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Entretien avec Sylviane Dupuis, poète et dramaturge suisse contemporaine
Full text linkPoète, dramaturge, professeure des universités, essayiste et animatrice d’ateliers d’écriture théâtrale, Sylviane DUPUIS (1956-) est un nom désormais bien connu dans l’histoire culturelle de la Suisse romande. D’ailleurs, la reconnaissance de son œuvre littéraire a largement dépassé les frontières de la Suisse, comme l’attestent les nombreuses récompenses reçues, tout comme les bourses de création octroyées par des institutions culturelles francophones prestigieuses (mentionnons, entre autres, le Grand Prix de Poésie C.F. Ramuz 1986 ; deux bourses de création octroyées par la Fondation Pro Helvetia en 1989 et 1999 ; le Prix international francophone de poésie Jasmin d’Argent, France, 1996 ; le Prix des Journées de Lyon des Auteurs de théâtre, 2004 ; le Prix Pittard de l’Andelyn, 2012 ; les Palmes académiques, France, en 2012). Son engagement pour le rayonnement des lettres suisses romandes prend souvent une double dimension, académique et culturelle : chargée de cours honoraire à la Faculté des Lettres de l’Université de Genève, elle est aussi membre fondateur de l’association EAT-CH (Écrivains associés du théâtre de Suisse) et de la MLG (association militant en faveur de la fondation d’une « maison de la littérature » à Genève et dont les efforts sont à la base de la création de la première Maison de la littérature de Suisse romande, la MRL – Maison Rousseau et Littérature, fondée en janvier 2012, dont elle est actuellement la vice-présidente).
Author Biography
Andreea BUGIAC,
Faculté des Lettres, Université Babeş-Bolyai, Cluj-Napoca, Roumanie. [email protected].
Faculté des Lettres, Université Babeş-Bolyai, Cluj-Napoca, Roumanie. Email: [email protected]
Paysages minéralisés. Les figures stélaires dans l’écriture poétique de Philippe Jaccottet
Full text linkThe image of an eroded stone on which writing represents no longer a text but a mere trace revealing a human passage is a major theme in the works of the Francophone poet Philippe Jaccottet. On the one hand, the written stone appears as a visual analogon of the poetical discourse, depriving it of its sacred immortal aura and announcing prophetically its approaching death. On the other hand, its dullness and its density express symbolically the challenge that the subject launches against death, justifying Jaccottet’s predilection for the mineral imagery as a metapoetic element
Petrified Landscapes. Stelar Monuments in the Poetical Works of Philippe Jaccottet
No full textThe image of an eroded stone on which writing represents no longer a text but a mere trace revealing a human passage is a major theme in the works of the Francophone poet Philippe Jaccottet. On the one hand, the written stone appears as a visual analogon of the poetical discourse, depriving it of its sacred immortal aura and announcing prophetically its approaching death. On the other hand, its dullness and its density express symbolically the challenge that the subject launches against death, justifying Jaccottet’s predilection for the mineral imagery as a metapoetic element
CORPS DE FEMMES ET MAISONS D’ENFANTS DANS "ENFANTS DU DIABLE" DE LILIANA LAZAR
Full text linkWomen’s Bodies and Children’s Homes in Liliana Lazar’s Enfants du diable [The Devil’s Children]. Many contemporary Romanian writers who chose French as a literary language seem to share a common interest in revisiting through fiction Romania’s relatively recent communist past, thus exposing the dysfunctionalities of the ‘multilaterally developed socialist society’ during the last years of Nicolae Ceaușescu’s dictatorship. In her novel, Enfants du diable (2016), Liliana Lazar’s merit is to emphasize the abusive nature of the Romanian totalitarian regime by exploring a topic which is normally less taken into account by post-communist Romanian fiction, namely the private body of women transformed into a public, even political body after the implementation of the Anti-abortion Decree 770/1966. Our aim is to examine the way in which Lazar’s book deals with this topic and its social and personal consequences, as well as its denunciation of a less evident form of the communist carceral system, namely the institutionalization of orphaned children.
