3,187 research outputs found
Nadine Gastaldi (éd.), Bâtir et orner, 2011
Burtard Alexandre. Nadine Gastaldi (éd.), Bâtir et orner, 2011. In: Bulletin Monumental, tome 172, n°2, année 2014. pp. 177-178
Michael Kiene, Jacques Ignace Hittorff, précurseur du Paris d’Haussmann, 2011
Burtard Alexandre. Michael Kiene, Jacques Ignace Hittorff, précurseur du Paris d’Haussmann, 2011. In: Bulletin Monumental, tome 172, n°2, année 2014. pp. 178-179
La filosofía del derecho de Alexandre Kojève
This article is a presentation of Alexandre Kojève’s philosophy of law, exposed in his Esquisse d’une phénoménologie du droit (1981). Little attention has been paid to this work. So there is a gap that has to be filled with a critical reflection of its strengths. Among them, undoubtedly, we count the fact that Kojève is introducing a conception of international justice that casts a singular light on current debates about cosmopolitanism and globalization. According to this author, citizenship is the key element of the process of global expansion of the juridical sphere. In sum, Kojève’s philosophy is useful to reflect upon the contrast between the juridical and the political, which is the basis for all philosophy of law, in order to achieve world peace and international justice.Este artículo es una presentación de la filosofía del derecho de Alexandre Kojève contenida en su Esquisse d’une phénoménologie du droit (1981). La poca atención que dicha obra ha recibido es un vacío que debiera llenarse con una reflexión crítica de sus puntos fuertes. Entre ellos destaca una concepción de la justicia internacional que proyecta una luz muy singular sobre los actuales debates en torno a la globalización y el cosmopolitismo. A ojos de este autor, la ciudadanía es el elemento clave para aquilatar la expansión global de lo jurídico. En suma, Kojève aparece como un valioso referente en la labor de pensar la contraposición entre lo jurídico y lo político que está en la base de toda filosofía del derecho, con la aspiración al logro de la justicia internacional y la paz mundial en el horizonte
Reconfiguração do consensualismo contratual: as ações tituladas nominativas e os limites à transmissão
Partimos da evolução histórica do consensualismo contratual salientando os
principais carateres que, nos diversos momentos históricos, se foram evidenciando.
Numa segunda etapa exploramos os fundamentos dogmáticos do modelo de
transmissão contratual assumido pelo legislador e a sua viabilidade no sistema
jurídico global, em particular, no direito dos valores mobiliários. Constatamos a
crescente necessidade na prática mercantil e inevitabilidade no sistema jurídico
global da admissibilidade da existência de contratos de compra e venda de natureza
meramente obrigacional. Num terceiro momento desenvolvemos os principais
aspetos do regime jurídico aplicável às ações tituladas nominativas fora do mercado
regulado, em particular, os principais limites à transmissão, enquanto instrumentos/barreiras ao consensualismo contratual.We start from the historical evolution of contractual consensualism emphasizing the
main aspects that, in different historical moments, were showing up. In a second
stage we explore the dogmatic foundations of the transmission model contractual
assumed by the legislator and its viability in the global legal system, in particular, in
securities law. We note the growing need in commercial practice and inevitability in
the global legal system the admissibility of the existence of contracts of sale purely
obligatory. In the third stage we develop the main aspects of the legal regime
applicable to nominative titled actions outside the regulated market, in particular,
the main limits to the transmission, as instruments / barriers to contractual
consensualism
Plafonds à « estrich » de Hallering : contribution à la recherche sur des décors menacés en milieu rural
Territoire paroissial et architecture religieuse en Pays de Nied aux XVIIe et XVIIIe siècles : l’archiprêtré de Varize après le concile de Trente
“Era por Alexandre tod’esto demostrado”: ¿pruebas verídicas y pruebas engañosas en el Libro de Alexandre?
