3,657 research outputs found
Mike Mansfield Interview, January 27, 2000
Full text linkMike Mansfield discusses his first political campaign running for the U.S. House and his fundraising efforts that went along with it. He describes his relationship with Jim “Bim” Rowe, who supported and advised him during his campaigns in Montana. Mansfield also talks about his decision not to run against Burton K. Wheeler, despite Jim Rowe’s encouragement to challenge him. Mansfield recalls his meetings with the Crown Prince of Japan during his time as ambassador and accompanying the Crown Prince on a trip to the United States.https://scholarworks.umt.edu/mansfield_interviews/1010/thumbnail.jp
Mike Olszewski Interview, 2009
No full textMike Olszewski is a newscaster for WKSU-FM and a professor of communications at Kent State University and the University of Akron, as well as the author of several books. He was born in Cleveland in 1953. The interview discusses his childhood, racial issues, music, and the media
Mike Olszewski Interview, 2009
No full textMike Olszewski is a newscaster for WKSU-FM and a professor of communications at Kent State University and the University of Akron, as well as the author of several books. He was born in Cleveland in 1953. The interview discusses his childhood, racial issues, music, and the media
Dr. Mike Davison – Faculty Author Interview
No full textDr. Mike Davison, Professor of Music, discusses his documentary film, Cuba: Rhythm in Motion. This dynamic film captures the joy of making music in Cuba, an island that Dr. Davison has visited numerous times with his students. The contrasting yet intertwined histories of Cuban and American music are traced and illustrated with extensive performance footage. A DVD of Cuba: Rhythm in Motion is available in Parsons Music Library
Burton, Michael Howard (Prof Emeritus)
No full textDepartment of Mathematics(2007-2017) Michael Howard (Mike) Burton ORCID 0000-0002-7497-4049 </a
PENERAPAN KONSEP IMPROVISASI SAKSOFON ALTO MIKE BURTON PADA LAGU FUCK JULLIARD YOU DIG (FJYD) KARYA BRAXTON COOK
Full text linkKarya tulis ini membahas tentang penerapan konsep improvisasi saksofon alto Mike Burton pada lagu FJYD karya Braxton Cook. Tidak jarang seorang musisi menggunakan indra perasaannya untuk berimprovisasi, yang tentunya berakhir pada kebuntuan dalam berkreativitas. Salah satu cara terbaik untuk berlatih dan memahami improvisasi adalah dengan menganalisis permainan jazz. Lagu Fuck Julliard You Dig (FJYD) adalah sebuah karya instrumental dari Braxton Cook dalam album Braxton Cook Meets Butcher Brown yang bergenre jazz fusion. Metode penelitian ini menggunakan metode kualitatif dengan melalui beberapa proses penelitian, yaitu: mencari topik, pengumpulan data, transkrip, analisa, eksplorasi, tambahan aransemen, latihan, penerapan, dan menarik kesimpulan. Berdasarkan hasil yang ditemukan, Burton memiliki ciri khas dalam menginterpretasikan lagu dan improvisasi dengan menggunakan tangga nada mayor pentatonik, minor pentatonik, whole tone, blues scale, grace notes. Selain itu, Burton memiliki tone quality yang tebal dan bright serta pengolahan melodi dengan pendekatan akor yang dirangkai menjadi lick yang melodius. Sebagian besar konsep improvisasi telah berhasil diterapkan, meliputi beberapa tangga nada dan teknik di atas, namun secara kualitas dan presentasi masih mendekati yang diharapkan dan belum sempurna seperti Burton. Kata Kunci : Penerapan, Konsep, Improvisasi, Mike Burton, FJYD
Penerapan Konsep Improvisasi Saksofon Alto Mike Burton pada Lagu FJYD (FUCK JULLIARD YOU DIG) Karya Braxton Cook
Full text linkKarya tulis ini membahas tentang penerapan konsep improvisasi saksofon alto Mike Burton pada lagu FJYD karya Braxton Cook. Mike Burton dipilih sebagai objek penelitian karena memiliki ciri khas dalam permainan saksofonnya dengan memainkan improvisasi menggunakan teknik yang variatif. Lagu FJYD (Fuck Julliard You Dig) adalah sebuah karya instrumental dari Braxton Cook dalam album Braxton Cook Meets Butcher Brown yang bergenre jazz fusion. Metode penelitian ini menggunakan metode kualitatif dengan melalui beberapa proses penelitian, yaitu: mencari topik, pengumpulan data, transkrip, analisa, eksplorasi, tambahan aransemen, latihan, penerapan, dan menarik kesimpulan. Berdasarkan hasil yang ditemukan, Burton memiliki ciri khas dalam menginterpretasikan lagu dan improvisasi dengan menggunakan tangga nada mayor pentatonik, minor pentatonik, whole tone, blues scale, grace notes. Selain itu, Burton memiliki tone quality yang tebal dan bright serta pengolahan melodi dengan pendekatan akor yang dirangkai menjadi lick yang melodius. Sebagian besar konsep improvisasi telah berhasil diterapkan, meliputi beberapa tangga nada dan teknik di atas, namun secara kualitas dan presentasi masih
mendekati yang diharapkan dan belum sempurna seperti Burton
Mike Nichols Oral History
No full textOral histories created by University of Kansas students, staff and faculty as part of the Religion in Kansas Project are archived at http://hdl.handle.net/1808/12524 in KU ScholarWorks, the digital repository of the University of Kansas.Oral history interview with Mike Nichols conducted by Diana Brown at the Latte Land coffee shop in Kansas City, Kansas, on July 6, 2014. Mike is the author of The Witches’ Sabbats, taught classes on Paganism for decades, and owned The Magic Lantern occult book shop in Kansas City in the 1980s; this interview discusses those experiences. This interview was conducted for the Religion in Kansas Project as part of a summer fieldwork internship funded by the Friends of the Department of Religious Studies.Friends of the Department of Religious Studie
Mike Ladd: Invisible mending
No full textAn Author event presented by The Friends of the University of Adelaide Library, recorded in the Ira Raymond Room, Barr Smith Library, 18 May 2017.Mike Ladd's new collection, Invisible Mending ranges across genres including essay, memoir, short story and poetry. Based loosely on the ideas of scarring and healing, Invisible Mending extends from family intimacies to connection and disconnection in the Australian community, environmental damage and repair. It also has an international view. Parts of it were written at an artist's residency in Malaysia and while travelling through South America
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