86,782 research outputs found
Francesco Comito, Piano
No full textChaconne in D Minor, for Violin Solo, BWV 1004, piano transcription / Johann Sabastian Bach, arr. Ferruccio Busoni; Pictures at an Exhibition / Modest Mussorgsky; Chorale Prelude for organ, in E-flat major, BWV 645, Wachet auf, ruft uns die Stimme ( Awake, calls the voice to us ), piano transcription; Chorale Prelude for organ in G minor, BWV 659, Nun komm\u27 der Heiden Heiland (Come now, Savior of the heathen ), piano transcription; Chorale Prelude for organ, in F minor, BWV 639, Ich ruf zu dir, Herr Jesu Christ (I call to you, Lord Jesus Christ ), piano transcription; Toccata and Fugue for organ in D minor, BWV 565, piano transcription / Johann Sebastian Bach, arr. Ferruccio Buson
Francesco Comito, Piano
No full textChaconne in D Minor, for Violin Solo, BWV 1004, piano transcription / Johann Sabastian Bach, arr. Ferruccio Busoni; Pictures at an Exhibition / Modest Mussorgsky; Chorale Prelude for organ, in E-flat major, BWV 645, Wachet auf, ruft uns die Stimme ( Awake, calls the voice to us ), piano transcription; Chorale Prelude for organ in G minor, BWV 659, Nun komm\u27 der Heiden Heiland (Come now, Savior of the heathen ), piano transcription; Chorale Prelude for organ, in F minor, BWV 639, Ich ruf zu dir, Herr Jesu Christ (I call to you, Lord Jesus Christ ), piano transcription; Toccata and Fugue for organ in D minor, BWV 565, piano transcription / Johann Sebastian Bach, arr. Ferruccio Buson
Relatlimab and nivolumab in untreated advanced melanoma: insight into RELATIVITY
No full text: With the recent regulatory approvals, the relatlimab-nivolumab combination brings new expectations and opens avenues toward effective immunotherapy combination in advanced melanoma. This work provides a critical insight into the recent phase II-III RELATIVITY-047 trial (NCT03470922), including a comparison with the CheckMate 067 trial on the current standard ipilimumab-nivolumab combination, with a focus on immune-related adverse events. Some imbalances of rare toxicities were noted, deserving careful monitoring and assessment in the upcoming real-world use. The promising efficacy data, although still early, should be carefully balanced against these toxicities, thus making pharmacovigilance and global patient-level data sharing crucial to identify the target population, promote safer prescribing and eventually clarify its place in therapy
STUDIO DELLA GESTUALITA’ NEL PAZIENTE DISFLUENTE: PROPOSTA DI PROTOCOLLO RIABILITATIVO LOGOPEDICO
No full textImmunotherapy-refractory, EGFR overexpressing metastatic porocarcinoma responding to cetuximab
No full textNo abstract availabl
Drug-induced photosensitivity during tebentafusp treatment for metastatic uveal melanoma: A newly described occurrence
No full textTwo 64-year-old men were referred to our unit for the devel- opment of a cutaneous manifestation, during the 4th cycle of treatment with tebentafusp for liver metastases from uveal melanoma
LIVELLI DI PROTEINA C REATTIVA DOPO IMPIANTO DI STENT IN PAZIENTI CON SINDROME CORONARICA ACUTA
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Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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