El Libro de Alexandre es un texto de s. XIII, que se escribió en la España medieval. En este escrito, el autor pretende demostrar que, en el Alexandre, algunas de las situaciones que se ponen a prueba son aceptadas, pero eso no significa que el macedonio gane la prueba. El articulo esta dividido en tres apartados. En el primero, el autor da cuenta de la historia textual de la obra y también dedica ciertas líneas al Estado de la cuestión del texto; mientras que, en la segunda parte, nos guía a conceptos etimológicos de los términos prueba, evidencia y demás. En el tercer apartado se centra en algunas pruebas expuestas en el Libro de Alexandre.The Libro de Alexandre is a literary work, written during the medieval Spain. In this paper, the author tries to demonstrate that, carefully reading the L.A, some of the situations that are set as proves are accepted, but it does not mean that Alexander can be a victor. This paper is divided in three sections: firstly, the author tells the textual history of the L.A and, then, tries to update the State of art: on the other hand, in the second part, the author offers meanings about terms as: prueba and evidencia. Finally, the author focuses on certain passages contained in the Libro de Alexandre that can be taken as failed proves
Mixing the Immiscible: Improvisation within Fixed-Media Composition
This paper will explore ways in which mastered improvisation practice, with the studio as an instrument, is a proposed avenue to bridge the historical dichotomy between what Ted Gioia describe as ‘the aesthetics of perfection’ and ‘the aesthetics of imperfection’. It is proposed as a way to re-embody fixed music, as experimented by the author through the composition of his last fixed-media work. This will be put in the context of a wider trend observed amongst the current emerging generation of composers interested in the aesthesics of the work, by opposition to the previous generations that placed the value of the work in its poietics. The vital and primal importance of practice outcome as practice-based research’s main document will also be advocated for, as these trends are happening in the laboratory of live music
Exemples d’approche des plafonds à estrich de Moselle orientale
Les plafonds à estrich sont des décors caractéristiques de la Lorraine germanophone. On les trouve en milieu rural, dans d’anciennes fermes et maisons paysannes des XVIIIe et XIXe siècles. Il s’agit de plafonds stuqués mis en œuvre grâce à des moules en bois gravés de signes, inscriptions et motifs décoratifs, pouvant ainsi être reproduits à l’envi. Cette technique n’existe en France que dans la micro-région est-mosellane mais se trouve selon toute vraisemblance également en Sarre et dans le Palatinat. En 2006, une découverte fortuite de plafonds à estrich dans une ferme de la commune de Hallering a conduit le service départemental de l’inventaire et du patrimoine de la Moselle à mener un recensement de ces décors si particuliers, dont beaucoup ont déjà disparu ou sont menacés de disparaître, en raison des conditions dans lesquels ils sont conservés, dans des lieux parfois humides, abandonnés ou sujets à des réhabilitations ne tenant pas compte de leur présence. Les plafonds nouvellement découverts à Hallering sont particulièrement intéressants car, outre des inscriptions et des signatures, ils comportent également des scènes historiées et des symboles politiques. Ils permettent aussi de suivre l’évolution de la production particulière de quelques artisans du XVIIIe siècle.In German-speaking Lorraine are some very particular decoration still preserved in old farms of the countryside. In those houses, built during the eighteenth and the nineteenth centuries, the ceilings are made of plaster moulded on an exposed beams structure. The wooden matrix, that has been carved by a creative craftsman, is used to reproduce the decoration over and over again. This technique is only known in this small territory of Eastern Lorraine but seems to exist in Germany as well (especially in the Saar and the Palatinate). 2006 another estrich ceiling happened to be found in a small village called Hallering. This fact persuaded the curatorial office of Heritage of Moselle to lead an inventory of those decorated ceilings. In fact, a lot of estrich ceilings are endangered: an important part has already disappeared during the twentieth century because the gypsum is very fragile when exposed to water in abandoned houses. The estrich ceilings are very interesting because the decorated face bear not only dedications and signatures but historiated scenes and political signs too. Therefore it is possible to study the works of a small circle of craftsmen decorating rural housings in the eighteenth century.Im deutschsprachigen Lothringen sind in alten Bauernhäusern aus dem 18. oder 19. Jahrhundert noch ganz besondere Ornamente vorhanden, so zum Beispiel in Holzgießformen abgedruckte Stuck-Gipsdecken, deren Muster von kreativen Handwerkern eingraviert wurden. Diese Technik hat sich in Frankreich nur in diesem begrenzten Gebiet entwickelt, aber sie hat anscheinend auch in Deutschland existiert, und zwar im Saarland und in der Pfalz. Nach einer neuen Entdeckung von Estrichdecken 2006 in einem alten Bauernhaus in der Gemeinde Halleringen sah sich die Kulturbehörde des Departement Mosel verpflichtet, eine Inventar von diesen Ornamenten anzulegen.Es ergibt sich, dass die Stuck-Gipsdecken heute in Ostlothringen ausgesprochen gefährdet sind. Da dieses weiche Material die Feuchtigkeit der verlassenen Häuser schlecht aushält, sind sogar davon viele schon verschwunden. An den besonders interessanten neuentdeckten Putzdecken lassen sich nicht nur In- und Unterschriften erkennen, sondern auch ländliche Szenen sowie politische Zeichen. Es wird also die Fertigkeit der kleinen Handwerkerkreise vor Augen geführt, die im 18. Jahrhundert zu der Verzierung der Bauernhäuser beigetragen haben
Alexandre de Rhodes (1593?-1660)
Biografia do jesuíta francês Alexandre de Rhodes (1593?-1660), missionário na Cochinchina (Vietname) e no Tonquim. Autor do Dicionário Anamita-Português-Latim (1651), Rhodes foi uma figura central no choque de interesses entre o Padroado Português e as ambições diplomáticas e políticas da França na Indochina e na China.Biography of the French Jesuit Alexandre de Rhodes (1593?-1660), missionary in Cochinchina (Vietnam) and Tonkin. Author of the Anamita-Portuguese-Latin Dictionary (1651), Rhodes was a central figure in the clash of interests between the Portuguese Padroado and France's diplomatic and political ambitions in Indochina and China.info:eu-repo/semantics/publishedVersio
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