38 research outputs found

    Historical Perceptions of Nikko in Modern Times -With the Focus on the “Nikko Sanshi Topography” and the “Nikko Pilgrimage Topography”-

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    pdf本論文は、一九世紀初頭における日光をめぐる歴史意識について、植田孟縉の『日光山志』と竹村立義の『日光巡拝図誌』をもとに論じるものである。『日光山志』は五巻五冊からなり、天保七年(一八三六)に刊行されたもので、日光に関する最もまとまった内容を持つ地誌である。その内容は中世以来の山岳霊場としての歴史から書きはじめられ、山内の景観・建物の構造・奥日光の動植物・日光周辺地域の人々の暮らしにまで及ぶ。孟縉は、東照宮だけではなく周辺地域を含めて「日光」であることを示し、江戸幕府の権威の象徴として描いている。こうした、彼の歴史意識は、八王子千人同心という身分集団に属していたことに規定されていると言える。 これに対し竹村立義は、東照宮というこれまで秘匿されてきたものを、豊富な挿絵で視覚化し、自らの考証を加えて『日光巡拝図誌』を編纂した。特に注目されるのは、武家であっても容易に入ることができない奥院御廟を様子や東遊・延年之舞といった儀式を描いた挿絵である。『日光山志』が日光山全体を詳細に記述しているのに対し、『日光巡拝図誌』は参詣者の興味関心を中心にまとめられた書物と言えよう。 両者の日光へのアプローチは非常に対照的ではあるが、二つの地誌に共通することは、日光に関するまとまった情報を読者に提供し、東照宮をより民衆に開かれた存在にしたことである。その背景には参詣者の増加や東照宮信仰の広がりがある。こうした東照宮をめぐる社会の変化が東照宮の書物化を可能にし、多くの読者を生み出したと言えよう。二つの地誌は、まさに一九世紀初頭の読者を意識したものであり、これらを通して日光の歴史化が図られたのである。 This paper discusses historical perceptions of Nikko at the beginning of the 19th Century based on the “Nikko Sanshi Topography” by Moshin Ueda and the “Nikko Pilgrimage Topology” by Ritsugi Takemura. Consisting of five scrolls and five booklets, the “Nikko Sanshi Topography” was published in the seventh year of the Tenpo era (1836) and is the most coherent topography of the Nikko region. The work begins with a history of sacred places in the mountains existing from the Middle Ages and goes on to describe and illustrate mountain scenery, the structure of buildings, the fauna and flora of the Nikko region and the daily lives of people in its environs. Moshin depicts Nikko as a symbol of the authority of the Edo Shogunate that comprises not only the Tosho-gu Shrine, but also the surrounding areas. Moshin’s historical perceptions can be seen as deriving from the Hachioji Sennin Doshin (junior officials in Hachioji), the social rank to which he belonged. In contrast, the “Nikko Pilgrimage Topology” is a compilation by Ritsugi Takemura comprising visual illustrations of previously obscure aspects of the “Tosho-gu Shrine” with additional historical commentary by the author. One particular feature of note is the illustrations of the appearance of the “inner shrine,” access to which was difficult even for members of the samurai class, and events such as the “Azuma Asobi,” an ancient Japanese dance suite that originated in eastern Japan, as well as the “Ennen no Mai,” or “longevity dance.” In contrast with the “Nikko Sanshi Topography,” the “Nikko Pilgrimage Topology” can be thought of as a work that focuses on the interests and concerns of pilgrims. While there is a sharp contrast between the approaches of the two authors, one element that their works share is that they both depict “Nikko,” an area for which no topologies had previously been compiled, bringing the world of the Tosho-gu Shrine closer to the common people. In the background to this lie the growing numbers of pilgrims and the spread of the religion of the Tosho-gu Shrine. It is likely that it was such social changes as these revolving around the Tosho-gu Shrine that made it possible to present the shrine in book form and thus gave rise to a great many readers. Without a doubt, these two topologies were compiled with an awareness of readers at the beginning of the 19th Century and presented the historicization of Nikko in graphic form.departmental bulletin pape

    Rzeczy święte. O kulturowych wędrówkach „Trzech małp z Nikko”