REZUMAT. Corpuri de femei și case de copii în Enfants du diable de Liliana Lazar. Numeroși scriitori români contemporani de expresie franceză aleg să revină sub o formă ficțională la o parte relativ recentă a istoriei României, mai precis la trecutul comunist, denunțând disfuncționalitățile „societății socialiste multilateral dezvoltate” din timpul ultimilor ani ai dictaturii ceaușiste. În romanul său, Enfants du diable (2016), meritul Lilianei Lazar este de a expune natura abuzivă a regimului comunist totalitar prin intermediul unei problematici mai puțin explorate de ficțiunea română post-decembristă, și anume cea a corpului femeii, devenit corp public și politic în urma implementării Decretului 770/1966 ce interzicea avortul. Scopul prezentei lucrări este de a examina modul în care romanul Lilianei Lazar reia această problematică și îi ficționalizează consecințele sociale și personale, precum și felul în care el denunță o formă mai puțin evidentă a sistemului carceral comunist, și anume instituționalizarea copiilor orfani.
Cuvinte-cheie: comunism, regim totalitar, corp feminin, orfelinat, sistem carceral, Liliana Lazar, Nicolae Ceaușesc
Peter Frei & Thomas Hunkeler, Une poétique d’intervention. Autour d’Éric Chauvier, Éditions des Crépuscules, Paris 2023
Full text linkPeter Frei & Thomas Hunkeler, Une poétique d’intervention. Autour d’Éric Chauvier, Éditions des Crépuscules, Paris 2023
Full text linkLes Ombres de l'Histoire. Philippe Jaccottet et la sensibilité historique d’un projet littéraire
No full textInternational audienceThis book aims to provide a window into some gray areas of the poetical universe of Philippe Jaccottet, whose work is generally considered to be clear, transparent and sheltered from historical contingencies. The object of our inquiry concerns what we called the “repressed” part of his work, which means everything Jaccottet’s writing does not explicitly affirm or what it seems to reject. We wanted to show that History, the great Absent in Jaccottet’s canonical writings, nevertheless reveals itself in the implicitness of his work, through allusions, things left unsaid, ambiguities, contradictions or poetic motifs requiring, for their understanding, an analysis that would go beyond a simple transhistorical reading. In the end, less than answering questions already posed, this work would launch new questions, by practicing a ‘critical reading of suspicion’ which, we hope, does not exclude the candid pleasure of the innocent reading, that of a loving embrace of the object examined.Le présent ouvrage se propose d’explorer certaines zones d’ombre de l’univers poétique de Philippe Jaccottet, dont l’œuvre est généralement considérée comme limpide, transparente et mise à l’abri des turbulences historiques. L’objet de notre enquête a visé ce que nous avons appelé le « refoulé » de cette œuvre, c’est-à-dire ce que l’écriture jaccottéenne n’affirmait pas de manière explicite ou ce qu’elle semblait rejeter. Nous avons voulu montrer que l’Histoire, la grande absente des textes canoniques de Jaccottet, s’y révélait pourtant en filigrane, le plus souvent dans l’implicite de son œuvre, à travers des allusions, des non-dits, des ambiguïtés, des contradictions ou des motifs poétiques réclamant, pour leur compréhension, une analyse qui dépasserait une simple lecture transhistorique. En fin de compte, moins que de répondre à des questions déjà posées, cet ouvrage s’est proposé de lancer de nouvelles interrogations, en pratiquant une « lecture du soupçon » qui, nous l’espérons, n’exclut pas le plaisir candide de la lecture innocente, celle d’une étreinte amoureuse de l’objet étudié
Paysages minéralisés. Les figures stélaires dans l’écriture poétique de Philippe Jaccottet
