1,419 research outputs found
Landsat MSS classification of fire fuel types in Wood Buffalo National Park, northern Canada
No full textJ1: Global Ecology & Biogeography Letters; M3: Article; Milne, David Franklin, Steven E. Wilson, Bradley A. Ghitter, Geoff Heathcott, Mark McCaffrey, Thomas M. Ow, Charlotte F. Y.; Source Information: Mar1994, Vol. 4 Issue 2, p33; Subject Term: FOREST fires; Author-Supplied Keyword: Canada (Wood Buffalo National Park); Author-Supplied Keyword: Forest fire; Author-Supplied Keyword: Fuel type classification; Author-Supplied Keyword: Landsat data; Number of Pages: 0p; Document Type: Articl
Steven M. Cahn and Maureen Eckert, Freedom and the Self: Essays on the Philosophy of David Foster Wallace
No full textSteven M. Cahn and Maureen Eckert, Freedom and the Self: Essays on the Philosophy of David Foster Wallace. New York: Columbia University Press, 2015. 192pp. ISBN: 9780231161527. Paolo Pitari Independent scholar Freedom and the Self: Essays on the Philosophy of David Foster Wallace is the second collection of essays in Wallace studies that approaches the author from a philosophical standpoint, and most of the critics and students who look forward to reading this book have read the first, Ges..
Interview of Lou Heldman, Steven Hirsch, and David Williams by Tamar Chute
No full textAndy Axelrod: Student (p. 14) --
Jim Blue: Student (p. 15) --
Bill Caldwell: (p. 17) --
John Champlin: Assistant Professor, Political Science (p. 14) --
Lorraine Cohen: Graduate student (pp. 17, 21, 30) --
Jack Corbally: Provost (pp. 6, 24) --
Bill Caldwell: Vietnam Veterans Against the War leader and Graduate Student (p. 21) --
Novice Fawcett: University President (pp. 7, 9, 24, 29) --
Gene Garver: Student and member of the Student Marshals (pp. 11-12) --
E. Gordon Gee: University President (pp. 7, 29) --
Murray Goldwag: Graduate Student (p. 19) --
Woody Hayes: Head Football Coach (p. 13) --
Ron Hutchinson: Student (p. 17) --
David Kettler: Political Science Professor (p. 14) --
Steve Kling: Undergraduate Student Government President (pp. 3-4, 7-8, 19, 23) --
Jerome Lawrence: Co-author of the play "The Night Thoreau Spent in Jail" --
Robert E. Lee: Co-author of the play "The Night Thoreau Spent in Jail" --
Croff Macklin: OSU student (p. 15) --
John McElroy: Executive Assistant to Governor Rhodes (p. 24) --
John T. Mount: Vice President for Student Affairs (pp. 7-9) --
Arliss Rhoden: Dean of the Graduate School (pp. 5-6) --
James Rhodes: Ohio Governor in 1970 (pp. 8, 23-24) --
Jim Robinson: Vice President for Academic Affairs and Provost of the University (p. 24) --
Tim Sheeran: Undergraduate Student Government President (p. 3) --
Ira Sulley: Student (pp. 22, 30)The media can be accessed here: http://streaming.osu.edu/knowledgebank/university_archives/Heldman_Hirsch_and_Williams_062810.mp4David Williams grew up in Tiffin, Ohio; the first member of his family to attend college, Ohio State was the only school he ever considered. Lou Heldman grew up in Cincinnati, and was also the first of his family to attend college. He chose Ohio State for its Journalism program. Steven Hirsch grew up in Pittsburgh, and chose Ohio State because of family connections, a scholarship and the fact that Columbus was still relatively close to home. They all met at Ohio State and were witness to the events leading up to, and culminating in, the student riots in May, 1970. Each describes his own experiences with the demonstrations, including interactions with the University administrators, student government representatives, police and National Guardsmen, and Ohio leaders
Book Review: Making Self-Employment Work for People with Disabilities
No full textAuthor: Cary Griffin & David Hammis
Reviewer: Steven E. Brown
Publisher: Paul H. Brookes, 2003
Paper, ISBN: 1-55766-652-0, 242 pp.
Cost: $35.00 US
Book Review: Replaceable You: Engineering the Body in Postwar America
No full textAuthor: David Serlin
Reviewer: Steven E. Brown
Publisher: University of Chicago Press, 2004
Paper, ISBN: 0-226-74884-7
Cloth, ISBN: 0-226-74883-
Book Review: Shakin’ All Over: Popular Music and Disability
No full textTitle: Shakin’ All Over: Popular Music and Disability
Author: George McKay
Reviewer: Steven E. Brown, PhD
Publisher: Ann Arbor: Michigan, 2013. In Corporealities: Discourses of Disability series. Editors, David T. Mitchell and Sharon L. Snyder.
