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    LA COLLEZIONE DI DIPINTI DI GIOVANNI TRECCANI DEGLI ALFIERI.

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    We know that Giovanni Treccani bought and offered to Italy the Borso d’Este Bible in 1923, he financed the 1929-1937 edition of the Enciclopedia Italiana and the 1953-1961 edition of the Storia di Milano but nobody knows his activity as collector of modern and antique pictures which begins about in 1923. The reconstruction of Treccani collection, now lost, has been based on the autobiography of Treccani himself: Nel cammino della mia vita (1960), printed in very few copies for his daughters and sons; on the article by Antonio Morassi issued in 1930-31 on the magazine “Dedalo” and on the recovery of the correspondence between Giovanni Treccani and Adolfo Venturi who has been consultant for Treccani to the purchases of antique art. In addition to these written sources I have put the photolibrary research of these authors in Venice and Rome, in that of the Milan Council Archivio Fotografico and in other Italian and foreign Photo Libraries. After the reconstruction of the collection I have studied each picture to catalogue them. To reconstruct the contest in which the collection was born, I have considered first the background of the Milan collectionism world in the first two decades of the twentieth century, especially that of industry people in relationship with Treccani, then I analyzed the presence of the pictures of Treccani in several exhibitions between the 20s and the 50s. The borrowings of works reflect the relationship between the collector with the art historians who organized some exhibitions and allow us to hypothesize the contest in which Treccani purchased some paintings. The personality who emerges in the 20s and the 30s beside Venturi, is Ugo Ojetti. The probable responsible for the entrance in the collection of Francesco Paolo Michetti paintings and Vincenzo Gemito drawings. In the 40s the work of Treccani is in Milan and is linked to the art historians who work in the city: Costantino Baroni, Gian Alberto dell’Acqua, Fernanda Wittgens. The exhibitions of this period, some publications and the contribution of these historians for the Storia di Milano testify to this relationship. The reconstruction of the Treccani collection also has taken account of the issues financed by the entrepreneur: the pages of Enciclopedia, of the Storia di Milano, and of the Enciclopedia del costume allow you to monitor the inputs of a number of paintings in the collection and to backdate the ownership of Treccani. Finally, the study has also allowed us to identify several new works, among which should be noted a study by Pelizza da Volpedo and a painting by Adolfo Feragutti Visconti and donated by the author to the collector

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    L\u27archivio fotografico Treccani degli Alfieri per la Storia di Milano

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    L\u27archivio fotografico Treccani degli Alfieri per la Storia di Milan

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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