Full text linkThe image of an eroded stone on which writing represents no longer a text but a mere trace revealing a human passage is a major theme in the works of the Francophone poet Philippe Jaccottet. On the one hand, the written stone appears as a visual analogon of the poetical discourse, depriving it of its sacred immortal aura and announcing prophetically its approaching death. On the other hand, its dullness and its density express symbolically the challenge that the subject launches against death, justifying Jaccottet’s predilection for the mineral imagery as a metapoetic element.The image of an eroded stone on which writing represents no longer a text but a mere trace revealing a human passage is a major theme in the works of the Francophone poet Philippe Jaccottet. On the one hand, the written stone appears as a visual analogon of the poetical discourse, depriving it of its sacred immortal aura and announcing prophetically its approaching death. On the other hand, its dullness and its density express symbolically the challenge that the subject launches against death, justifying Jaccottet’s predilection for the mineral imagery as a metapoetic element.The image of an eroded stone on which writing represents no longer a text but a mere trace revealing a human passage is a major theme in the works of the Francophone poet Philippe Jaccottet. On the one hand, the written stone appears as a visual analogon of the poetical discourse, depriving it of its sacred immortal aura and announcing prophetically its approaching death. On the other hand, its dullness and its density express symbolically the challenge that the subject launches against death, justifying Jaccottet’s predilection for the mineral imagery as a metapoetic element
RENDRE L’ORALITÉ AU XIXe SIÈCLE. ÉTUDE DE CAS: "CĂRTICICA NĂRAVURILOR BUNE PENTRU TINERIME" [PETIT MANUEL DE CIVILITÉ À L’USAGE DE LA JEUNESSE] (SIBIU, 1819)
Full text linkRendering oral language in the 19th century. Case study: A Youth’s Guide to Good Habits. The present paper discusses a series of punctuation marks identified in a small book published in 1819 in Sibiu, and entitled Cărticica năravurilor bune pentru tinerime [A Youth’s Guide to Good Habits]. Our purpose is to see to what extent such signs (which remain, after all, written) can render orality and help ‘translate’ the ‘speaking’ (la parole) or the modulation of a ‘spoken voice’ hidden underneath the written text.
REZUMAT. Redarea oralităţii în secolul al XIX-lea. Studiu de caz: Cărticica năravurilor bune pentru tinerime (Sibiu, 1819). În studiul nostru, ne propunem să luăm în discuţie câteva semne de punctuaţie identificate într-o lucrare apărută la Sibiu, în 1819, intitulată Cărticica năravurilor bune pentru tinerime. Obiectivul nostru este, pe de o parte, de a observa în ce măsură aceste semne pot reda oralitatea și, pe de altă parte, de a arăta că aceste semne – care sunt scrise – permit, totuși, transpunerea vorbirii sau inflexiunile unei „voci” ascunse în spatele textului propriu-zis.
Cuvinte cheie: mărci ale oralității, semne de punctuație, paranteze, ghilimele, linie de pauză, J. H. Campe, Moise Fulea
Le traducteur fictif de Jacques Poulin ou l’invention d’un mythe littéraire
Full text linkJacques Poulin’s Fictional Translator or the Invention of a Literary Myth. The present paper attempts to explore the reasons of a literary success: the fictional translator in 21st century Francophone fiction. Are we to place such success in the sociological and economical changes occurred in the late 1990s within the context of globalization and of the (re)invention of new professional identities? The starting point of our analysis will be a recent novel published by Jacques Poulin, La traduction est une histoire d’amour (2006), which will permit us to link the narrative success of the translator to sociological reflections on the Quebec territory challenged by a bilingual consciousness.
REZUMAT. Traducătorul fictiv al lui Jacques Poulin sau Inventarea unui mit literar. Lucrarea de față își propune să examineze rațiunile unui succes literar: figura traducărului fictiv în literaturile francofone contemporane. Putem oare înțelege acest succes prin prisma schimbărilor societale și economice petrecute începând cu ultima decadă a secolului trecut, în contextul globalizării și al (re)inventării unor noi identități profesionale ? Punctul de plecare al analizei îl va constitui un roman publicat recent de către scriitorul canadian de limbă franceză, Jacques Poulin, La traduction est une histoire d’amour (2006), care creează o punte de legătură între succesul narativ actual al traducătorului-personaj și reflecții de natură sociologică, legate de statutul bilingv al Quebecului.
Cuvinte-cheie: mit literar, traducător fictiv, traducere literară, Jacques Poulin, Quebec, comunitate bilingvă, literaturi francofone contemporan
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