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      Sacred object: On the cultural migrations of the Three monkeys from NikkoThe text is concerned with transformations of a sacred object during its spreading and functioning beyond its original cultural context. The author uses the example of the cultural migrations of the Three monkeys from Nikko and claims that during the process of desacralization the symbol is transformed into a sign or emblem. This process indicates the functions and the role of religion in con­temporary culture. From a different perspective, when a sacred object is treated as a ritual object 1 sensitive experience could be taken into account and 2 objects’ power could be recognized in acting.  Sacred object: On the cultural migrations of the Three monkeys from NikkoThe text is concerned with transformations of a sacred object during its spreading and functioning beyond its original cultural context. The author uses the example of the cultural migrations of the Three monkeys from Nikko and claims that during the process of desacralization the symbol is transformed into a sign or emblem. This process indicates the functions and the role of religion in con­temporary culture. From a different perspective, when a sacred object is treated as a ritual object 1 sensitive experience could be taken into account and 2 objects’ power could be recognized in acting

    The Features of Iconography of Plastic Works of the Shrine Nikko Toshogu

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    The article is devoted to the analysis of iconography of the architectural carving of the shrine Nikko Toshyogu. The author classifies all wooden carving on eight groups and reveals their characteristic features of their iconographic and symbolical components. A special attention is paid on one of the most interesting subject lines devoted to fantastic animals, and characterized by the most sophisticated decoration. According to the research to determine the extent of participation Buddhist, Taoist, Confucian pantheons in the subject line of the plastic decoration, allowing to reveal Japanese way of perception of Chinese culture and its refraction in creative experience of Shintoistic heritage

    A Report on Activities for Junior High School Students : as Guides to Nikko Toshogu Shrine

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    葛飾区教育委員会は,2015年度から栃木県日光市にある区の宿泊施設で1泊2日の中学生対象イングリッシュキャンプを実施している。2016年度のキャンプでは,宿泊施設に近い日光東照宮を散策し,英語でALTを案内することが主な活動であった。本稿では,「葛飾区イングリッシュキャンプ」のプログラムについて報告し,宿泊型研修での観光地案内の実践を通して,参加生徒がどのような力をつけたかを検証する。A two-day English camp for junior high school students has been held by the Katsushika Board of Education since 2015. The author of this paper has developed the programs for this English camp held in Nikko, Tochigi Prefecture. The main activity for this year’s camp was to guide ALTs to Nikko Toshogu Shrine, which is a World Heritage Site. This paper intends to examine the activities introducing one of the most famous sight-seeing spots in the Kanto area and offer suggestions for designing a curriculum for junior high school students to introduce the Japanese culture in English.departmental bulletin pape

    Efferocytosis

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    Efferocytosis

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    ANALISA KERETAKAN LAPISAN PRIMER PADA TANGKI MUATAN DI VLCG PERTAMINA GAS I

