1,720,956 research outputs found
“The Sweetest Savor”: Active Male Penetrators and Societal Anxieties in Arthurian Legend
The expected gender dichotomy of medieval European heterosexual relationships was simple. There was an active male penetrator and a passive female acceptor. This dichotomy is supported by court records from late medieval France, analyzed by Joseph Roelens, in which two women are put on trial for female sodomy and much importance is placed on the masculine character of one woman and the submissiveness of the other. In this paper, I examine two different stories from Arthurian Legend, Sir Thomas Malory’s “Morte d’Arthur” and Geoffrey Chaucer’s “The Wife’s Prologue and Tale” from The Canterbury Tales, that depict sexual relationships between the main male and female characters that function within the social norm of the gender dichotomy. In doing so, I argue that these stories use this active and passive gender dichotomy in an attempt to police men’s actions in their sexual relationships with women. I chose to examine these stories because they demonstrate the societal importance placed on this gender dichotomy in a very concrete way. The men in these stories who refuse to become passive, Sir Lancelot being the most prominent among them, are willing to sacrifice not only their life, but the life of the women they love (whether or not the women agree with this decision), in order to avoid breaking the gender dichotomy
“We’ll Cook Him Up in a Stew”: Stepmothers and Primogeniture in the Brothers Grimm’s The Juniper Tree
What larger social concern could the continued popularity of the nineteenth-century cannibal stepmother narrative in twenty-first century crime and news reporting be indicating? In this paper, I compare a fictional episode of cannibalism in the non-canonical Brothers Grimms’ tale, “The Juniper Tree,” with the true story of the 2010 murder and subsequent dismemberment of Zahra Baker in Hickory, North Carolina to consider the larger cultural implications of cannibalistic stepmothers. In doing so I argue that, despite the half-hearted attempt by mainstream animation studios to try to create semi-Feminist adaptations of the canonical fairy tales collected by the Brothers Grimm, Hans Christian Andersen, and Charles Perrault, narratives similar to “The Juniper Tree” in fact reinforce a pro-male model of inheritance at the sacrifice of both wives and their girl children. These adaptations also communicate modern social anxieties surrounding blended families, especially regarding heteronormative visions of childhood, savior narratives around adoption, and easy answers about inheritance.Faculty Sponsor: Elizabeth E. Tavare
“We’ll Cook Him Up in a Stew”: Stepmothers and Primogeniture in the Brothers Grimm’s The Juniper Tree
What larger social concern could the continued popularity of the nineteenth-century cannibal stepmother narrative in twenty-first century crime and news reporting be indicating? In this paper, I compare a fictional episode of cannibalism in the non-canonical Brothers Grimms’ tale, “The Juniper Tree,” with the true story of the 2010 murder and subsequent dismemberment of Zahra Baker in Hickory, North Carolina to consider the larger cultural implications of cannibalistic stepmothers. In doing so I argue that, despite the half-hearted attempt by mainstream animation studios to try to create semi-Feminist adaptations of the canonical fairy tales collected by the Brothers Grimm, Hans Christian Andersen, and Charles Perrault, narratives similar to “The Juniper Tree” in fact reinforce a pro-male model of inheritance at the sacrifice of both wives and their girl children. These adaptations also communicate modern social anxieties surrounding blended families, especially regarding heteronormative visions of childhood, savior narratives around adoption, and easy answers about inheritance
“The Sweetest Savor”: Active Male Penetrators and Societal Anxieties in Arthurian Legend
The expected gender dichotomy of medieval European heterosexual relationships was simple. There was an active male penetrator and a passive female acceptor. This dichotomy is supported by court records from late medieval France, analyzed by Joseph Roelens, in which two women are put on trial for female sodomy and much importance is placed on the masculine character of one woman and the submissiveness of the other. In this paper, I examine two different stories from Arthurian Legend, Sir Thomas Malory’s “Morte d’Arthur” and Geoffrey Chaucer’s “The Wife’s Prologue and Tale” from The Canterbury Tales, that depict sexual relationships between the main male and female characters that function within the social norm of the gender dichotomy. In doing so, I argue that these stories use this active and passive gender dichotomy in an attempt to police men’s actions in their sexual relationships with women. I chose to examine these stories because they demonstrate the societal importance placed on this gender dichotomy in a very concrete way. The men in these stories who refuse to become passive, Sir Lancelot being the most prominent among them, are willing to sacrifice not only their life, but the life of the women they love (whether or not the women agree with this decision), in order to avoid breaking the gender dichotomy.Faculty Sponsor: Dr. Elizabeth E. Tavare
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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