1,741,736 research outputs found
View over Canberra looking across the valley towards Mt. Ainslie, Australian Capital Territory, 9 May 1927 [transparency] /
Part of: Collection of lantern slides of Canberra.; Title devised by cataloguer based on information in descriptive list.; Condition: Spots.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4877099
Ainslie Public School, Ainslie, Canberra, ca. 1927 [transparency] /
Part of: Collection of lantern slides of Canberra.; Title devised by cataloguer based on label.; "Public School Ainslie" -- In ink on label.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4904352
[View of Canberra looking across valley towards Kingston, Australian Capital Territory] [transparency] /
Part of: Collection of lantern slides of Canberra.; Title devised by cataloguer based on information in descriptive list.; Condition: Horizontal crack across centre.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an24932047
The DSW: From Skeptic to Convert
The author traces the history of the original DSW degree in relation to the Ph.D. which was viewed as the more respected, rigorous, and traditional degree, essentially replacing the DSW in social work doctoral programs. Following the trend of practice doctorates in the health care field, beginning with the Psy.D. in Psychology, the DSW as a practice–oriented doctoral degree reemerged in 2007 and programs have been proliferating at a rate of approximately one per year. Initially a skeptic, through exposure in various capacities, the author came to appreciate the important gap that advanced practitioners–scholars trained in DSW programs can fill in teaching practice–related coursework in BSW and MSW programs.http://link.springer.com/journal/10615http://dx.doi.org/10.1007/s10615-015-0551-
The Ohio State University Commencement Address by Bruce A. McPheron, Summer 2021
Commencement address given by Bruce A. McPheron, Professor of Entomology, Dean's Chair of CFAES International Programs, and former Executive Vice President and Provost at The Ohio State University, to the Summer 2021 graduating class of The Ohio State University, Jerome Schottenstein Center, Columbus, Ohio, August 8, 2021
Letter dated 28 July 1970 from Bruce A. Ridill to Lorenzo A. Richards
Letter dated 28 July 1970 from Bruce A. Ridill, Sales representative for Sylvania Electric Products Inc. at Los Angeles, California, to Lorenzo A. Richards at Riverside, regarding their connector product lines and offering further informationSYLVANIA SYLVANIA ELECTRIC PRODUCTS INC. (213) 723-5371 SYLVANIA PRECISION MATERIALS P A R T S DIVISION District Sales Office 6505 East Gayhart Street Los Angeles, Calif. 90022 July 28, 1970 Mr. L. A. Richards Lark Instruments Uh^y Fifth Street Riverside, California 925>01 Dear Mr. Richards: We have recently forwarded, to your attention, our latest technical brochures covering our connector product lines. I would be more than willing to make a scheduled sales call at your convenience to discuss any applications you may be considering and provide samples for your evaluation. If we can be of further assistance, please do not hesitate to call. Thank you for your interest in Sylvania products and I hope to be hearing from you in the near future. Sincerely, BAR/imp Bruce A. Ridill Sales Representative • ONE OF THE GENERAL TELEPHONE & ELECTRONICS FAMILY OF COMPANIES
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Psychological jurisprudence : critical explorations in law, crime, and society
Includes bibliographical references and index.edited by Bruce A. Arrigo.The critical perspective in law-psychology research : new directions in citizen justice and radical social change / Bruce A. Arrigo -- Anarchic insurgencies : the mythos of authority and the violence of mental health / Christopher R. Williams -- A critical perspective on Freud's theory of parricide and crime in general / Phillip C.H. Shon -- Media images, mental health law, and justice : a constitutive response to the "competency" of Theodore Kacyznski / Michael P. Arena and Bruce A. Arrigo -- The diminishing sanctity of youth : contributions from general and family systems theory / Jeffrey L. Helms and Bruce A. Arrigo -- Recent perspectives on penal punitiveness / Veronique Voruz -- Is rationalization good for the soul : resisting "responsibilization" in corrections and courts / Shadd Maruna -- Prospects for justice at the law-psychology divide : an agenda for theory, research, and practice / Bruce A. Arrigo
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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