, architecte à Palerme dans les années soixante
No full textVittorio Ugo (Palermo, 1938-2005) is an Italian architect, known mostly in Italy and France as theorist and critic. Whereas, much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design, which Ugo himself, later on, would have considered as a pastime of his young age. In his practice of architecture, the author of the article see, on the contrary, the roots of his theoretical thought. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be architect, feeling an ethical need to see architecture from a scientific point of view. Getting back to the work of Vittorio Ugo means to take the distances from the glamour, the show-business that involves, in our time, architects and architecture and it permits us to return to the essential aims of a discipline which exists to create - and to improve - the human habitat
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