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    ABSTRAKSI Ananda Nikko Samodra, 2019, NIT : 51145367. T, “Analisa Keretakan Lapisan Primer Pada Tangki Muatan di VLGC Pertamina Gas I”, skripsi Program Studi Teknika, Program Diploma IV, Politeknik Ilmu Pelayaran Semarang, Pembimbing I: F. Pambudi Widiatmaka, ST, MT., M.Mar.E, Pembimbing II : Capt. Eko Murdiyanto, M.Pd, M.Mar. Lapisan Primer adalah tangki membrane yang terdiri dari suatu lapisan metal, lapisan insulasi, suatu lapisan liquid-proof, dan Suatu lapisan lainnya. Beberapa lapisan ini kemudian ditempelkan ke dinding tangki. Tangki terbuat dari baja mangan suhu rendah dan diisolasi secara eksternal 120 mm busa poliuretan. Insulasi dilindungi oleh penghalang uap yang terdiri dari 0,5 mm galvalume. Lapisan Primer pada tangki muatan berfungsi untuk menampung muatan gas pada kapal, oleh karena itu harus dilakukan inspeksi secara rutin agar dapat mengetahui keretakan dan kerusakan yang dapat mengganggu pengoperasian muatan. Pengoperasian, perawatan, serta inspeksi yang baik akan mampu mengoptimalkan kerja dari lapisan primer beserta sistemnya dan mengurangi resiko keretakan lapisan primer pada tangki muatan. Metode penelitian yang penulis gunakan dalam penyusunan skripsi ini adalah metode penelitian deskriptif kuantitatif, dalam hal ini penulis menggunakan metode USG sebagai teknik analisa data untuk menentukan prioritas dari permasalahan yang terjadi. Penggunaan metode USG ini yaitu dengan membandingkan dari masalah yang ada untuk di lihat seberapa gawat (urgent), serius (seriously) dan bagaimana perkembangan isu (growth) dari masalah-masalah yang di dapat sehingga di peroleh faktor prioritas yang harus segera di selesaikan dari masalah yang telah diketahui yaitu keretakan lapisan primer pada tangki muatan.Dilanjutkan dengan menggunakan metode kualitatif SHEL untuk mengidentifikasi masalah yang ada dengan hubungan dengan faktor manusia dan lingkungan. Dari hasil penelitian yang telah dilakukan peneliti, dapat disimpulkan bahwa prioritas masalah yang menyebabkan keretakan lapisan primer pada tangki muatan adalah human error, karena kelalaian yang dilakukan oleh perwira kapal atau abk yang bertanggung jawab menangani muatan pada kapal. Dampak dari keretakan lapisan primer pada tangki muatan adalah kebocoran, kebakaran merupakan dampak fatal bagi keselamatan kru kapal karena gas adalah muatan yang sangat berbahaya karena mudah terbakar, dampak fatal yang terakhir adalah dapat menyebabkan ledakan (explosion). Upaya yang dilakukan untuk mengatasi keretakan lapisan primer pada tangki muatan adalah lebih memahami manual book dan mengoperasikan sesuai SOP yang berkaitan dengan muatan untuk mencegah keretakan, kerusakan, dan kecelakaan yang tidak diinginkan dan melakukan inspeksi 6 bulan sekali. ABSTRACTION Ananda Nikko Samodra, 2019, NIT: 51145367. T, "Analysis of Cracking of Primary Barrier on Load Tanks at VLGC Pertamina Gas I", Thesis of Engineering Study Program, Diploma IV Program, Semarang Shipping Science Polytechnic, Advisor I: F. Pambudi Widiatmaka, ST , MT., M.Mar.E, Advisor II: Capt. Eko Murdiyanto, M.Pd, M.Mar. The Primary layer is a membrane tank consisting of a metal layer, an insulation layer, a liquid-proof layer, and another layer. Some of these layers are then affixed to the tank wall. The tank is made of low temperature manganese steel and is externally isolated 120 mm polyurethane foam. The insulation is protected by a vapor barrier consisting of 0.5 mm galvalume. The Primer barrier on the cargo tank serves to accommodate the gas load on the ship, therefore routine inspections must be carried out in order to find out cracks and damage that can interfere with the operation of the cargo. Good operation, maintenance and inspection will be able to optimize the work of the primary layer and the system and reduce the risk of cracking the primary layer on the cargo tank. Method, in this case the author uses the USG method as a data analysis technique to determine the priority of the problems that occur. The use of this ultrasound method is by comparing the existing problems to see how urgent (serious), serious (seriously) and how the development of the issue (growth) of the problems that can be obtained so that priority factors must be immediately resolved from the problem what is known is the crack of the primary barrier on the cargo tank. Continued by using the qualitative method of SHEL to identify existing problems with relationships with human and environmental factors.The research method that I use in the preparation of this paper is a quantitative descriptive research From the results of the research conducted by the researcher, it can be concluded that the priority of the problem that causes the cracking of the primary barrier in the cargo tank is human error, due to negligence carried out by the ship or abk officer responsible for handling cargo on the ship. The impact of the cracking of the primary layer on the cargo tank is leakage, fire is a fatal impact on the safety of the ship's crew because gas is a very dangerous charge because of its flammability, the final fatal impact is that it can cause an explosion. Efforts made to overcome the cracks of the primary barrier in the cargo tank are to better understand the manual book and operate in accordance with the SOP relating to the load to prevent unwanted cracks, damage, and accidents and carry out 6- month inspections

    Promenades japonaises : Tokio-Nikko /

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    Binding: green morocco-grained cloth, backed in green goatskin. Front board stamped with pictorial design in gold, black & white with touches of red, signed: A. SOUZE, A. LENEGRE REL. Back board and spine stamped in black & gold. Page edges gilt.In Library's copy the plate facing p. [127] is bound in upside down.Plates have guard sheets, most with title in letterpress. The plates include 5 collotypes and 2 chromolithographs, the latter by Regamey after Kiosay.Sequel to a publication of 1878 with the same title, author, artist & publisher.Mode of access: Internet
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