1,721,021 research outputs found
Responding to Indo-Pacific rivalry: Australia, India and middle power coalitions
Full text linkIn this Analysis, Lowy Institute International Security Program Director Rory Medcalf and Nonresident Fellow C. Raja Mohan argue that Chinese assertiveness and uncertainties about America’s role in Indo-Pacific Asia are causing middle powers to look for alternative approaches to regional security. The Analysis argues that enhanced security cooperation between Indo-Pacific middle powers should be extended to the creation of “middle-power coalitions” in the region.
Key findings
China’s assertiveness and uncertainties about America’s response are causing middle powers in Indo-Pacific Asia to looking beyond traditional approaches to security
Cooperation between Indo-Pacific middle power coalitions would build regional resilience against the vagaries of US-China relations
India and Australia are well placed to form the core of middle power coalition buildin
Book Review: Modi's world: expanding India's sphere of influence by C. Raja Mohan
Full text linkModi's World, a collection of newspaper articles by veteran journalist C. Raja Mohan, traces how Modi's foreign policy has compared with that of his predecessor and how it evolved during his first nine months in power. Raj Verma finds the book an easy read with great journalistic flair, but notes that this does come at the price of academic rigour
India, China and the United States: Asia's emerging strategic triangle
No full textThe triangular dynamic among the United States, India and China will be critical to Asia\u27s strategic future.
In this contribution to the Lowy Institute\u27s Strategic Snapshot series, leading Indian analyst C. Raja Mohan examines the complex pattern of power balancing and diplomatic engagement that is defining these relations, marked by a sequence of high-level visits at the end of 2010 and beginning of 2011
Book review: the Oxford handbook of Indian foreign policy edited by David M. Malone, C. Raja Mohan and Srinath Raghavan
Full text linkIn The Oxford Handbook of Indian Foreign Policy, editors David M. Malone, C. Raja Mohan and Srinath Raghavan aim to offer an authoritative and up-to-date survey of foreign policy in India since 1947. Raj Verma writes that, despite some limitations, the book is an essential read for students at all levels and scholars who want to familiarise themselves with India’s foreign policy debates
The Oxford Handbook of Indian Foreign Policy edited by David M. Malone, C. Raja Mohan and Srinath Raghavan
No full textIn The Oxford Handbook of Indian Foreign Policy, editors David M. Malone, C. Raja Mohan, and Srinath Raghavan aim to offer an authoritative and up-to-date survey of foreign policy in India since 1947. Raj Verma writes that, despite some limitations, the book is an essential read for students at all levels and scholars who want to familiarise themselves with India’s foreign policy debates
The Oxford handbook of Indian foreign policy. Edited by David M. Malone, C. Raja Mohan and Srinath Raghavan (Book review)
No full textThe study of Indian foreign policy is slowly but surely changing, at the same time as Indian foreign policy is itself being transformed. Too long the preserve of the urbane and eloquent diplomats India specializes in cultivating, the field was until recently dominated by reminiscence and self-justification—by thorough but dry country-by-country assessments of the evolution of India's various bilateral relationships or post hoc polemics about past policy decisions. This is no longer the case. As India has emerged as a ‘rising power’, and as dissatisfaction has grown with those inherited ways of explaining its behaviour, established and emerging scholars have taken a fresh interest in its foreign affairs and have taken different approaches to understanding them.No Full Tex
A new India for a changing Europe : what to expect from India's foreign policy
No full textC. Raja Mohan ; issuing department: Division for International Cooperation, Department for Asia and the Pacifi
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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