2,994 research outputs found
“Duel with a Shark“: Un’analisi della regia di Jaws
No full textL’articolo di Warren Buckland è l’inedita traduzione italiana del quarto capitolo del suo Directed by Steven Spielberg. Poetics of the Contemporary Hollywood Blockbuster (Continuum, New-York/London, 2006). In questo testo, Buckland propone un’analisi formalista del cinema di Spielberg dando conto delle scelte di regia, delle tecniche impiegate e dell’orchestrazione di tutti i materiali del film per rilevare sia la cifra personale di uno stile che la dimensione collettiva del lavoro cinematografico (in tal senso, Buckland si appoggia più alla manualistica tecnica che alla letteratura classica dell’analisi testuale). L’articolo isola alcuni segmenti decisivi di Jaws per mostrare la sua marcata compattezza stilistica, con particolare riferimento all’uso delle rime visive e al rapporto tra spazio e personaggi
[Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #2]
No full textStatement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street
[Affidavit In Any Fact by Warren Allen Reynolds, March 16, 1964 #1]
No full textStatement by Warren Allen Reynolds concerning a man, identified by the author as Lee Harvey Oswald, running up Jefferson Street from Tenth Street
Warren G. Harding letter to Adolphe Danziger, February 21, 1921
No full textIn this letter dated February 21, 1921, President-elect Warren G. Harding writes to Adolphe Danziger, a Jewish scholar, lawyer and author, to thank him for the poem he wrote honoring Harding titled "Within the Storm."
This letter is part of the Warren G. Harding Papers (MSS 345). This collection includes correspondence, business records, and other materials documenting Harding’s business career as owner and editor-in-chief of The Daily Marion Star, as well as the various stages of his political career. A significant portion of the collection, and what’s available on Ohio Memory, highlights his 1920 presidential campaign, spanning just before publicly announcing his candidacy to handily defeating Ohio Governor James M. Cox in the election. Correspondents include both Ohio and national businessmen, political figures, and ordinary citizens writing with questions, support, congratulatory notes, and campaign advice. Some of the most interesting insights into the tumultuous political climate in the U.S., the extreme factionalism within the Republican Party in Ohio, and Harding’s campaign strategies are described in letters between Harding and his campaign manager, Harry M. Daugherty. Some of the topics addressed include women’s suffrage, Prohibition, the League of Nations, African American representation and issues, and lingering peace negotiations following World War I
Cinema/ Ideology/ Criticism
No full textThe Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first.
When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers.
Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions
Lucy Hadley, Buckland, AK
No full textLucy Hadley, Buckland, AK.https://digitalcommons.georgefox.edu/perisho_alaska/1282/thumbnail.jp
‘Modular Spacetime in the “Intelligent” Blockbuster: Inception and Source Code’
No full textSuggesting both linear progression and configurable modularity, the complex cinematic narratives of Inception (Christopher Nolan, 2010) and Source Code (Duncan Jones, 2011) produce distinctive articulations of time and space. They also thematize the architectural processes involved in their own narrative construction, by featuring characters who are programmers, designers, and architects, and deploying a range of spatial metaphors (including lines, layers, and circles) via scenography, dialogue, and mise-en-scène. Exploring the spatiotemporality of these films, we investigate the role that graphic metaphors play within them and argue that these metaphors are oriented around two competing logics: speed and memory
Enunciation, Film and -
No full textThe article explores the connection between film and the enunciation theory, starting from the Metz recovery of E. Benveniste ideas up to the most recent developments of film theor
Rhetoric, Film and
No full textThe article tackle the problem of relationships between Film Studies and Rhetorics, starting from the Metz essays of the Seventies, up to the most recent developments of film and visual studie
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