1,721,077 research outputs found
La traduction en italien des compléments 'PAR N' étroitement liés au verbe. Premières recherches
Full text linkL’objectif de cette recherche est d’étudier la traduction en italien des compléments en par étroitement liés au verbe, autrement dit de tous les compléments en par qui sont obligatoires ou qui possèdent des propriétés de
«restructuration » qui prouvent leur lien étroit avec le verbe. Cette étude se justifie notamment par le fait que d’une manière générale les compléments en par sont traduits en italien à l’aide de plusieurs prépositions, ce qui est une source fréquente de difficulté aussi bien pour les étudiants que pour les traducteurs
Errori che non lo sono. La creatività del traduttore alla prova dei lettori
No full textPonendo l’accento su quegli “errori” che in realtà errori non sono, questo numero di mediAzioni desidera contribuire a modificare le abitudini culturali legate alla “debolezza ontologica” della figura professionale del traduttore, indagando il complesso percorso che dalla lettura del testo originale porta chi traduce a costruire un’interpretazione coerente che sarà alla base delle sue scelte. Ogni volta che un testo sfrutta in modo creativo i diversi livelli della lingua – invenzioni lessicali, deformazioni sintattiche, giochi di parole, rime e assonanze o anche, più semplicemente, presenza di un ritmo che richiede omissioni o aggiunte di parole nella versione d’arrivo – il traduttore sarà costretto a scegliere, e le sue scelte non saranno sempre immediatamente comprensibili ai lettori. Il volume raccoglie un totale di 11 articoli, in italiano e francese
Les compléments prépositionnels des verbes français et italiens. Problémes théoriques et études contrastives
No full textLa tesi è divisa in tre parti: la prima parte offre un panorama delle principali teorie della valenza sviluppate in Francia e in Italia, con particolare attenzione allo statuto sintattico dei complementi preposizionali (argomenti o aggiuntivi); la seconda parte presenta lo studio contrastivo di 103 verbi francesi tratti dal "Dictionnaire de la Complémentation Verbale" di Salkoff-Valli (in preparazione); la terza parte presenta lo studio contrastivo di due gruppi preposizionali francesi di particolare interesse traduttivo: "de N" con valore di causa e "contre N".This Thesis is divided into three parts : the first one gives an overview of the main valency theories, which have been developed in France and Italy, particularly paying attention to the problem of prepositional complements ambiguity (objects or modifiers of the verb) ; second part proposes a contrastive study of 103 French verbs, taken from Dictionnaire de la Complémentation verbale of Salkoff-Valli (in progress); third part proposes a contrastive study of two French prepositional phrases "de N" indicating a cause, and "contre N", object or specific modifier of the verb , very interesting topic under the point of view of the translation into Italian
L'auteur et son oeuvre: perspectives culturelles, juridiques et linguistiques
No full textDans ce volume les auteurs se sont interrogés sur la relation de l'auteur avec son oeuvre, thème de grande actualité qui rendait nécessaire un ouvrage "transversal" aux domaines du droit, de la langue et de la cultur
De l’écriture théâtrale à l’écriture cinématographique : Tout mon amour de Laurent Mauvignier
No full textTradurre la saggistica divulgativa: un'introduzione
Full text linkIntroduzione al volume curato assieme ad Alberto Bramati. Presentazione degli articoli e discussione di alcuni presupposti teorici relativi alla traduzione della saggistica divulgativa
High-Purcell-factor dipolelike modes at visible wavelengths in H1 photonic crystal cavity
No full textThe optimization of H1 photonic crystal cavities for applications in the visible spectral range is reported, with the goal to obtain a versatile photonic platform to explore strongly and weakly coupled systems. The resonators have been realized in silicon nitride and weakly coupled to both organic (fluorophores) and inorganic (colloidal nanocrystals) nanoparticles emitting in the visible spectral range. The theoretical Purcell factor of the two dipolelike modes in the defect has been increased up to ∼90, and the experimental quality factor was measured to be ∼750
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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