Paperback: ISBN: 978-0-472-05209-7
Cost: Paperback: $37.50, 230 pages (also available in hardback and e-book
University of Nebraska College of Medicine Class of 1969
No full textJames Robert Adwers, Randell Edward Bauman, Samuel George Benson, Charles Emmett Blair, Richard Allen Blatny, William Michael Botkin, John William Brazer, Robert Windsor Buchanan, Kelly Byron Byrd, James Lynn Casey, John Harrison Casey, Eli S. Chesen, Richard Daniel Clark, Frank Christopher Cooper, Albert Edwin Cram, Max Arnold Dean, Gordon Hugh Ehlers, Stuart Paul Embury, George Edward Farley, Arnold Charles Fellman, Richard Dennis Fitch, Larry Lee Fletcher, Harold William Forbes, David Allan Fredstrom, Susan Gasteyer, Gordon Clyde Ham, David Francis Hazuka, Richard Allen Hirschler, Richard Edwin Imm, Richard Edwin Jackson, Gerald Dwain Janulewicz, James Melvin Kagan, John David Klarich, Thomas Paul Kleinkauf, Brent Elroy Krantz, Henry Franklin Krous, James Byron Kullbom, Dennis Frank Landers, William Jay Lawton, Kanchan Lal Lodhia, David Ernest Magaret, John Richard Maggiore, Wayne Robert Markus, Dee Roy Mattley, Keith Earl McReynolds, Philip Steven Metz, Lance John Mikkelsen, Dale Leverne Mock, Merlin Walter Montgomery, James Ridgway Morgan, Paul Jonathan Nelson, Stephen Morris Nielsen, John Edward Olney, Orrin Douglas Osterholm, Dennis Victor Passer, Richard George Patton, Chester Neil Paul, Judith Ann Kubsch Pester, Thomas Lowell Pester, Paul Edgar Plessman, Lawrence Michael Rice, Terry Ried Rusthoven, Jerry George Schaaf, Alvin Lee Schlichtemeier, Richard David Schmidt, Jimmy Dale Seng, Harvey Neal Sievers, Dick Roswell Smith, William Walter Smith, Eugene Archer Stevens, Richard Collins Strand, Steven Michael Sydow, Kenneth Allen Vogele, Terry Ray Vogt, Loren Stephen Vranish, Ronald Maurice Wachter, Robert Swift Wigton, Jon Fletcher Wubbena, Rowen Kent Zettermanhttps://digitalcommons.unmc.edu/comclass/1049/thumbnail.jp
The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques
No full textThis thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel University.This thesis is based on the research conducted by the author for the series,
Richard Niles' History of Pop Arranging, seven thirty-minute documentary
programmes for BBC Radio 2, researched, written and presented by the author and
broadcast in 2003. It also draws on interviews conducted by the author (and other
research) between 2002 and 2007 both for the radio series and for this thesis and on
the author's experience as a professional arranger in popular music working with
many of the genre's significant recording artists including Paul McCartney, Ray
Charles, Cher, Tina Turner, Westlife, Tears For Fears, Dusty Springfield, James
Brown, Pet Shop Boys, Kylie Minogue and producers including Trevor Hom, Steve
Lipson, Steve Mac and Steve Anderson.
It will be argued that the role of the arranger in popular music has often been
undervalued and that during a critical period of popular music history (1950-2000)
arrangers played a significant part in the evolution of musical content. This thesis is,
to the best of the author's knowledge, the first time (apart from the above mentioned
documentary) the subject has ever been examined. The arranger is "invisible" because musical arrangers are often un-credited on
record liner notes or in books or articles concerning popular music. A considerable
amount of research has been necessary to determine who wrote many of the
arrangements considered herein. Motown's Berry Gordy purposely kept the names of
musicians and arrangers off the records because he feared others might 'poach' the
trademark 'Motown Sound'. Other record labels considered the job of the arranger to
be reminiscent of an earlier era, diluting the Rock 'n' Roll image of emotion and
spontanaeity they wished to promote. Some producers and recording artists disliked
sharing credit for their work. Motown arranger David Van dePitte told the author that
arranging was "thankless and anonymous - a very service-oriented profession where
others often take credit for what you've done." Arranging has therefore remained an
intrinsically unseen art created by 'invisible' artists. By analyzing many recordings,
revealing the techniques and concepts they have used in their work to create popular
records, arrangers and their art will be made more 'visible'
Cahn, Steven M. and Maureen Eckert eds. Freedom and the Self: David Foster Wallace and Philosophy
No full textFreedom and the Self: Essays on the Philosophy of David Foster Wallace is the second collection of essays in Wallace studies that approaches the author from a philosophical standpoint, and most of the critics and students who look forward to reading this book have read the first, Gesturing Toward Reality: David Foster Wallace and Philosophy (edited Robert K. Bolgerand Scott Korb), published just one year before. If that is the case for you, just know that this book is very different. It mostly concerns itself with Wallace’s undergrad philosophy thesis, published in 2010 under the title Fate, Time, and Language: An Essay on Free Will (also edited by Steven M. Cahn). With such focus, it manages to make us more familiar with a side of Wallace’s we readers are not much in contact with: his philosophical background not just in existential terms, but in logical terms also. In this sense, I must say, my main critique to this collection is that the final two essays would have been much more in context in a book like Gesturing Toward Reality. In here, they seem (at least relatively) out of context. My opinions aside, let’s look at the content
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