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    Gestão de design para moda inclusiva: diretrizes de projeto para experiência do usuário com deficiência motora

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Design e Expressão Gráfica, Florianópolis, 2015.O mercado de moda brasileiro destaca-se mundialmente, porém a concorrência e os produtos importados vêm fazendo muitas empresas fecharem. Frente a este problema a gestão de design para o vestuário busca na conquista de novos mercados uma estratégia para se estabelecer, assim as Pessoas com Deficiência (PcD) totalizam um público que carece de produtos assistivos que atendam as suas demandas e expectativas. Por isso o objetivo principal é elaborar diretrizes que auxiliem no projeto de um vestuário inclusivo que atenda PcD motora usuárias de CdR. Os objetivos específicos são: Identificar relações entre Gestão de Design e o setor de moda/vestuário e verificar indicativos para uma proposta estratégica para empresas de moda produzirem para inclusão; Estudar design experiencial e suas relações com o vestuário inclusivo; Pesquisar requisitos de projeto de moda inclusiva junto a usuários de cadeira de rodas. A metodologia embasa-se uma pesquisa bibliográfica, segue com um levantamento de dados junto a cadeirante, por meio de 10 observações assistemáticas, e aplicação de 43 questionários. É realizada a análise dos dados e elaboração das Diretrizes de Projeto para Experiência do Usuário com Deficiência Motora. Verificou-se que tanto a experiência de compra como a de uso do vestuário não atendem os usuários cadeirantes, devido, principalmente, à falta de acessibilidade das lojas e de um projeto de produto centrado no usuário; que utilize medidas antropométricas que contemplem este público, que levem em conta seus requisitos de modelagem, tecidos e aviamentos para criar produtos ergonômicos e com usabilidade que maximizem as habilidades de seus usuários. Por meio da apresentação das Diretrizes colabora-se com a viabilização da produção de vestuário inclusivo, apto às necessidades de PcD na medida em que promove a inclusão destas na sociedade, conferindo autonomia nas atividades diárias, qualidade de vida e independência; bem como, por meio da inclusão, estimulando um consumo com responsabilidade social inclusiva.Abstract : The Brazilian fashion market stands out worldwide, but the competition and imported products have been doing many companies close down. Faced with this problem, the design management to garments search in new markets conquest a strategy to establish yourself, seeing in the people with disabilities (PwD) a growing public who needs assistive products that meet their demands and expectations. So the main objective is to develop guidelines to assist in the design of inclusive clothing that meets people with motor disabilities that are wheelchair users. The specific objectives are: To identify relationships between Design Management and the fashion industry / clothing and verify indicative for a strategic proposal for fashion companies producing for inclusion; Study User Experience and its relations with the inclusive clothing; Search requirements for inclusive fashion design with wheelchair users. The methodology starts with a literature search; follows with a survey of data from wheelchair users. For this were made 10 unsystematic observations, and applied 43 questionnaires. The work ends with the data analysis and preparation of the Guidelines for Experience of People with Motor Disabilities in the Interactions with Garments. The result shows that both, the shopping experience and the use of garment products do not meet the wheelchair users expectations, due mainly to the lack of accessibility of shops and a lack of products user-centered designed; that use anthropometric measures of PwD; taking into account their requirements in the development of modeling; and in the selection of fabrics and trims to create ergonomic products and with usability, that maximizes the abilities. Through the Guidelines this article collaborates with the viability of inclusive clothing production, as garments that favoring the engagement of individuals with disabilities in society, giving them autonomy in daily activities, thus contributing to their quality of life and independence; as well as, through including, stimulating consumption with inclusive social responsibility

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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